Showing posts with label evil dead. Show all posts
Showing posts with label evil dead. Show all posts

Wednesday, August 31, 2016

It Came From The Cineplex: Don't Breathe

Welp, Summer Movie Slaughter 2016 was brutal on the ol' box office, but believe it or not things are about to get even worse. Prepare yourselves for a Fall full of films the studios didn't think were good enough to premiere during the crowded summer months.

Don't Breathe was written by Redo Sayagues and Fede Alvarez, and directed by Fede Alvarez. 

The pair previously co-wrote the Evil Dead remake, which Alvarez also directed. That's pretty much the only thing of note they've done up to now. The film was produced by Sam Raimi and Robert Tapert, which I guess makes sense, as they were the masterminds behind the original The Evil Dead.


Don't Breathe is an adequately written film that's more tense and suspenseful than scary. It's not really a horror film, although it shares many of the tropes, including an unstoppable foe and even a Final Girl.

I was actually looking forward to seeing this film. Well, as much as anyone can look forward to a movie in these days of endless remakes and sequels. Sadly, it didn't quite live up to my expectations. That'll teach me to have hope!

The film has a very odd sense of morality, as everyone in it's on the wrong side of the law. This is far from the first film that encourages you to identify with criminals— most heist films (such as Ocean's 11) force you to pull for the crooks and hope they make their big score. Don't Breathe does the same, as it practically sprains a hamstring trying to get us to root for poor little old put-upon Rocky, despite the fact that she's a robber and a thief. Odd.

Stephen Lang— Col. Quaritch of Avatar fame— stars as the Blind Man (no names please), and is absolutely terrifying in the film. His nearly silent portrayal is riveting, and I have no doubt whatsoever that his character could easily whup the tar out of any sighted opponent. Jane Levy stars as Rocky, the ostensible "heroine" of the film. Levy was also in the Evil Dead remake, and is apparently a favorite of Alvarez. Dylan Minnette plays Alex, the smart and sensitive burglar in the film. Minnette is from my home town of Evansville, Indiana! A quick glance at IMDB says he was born in 1996, one year before I moved here. Jesus Christ! Excuse me while I go take my rheumatiz medicine.

Don't Breathe is the latest in the popular "Blind Avenger" subgenre, in which a visually-impaired man, who usually knows some sort of martial arts, easily kicks the ass of his sighted opponents. Other examples include The Book Of Eli, Daredevil, Blind Fury and the Zatoichi series. It's a pretty popular (if totally unbelievable) genre.


SPOILERS!

The Plot:
Rocky, her boyfriend "Money" and her friend-zoned pal Alex are three twenty-something thieves living in the remains of Detroit, who make their living robbing the homes of the rich. Because rich people are automatically evil and don't deserve their wealth, dontcha know.

Rocky dreams of earning, er, I mean stealing enough money to get out of Detroit and move to California with Money and her little sister "Diddy" (Jesus Christ, who named these characters?). Alex is the brains of the operation, and only targets homes protected with systems from his father's security company. He has everything figured out down to the letter, constantly warning the others not to steal cash, and to keep their hauls under $10,000 to prevent them from receiving serious jail time if caught.

They rob a mansion and take the goods to their fence, but are upset when they only receive a paltry amount for the merchandise. The fence tells Money he knows of a really big score— an old man living in a deserted neighborhood, whose daughter was killed in a drunk-driving accident. The family paid the man $300,000 in an out of court settlement and he never deposited any of it, meaning the dough has to be hidden somewhere in his house. Just how the fence knows all this incredibly specific and detailed info is apparently none of our business.


Money talks (heh) Rocky and Alex into robbing the old man's home. They find his house and stake it out, and see the old man slowly tapping his way down the street with a white, red-tipped cane. Rocky and Alex are reluctant to rob a blind man, but Money says that'll make their job even easier (!).

