Showing posts with label ghostbusters. Show all posts
Showing posts with label ghostbusters. Show all posts
Friday, November 23, 2018
Friday, September 2, 2016
Answer The Call!
Just when we thought the mediocre Ghostbusters remake had finally faded into obscurity and we'd never have to hear about it again, it's back, much like the unstoppable villain in a slasher film.
Apparently when the film comes to home video, it'll now be titled Ghostbusters: Answer The Call.
I assume they made this change to differentiate it from the original, and avoid confusion in inventory catalogs and online shopping sites.
I'm actually OK with this! I appreciate the fact that from now on, anytime I want to order the one true Ghostbusters online, I won't accidentally choose the second rate, uninspired reboot.
But "Answer The Call?" What the hell does that even mean? Did they ever say that at any point in the movie? I honestly can't remember, as I've already forgotten most of the film. I'd have to see it again to find out, and that ain't happening.
Maybe "Answer The Call" is supposed to be a response to the original tagline, "Who You Gonna Call?" Or maybe it refers to the Kevin character in the remake. I seem to dimly recall he was so stupid he didn't understand how a phone worked, and Melissa McCarthy screeching (the only way she can communicate) at him to "Answer the call!"
Sony insists that they're not renaming the film, as it's been subtitled Answer The Call all along. Eh, that's not quite true.
The first trailer didn't feature the title at all, simply ending with a shot of the slightly revamped Ghostbusters logo (grrr…). It then cut to a quick shot of the original "Who You Gonna Call" tagline over the word "SUMMER."
It wasn't until the second trailer hit that the "Answer The Call" Subtitle appeared. I saw this trailer, but I honestly never noticed the change. Or realized it was supposed to be part of the title.
It wasn't until the second trailer hit that the "Answer The Call" Subtitle appeared. I saw this trailer, but I honestly never noticed the change. Or realized it was supposed to be part of the title.
It popped up on some (but not all) of the posters as well. Once again though, it's so small that I just assumed it was a tag line, not a title. Why were they doing their best to hide it?
This isn't the first time a movie title's been changed after it premiered. Raiders Of The Lost Ark now goes by the incredibly succinct name of Indiana Jones And The Raiders Of The Lost Ark (even though no one but George Lucas ever calls it that). And the horribly titled Edge Of Tomorrow was retitled Live, Die, Repeat when it came to home video.
I'm puzzled by that "Certified Fresh by Rotten Tomatoes" label on the blu ray cover. Is that some sort of ersatz Good Housekeeping Seal Of Approval, added in a desperate attempt to convince me to buy it?
If you mosey on over to the Rotten Tomatoes website, you'll see that the movie got a
73% score from critics. That's really not anything to crow about. On the classroom grading scale, a score of 73 equals a middling C+. And audiences gave it 57%,
which is lower than an F! Is Sony sure they want to link their film to this site?
Labels:
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Wednesday, August 10, 2016
Ghost Busted!
Say, are you sick of hearing the interminable controversy surrounding the Ghostbusters remake? Tired of being labeled anti-feminist because you thought the film was tepid at best? Are you happy the movie finally came, flopped and went so you never have to hear about it ever again?
HAW! You wish, pal! I've got bad news for you— the Ghostbusters 2016 controversy is back! Except instead of focusing on the movie, the public is now turning its outraged eye toward the Halloween costumes based on the film!
Apparently people are incensed with the Women's Ghostbusters Movie Costume ($39.99) and the Women's Deluxe Ghostbusters Movie Costume ($49.99). The Fusion website (whatever that is), is enraged that neither of these costumes comes complete with the requisite pair of ghostbusting boots. And they're positively livid that the model here is shown posing in a pair of (gasp) heels!
Jesus wept.
I should point out that there are actually boots ($34.99) available to complete your Women's Ghostbusters Movie Costume, but they're sold separately. But that apparently doesn't matter, as the damage has already been done by the model wearing (brrrr…) heels.
Fusion's also quite infuriated by the Ghostbusters 2016 line of wigs— especially the Patty one, natch (as seen on the right). OK, I'll admit that they all look like piles of hot garbage and don't look remotely like the styles worn by any of the actresses in the film. But they cost $19.99 each! Of course they look terrible! What the hell do you expect for a measly twenty bucks?
Fusion is also very upset that the Women's Ghostbusters Movie Costumes come in "Women's" sizes only, but the Men's Ghostbusters costumes feature a somewhat unisex "Adult" label. Said Fusion, "Is the idea of a boy or a man wanting to dress as a female Ghostbuster really that unthinkable?" I suppose it's not unthinkable. "Unlikely" might be a better word.
I guess the politically correct hellscape that passes for our society is now at the point where women's costumes are required to come in men's sizes, or someone's going to experience icky bad feelings. And we can't have that.
Fusion then continued their whinging, complaining
that if women want to dress as characters from the original film, their
only option is the Sexy Ghostbuster costume. Really? The only option? Why couldn't a woman just buy the goddamned Men's Ghostbusters costume and call it a day?
Besides, isn't this called "capitalism?" If no one wanted a Sexy Ghostbuster costume, then it wouldn't exist. This is hardly the first time these have been available-- somebody must be buying them.
So let me see if I can wrap my head around this. People are complaining that a model's shown wearing impractical heels, they're mad that the cheap wigs look like cheap wigs and won't make them look exactly like Melissa McCarthy, they're pissed that there are no male versions of a female costume (?) and hate that the Sexy Ghostbuster costume exists even though they could just buy the male version. Got it.
I suggest forgetting the whole thing and just buying this stylish Slimer hat/mask instead.
Labels:
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Tuesday, July 26, 2016
It Came From The Cineplex: Ghostbusters (2016)
Ghostbusers 2016 was written by Katie Dippold and Paul Feig. It was directed by Paul Feig.
Dippold previously worked mostly in television, writing scripts for MadTV and Parks And Recreation. On the film side of things, she wrote The Heat (which also starred Melissa McCarthy).
Feig is a prolific actor, writer and director. He created (and wrote several scripts for) Freaks And Geeks, which is one of my all-time favorite TV shows. He also wrote the screenplay for Spy, another Melissa McCarthy vehicle.
He's directed episodes of many top notch TV series, including Freaks And Geeks, Undeclared, Arrested Development, Mad Men, 30 Rock, The Office and Parks And Recreation. On the theatrical side, he directed Unaccompanied Minors (!), Bridesmaids, The Heat and Spy. I'm not sure why, but I like his TV work much more than his films. His movies seem to be becoming increasingly insufferable as time goes by.
I've been a big fan of the original Ghostbusters ever since I saw it in the theater way back in 1984. It was a perfect storm of casting, screenwriting, talent and special effects that shouldn't have worked, but somehow gelled and became a comedy classic (Ghostbusters 2, not so much).