That night the three approach the Blind Man's house, and find it guarded by a large Rottweiler. They drug the dog, and Rocky sneaks into the house through a small window. She disables the security system and lets the other two in. Money finds the Blind Man asleep in his room and gasses him so they can go about their work. They search in some incredibly ridiculous places, but can't seem to find the money. Apparently the Blind Man didn't set the giant stack of money on a silver plate with a sign pointing to it.

Money finds a locked door and assumes that's where the cash is. He shoots the lock off the door, and they're all startled as 
the Blind Man staggers into the hallway. I guess he was immune to the gas? 


Money says he doesn't want any trouble and pulls out his gun. This isn't an ordinary Blind Man though, as he quickly grabs the weapon and turns it on Money, pinning him against the wall. He asks Money how many of them are in the house, and he lies and says it's just him. As Money begs for his life, the Blind Man shoots him in the head. Horrified, Rocky hides in a closet. The Blind Man then opens the closet (almost bumping into Rocky) and reveals a safe with a keypad lock. He opens the safe (as Rocky watches, noting the combination) and checks to make sure his money's still inside. Satisfied, he leaves. He then begins locking all the doors and windows, trapping Rocky and Alex inside.


Alex finds Rocky and says they've got to get out of the house. Rocky tells him to wait a minute as she opens the safe and stuffs the money in her backpack, because she's a gal with priorities. They then make their way down to the basement to escape.

As they're about to make it out the basement door, they're surprised by a gagged woman who's handcuffed to the wall. She holds up an old newspaper article, and they realize she's Cindy, the woman who was acquitted in the accidental death of the Blind Man's daughter. Apparently he didn't agree with the judge's ruling, somehow kidnapped her (!) and is holding her hostage in his basement. Alex wisely wants to get the hell out, but Rocky frees the woman and helps her toward the door.

As they open the basement door, they see the Blind Man has somehow teleported to the other side and is waiting for them. He fires the gun, shooting Cindy in the face. Rocky and Alex hide again, and the Blind Man stumbles over Cindy's body. He recognizes her by touch and cries out in anguish, which seems like an odd way to react to a dead captive.

He then turns out the lights in the basement, blinding Rocky and Alex and leveling the playing field. They stagger around the basement, comically flailing their arms around in front of them. The Blind Man grabs Alex and shoots at him, but his fifteen shooter is finally out of bullets. Alex pushes a heavy shelf down on him, grabs Rocky and runs back upstairs.

There's then a ton of cat and mouse shenanigans, as Rocky and Alex run from both the Blind Man and the dog, which has regained consciousness. The Blind Man catches Alex and punches him in the face multiple times, and then seemingly stabs him in the chest with garden shears. Yowch! He catches Rocky and takes her back to the basement.

Rocky wakes up and see she's chained to the wall, just like Cindy was. The Blind Man 
starts monologuing, explaining his master plan. He says that since Cindy took his daughter away from him, she owed him a new one. To that end he captured and impregnated her (!), claiming he'd let her go once she gave birth. He says Rocky's responsible for Cindy's death, so now she owes him a kid. He removes a sperm sample from a freezer, fills a turkey baster with it and heads toward Rocky. She screams as she sees viscous white fluid dripping sensuously from the tip of the baster. Seriously, movie? We're really going there?

Alex appears in the knick of time and knocks out the Blind Man with a hammer. Whaaa?Apparently the Blind Man only thought he killed Alex, and actually stabbed Money's already dead body. They handcuff the Blind Man to the wall, and Rocky takes time out to kick him multiple times and shove the turkey baster down his throat. Jesus Christ, movie! Enough with the semen fetish already!

They head back upstairs to leave, and as they open the front door, the Blind Man has apparently teleported again, and kills Alex for real this time. Rocky runs past him and out the door, but the dog follows. Using her Flash super-speed powers, she manages to outrun a goddamned Rottweiler.

She makes it back to Money's car and locks herself in as the dog throws itself at the windows, as the movie abruptly turns into a Cujo remake. Unfortunately she doesn't have the keys to the car, so she can't simply drive off. She manages to open the trunk and lure the dog in as she leaps out the door, trapping it inside.

Ah, but the movie's not over yet! The Blind Man teleports again and appears behind Rocky, knocking her out. He then drags her down the middle of the street, in a replay of the opening scene. Lucky for him he's the only person left in his neighborhood! 


He takes Rocky back into the house. She wakes up just in time and activates the alarm system, which overwhelms his sensitive hearing, causing him to place his hands over his ears in a manner that would make William Shatner blush. While he's distracted, Rocky uses a crowbar to beat him in the head several times. He falls backward into the basement, seemingly dead (as if). Rocky takes the money and escapes seconds before the police arrive.

Cut to a train station where Rocky and Diddy are about to embark on their new lives in Californy. Rocky sees a news report stating that the Blind Man somehow survived his injuries (natch!) and is in stable condition after killing two burglars who broke into his home. For some reason he didn't tell the police there were three intruders. Rocky nervously hurries Diddy onto the train.

Thoughts:
• The film begins with a scene of the Blind Man dragging Rocky by her hair down the middle of his deserted street, in broad daylight.


The second I saw that, I thought, "Well, we can go. We know how it ends!" Why the f*ck would anyone in their right mind start a movie like that, by showing us the goddamned ENDING in the opening seconds? 


I will NEVER understand this so-called film "technique." I don't mind brief flashbacks in a film, in which a character thinks back to an important moment in their life. But I can't stand it when the entire movie is a flashback and we see the ending first, making it pointless to watch the thing (see Life Of Pi for a perfect, frustrating example of this. On second thought, don't see it).


• On a related note, Money's death at the hands of the Blind Man might have been more shocking if it hadn't been revealed in the goddamned trailer. Again, why?

• Just who am I supposed to be rooting for in this film? Obviously the movie wants me to identify with Rocky, who wants nothing more than to get out of Detroit and away from her horrible mother. But she's a burglar! A burglar who has no problem stealing money from a goddamned blind man to realize her dream!

When the Blind Man was introduced I thought, "Ah, I see (heh). I'm supposed to identify with him, because he's a sympathetic character who's suffered multiple tragedies in his life, and is just minding his own business when these punks break into his home.

But then we find out he's more depraved than the other three characters combined, as he's somehow kidnapped a woman and artificially inseminated her so she can replace the daughter she took from him. Yikes!


I honestly have no sympathy for ANY of these characters! It's tough to care about what happens in a film when EVERYONE is a despicable asshole.

This is an actual headline I saw on the information super highway. "A Relentless Home Invasion Thriller That Borders On Unpleasant." I guess that's in stark contrast to all those Home Invasion films that are lighthearted and delightful.

• Is Rocky's sister "Diddy" (Yeah, that's really the poor child's name) supposed to be brain damaged, or is the kid who plays her just a really bad actress? Any time Diddy speaks, she does so reeeeeally slowwwwwly, like there's legitimately something wrong with her. Her horrible skank of a mom looks like she probably wouldn't have had a problem with drinking while pregnant, so... I'm guessing brain damage.


• This isn't really a problem, just an observation. The Blind Man is the last person still living in his deserted neighborhood. His home is the only one on the block with a fresh coat of paint and a freshly mowed lawn, as all the others are dilapidated and decrepit. 

I'm assuming he probably pays someone to paint his house and maintain his yard when needed. I doubt a blind man could paint a two story home like his. Or cut the grass. Not even a super-powered blind man like this one.

• Let's talk about Cindy for a minute. She's the woman who accidentally killed Emma, the Blind Man's daughter, in a drunk driving accident. The movie would have us believe that he somehow kidnapped Cindy and is holding her hostage in a padded room in his basement.

I'm honestly at a loss to understand how the Blind Man could have possibly abducted this woman. There's no way in hell he tip-tapped his way across town to her mansion, knocked her out and dragged her all the way back home unseen.

The only possible scenario I can come up with is maybe he called her and asked her to come to his house to talk, and then grabbed her when she knocked on the door? I can't imagine her agreeing to such a meeting though. And even if she did, there's no way she'd go to his house alone. And even if she did go alone, wouldn't her family call the police? And wouldn't he be the prime suspect in her disappearance, despite his disability?


I know, I know, suspension of disbelief and all that. But this is one part of the plot I just couldn't get past.

• When the Blind Man tells Rocky she's going to replace the daughter who was taken from him, he says, "I'm not a rapist. I will not force myself on you." He then cuts a hole in her pants and prepares to jam a semen-filled turkey baster into her nether regions.


Um… sorry to burst your bubble here, Blind Man, but the official definition of rape is "the unlawful sexual intercourse or penetration of the vagina of another person by a sex organ, other body part, or foreign object, without the consent of the victim." So yeah, you're a rapist.

• So where did this whole impregnation subplot come from? The movie's a taut and suspenseful home invasion story, and then all of a sudden it takes a very dark and uncomfortable turn. I'm sure it was meant to be shocking, but it might have been a little too shocking. And disturbing. And just plain gross. I kind of wanted to take a shower after watching it.

• I am not a fan of the film's views on atheism. 
After the Blind Man captures Rocky and is about to impregnate her, she screams to God for help. The Blind Man snorts derisively and says there is no God. He says no loving deity would ever allow all the horrible things that have happened to him, and that once you realize there's no God, it's amazing what you're capable of.

Cheezus, who wrote that dialogue, Phil Robertson

The idea that all atheists are soulless, amoral killing machines is absurd, and just as offensive as the notion that all Muslims are terrorists and all priests are pedophiles.


Sure, there may well be a few atheists who are remorseless killers, but how much blood has been spilled in the name of God over the centuries? There are saints and sinners in any group.

It's entirely possible to be an atheist and still be a model citizen. They're not mutually exclusive concepts. In fact I would go so far as to say the vast majority of atheists are more moral than believers. Atheists are good because it's the right thing to do. Believers are good because they either expect a Heavenly reward or because they fear punishment from their angry, petulant god.

I'm hoping Alvarez is just giving the Blind Man a character trait here, and that he doesn't really believe this tripe about the inherent immorality of all atheists.

• Since we're living in the Age Of Franchises, the filmmakers couldn't just make a simple "one and done" film. The Blind Man somehow survives his ordeal at the end of the film so can return and star in a series of sequels of ever-diminishing quality.


Don't Breathe is a dark little suspense film with a mean streak a mile wide. It's fairly well-written aside from one very gaping plot hole, and an unnecessary anti-atheist agenda. It also suffers from having no clear-cut heroic characters, as everyone in the film is a criminal in one form or another, giving the audience no one to really root for. But hey, at least it's not a remake or a sequel! I'm struggling to figure out a grade here. I liked it OK for the most part, but I have no desire to ever see it again. I'm thisss close to giving it a B-, but in the end I think I'm going to have to give it a C+

Saturday, May 11, 2013

It Came From The Cineplex: Evil Dead (2013)

It's a reboot! It's a sequel! It's a requel!

Evil Dead (2014) was directed by Fede Alvarez, whoever that is, and was produced by Raimi along with Bruce Campbell (star of the original films) and Robert G. Tapert (producer of the originals). This is the first ever Evil Dead movie not directed by Sam Raimi.

It takes a lot of chutzpah to attempt a remake of a beloved cult classic like the original Evil Dead. You risk pissing off the die-hard fans of the original while generating a big "who cares?" from the general public. Of course that's never stopped anyone in Hollywood from making the attempt. Fortunately (depending on your point of view) the new film has been generally well received.

So what exactly is this film? Is a remake? Is it a reboot? Let's ask director Alvarez, shall we? According to him:
Now, the way I personally like to see Evil Dead (2013), it's as a story that takes place 30 years after The Evil Dead ended. The car is there, the cabin is there (a family bought it and did some work on it more than 20 years ago) and the book has found its way back to the cabin... New kids will encounter it and suffer its wrath. Is Evil Dead a sequel then? Maybe. But the problem with the sequel theory would be that there are too many coincidences between the events on The Evil Dead and the ones on Evil Dead to have happened on a continuous story line. But if you believe the Naturom Demonto can force these things to happen... then it could be a sequel... and I do believe in coincidences
Well, that was vague without being informative, wasn't it? I guess it's up to the individual to decide.

Personally I'm calling it a remake. Virtually every plot point of the original is present and accounted for here. It's like the filmmakers were ticking items off a list: "OK, five people in a cabin, check. Road washed out, check. Necklace that has some sort of significance, check. Creepy basement with a secret room containing a book bound in human flesh, check. Unleashed demons that possess the characters, check. Tree rapin,' check. Possessed girl locked in basement, check. Burial scene, check. One lone survivor, check." It's the same goddamn film! How in the name of Zeus' Mighty Nose Hair can it not be a remake?

Much has been made of the fact that the filmmakers used little or no CGI in the movie (except for touch ups, whatever that means). I'm all for that. Some things can only be accomplished with CGI, but it's getting out of hand. Most special effects extravaganzas these days are little more than cartoons instead of live action. I know, I'm old, get off my lawn.

A few reviewers have criticized this new film for being too serious and ignoring the darkly comedic tone of the original. These people need to study their film history. There's little to no humor to be found in the original Evil Dead. They're obviously thinking of Evil Dead 2 and Army Of Darkness, both of which contained quite a bit of slapstick yucks. 

Lastly, in news that'll make the fanboys squeal like little girls, Sam Raimi insists he's going to film an Evil Dead 4 (starring Bruce Campbell as Ash of course) that'll most likely be called Army Of Darkness 2. Fede Alvarez says he's already planning on a sequel to this film, which will most likely be called Evil Dead 2, even though that title's already taken. Then Raimi says he wants to do a seventh film which would dovetail the two storylines, resulting in a story in which Ash meets the Mia character from this new movie. That would indeed be cool, but... it all sounds a little too good to be true. Forgive me if I say I'll see it when I believe it (yes, I know I said that wrong. Com-O-Dee!).

SPOILERS! I AIN'T KIDDING!

The Plot:
Five twenty-somethings spend the weekend in a run down cabin in the woods (hey, that'd make a good title!). As usual, the vacationers inadvertently unleash demonic forces and they're picked off one by one. When are people going to wise up and realize that nothing good can come from going on one of these trips?

Pros:
• I thought it was a nice touch to have Mia be a recovering drug addict. When she starts seeing supernatural shenanigans happening around her, of course no one believes her, thinking she's experiencing withdrawal symptoms.

 • Good to see Ash's car show up again, as it has in all the Evil Dead movies. 

Actually it's director Sam Raimi's car, a yellow 1973 Olds Delta 88. 

• If you like gore, you came to the right place. There's blood and dismemberment and then some. Especially blood, during the end when it rains from the sky.

I can't find a photo of it right now, but as the Eric character is leafing through the Book Of The Dead we see a drawing of a demon rising out of the ground with one hand outstretched at an extreme angle. The drawing looks very much like this poster for the original film, and is obviously a shout out to the fans. Cool!

• Bruce Campbell has a very brief cameo after the credits as he turns to the camera and says his trademark line, "Groovy" (even though he never said that in the first film– it came later).

Cons:
• Who the hell names their dog "Grandpa?"

• In the original film the characters play a tape recording of Professor Raymond (owner of the cabin?) reading passages from the Naturom Demonto (the Book Of The Dead), which releases the demonic forces. Thus they conjured the demons accidentally-- it was an innocent mistake, making them hapless victims.

Not so in this version. Here Eric (who's allegedly a smarty pants teacher, so he ought to know better), finds a mysterious book with a cover made of human skin (!), wrapped in plastic and bound in barbed wire. 

One would think he wouldn't even want to touch such a thing, but he just can't seem to leave it alone and unwraps it. Then he just can't help himself and makes the incredibly bone-headed move of reading aloud from it. despite the fact that the book is riddled with hand-written warnings to do no such thing. This makes the character of Eric seem like a colossal idiot. It also makes the audience side with the demons, as he pretty much asked for it and everything bad that happens is all his fault.

• Supposedly the first letter of the names of the characters (David, Eric, Mia, Olivia and Natalie) spell out "DEMON." That might have been a nice little touch if I'd known what the hell anyone's name was. Other than David and Mia I couldn't tell you anybody's names. It seems like standard operating procedure these days to never mention the names of your characters. Half the time I have no idea who I'm watching until I see the end credits.

• In the original film the Book Of The Dead, bound in human flesh, had a squishy face on the front cover. In the new version the Book is just bound in crudely stitched nondescript skin. So what was the thinking behind that change? Are 2013 audiences too sophisticated to buy the idea of a book with a face? Too corny & cheesy, perhaps? Feh!

By the way, in the first three films, the look of the Book changed radically in each movie.

• Whenever anyone is grievously injured in this movie, they wrap their wounds up with some kind of magical quick-healing silver duct tape, and they're up and ready to kill demons again in no time. 

 • One of the most iconic images from the first film is that of the possessed Cheryl leering and taunting the other characters from beneath the trap door in the floor. The fimmakers paid homage to this scene in the new film by having the possessed Mia character do the same. 

However... this scene shows up in the trailer only and inexplicably doesn't appear in the actual film. Boo! Bad form! 

• Eric stupidly reads a passage from the Book that says a demon known as the Taker Of Souls needs to devour five souls in order to release "The Abomination" from hell. Blood will rain from the sky, yadda yadda. 

It's a long story, but at one point three of the five characters are dead, leaving only Mia and David alive. David kills Mia, revives her, and then he himself is killed. Blood begins raining from the sky and The Abomination rises from the ground. 

Um, by my count only four of the five characters are dead at this point. As I said, Mia was dead, but she got better. Is that good enough for the Taker Of Souls? Does it matter if one of the souls it took got yanked out of its hand? Or does it still hold Mia's soul? Is she now soulless after being brought back?

• David devises a plan to save his possessed sister Mia. He buries her alive, waits until she dies of suffocation, then digs her up and revives her with a makeshift defibrillator made from an old battery. Oy gevalt!

Once again, world: A defibrillator does not work like jumper cables! It does not jump start the human heart! In fact it does just the opposite-- it actually stops the heart (a bit)! When a person's heart stops, the only way to get it going again is by CPR and/or injecting a chemical into the heart (often adrenaline). This starts the heart up again (if you're incredibly lucky) but the beating will be chaotic and arrhythmic. The defibrillator shocks the heart and stops this chaotic beating, hopefully restoring a normal rhythm. How this erroneous trope ever got started I have no idea, but I'm making it my life's work to spread the truth of how defibrillators really work.

• Near the end of the film Mia is trying to escape The Abomination when her left hand is pinned under a jeep. Mia gives several mighty tugs and literally pulls her hand off! Is it really possible to do that? I'm going to guess no, even if a ravening Hellbeast is after you.

Besides, one would think the ground underneath the jeep would have been soggy enough-- you know, from all the recent rains, of both the water and blood variety-- that Mia could have easily slipped or dug her hand out from underneath it. Even if it was securely pinned, I just don't see how you could exert enough force to tear it off at the wrist. 

And if it is possible, then I'm never shaking hands with anyone again.

And what about blood loss? She doesn't even bother to patch up the stump with magic duct tape, instead halfheartedly sticking it under her arm afterward. All better! Problem solved.

Bad kerning! Bad!
Definitely slicker than the low budget original, but not better. I give it a B-.
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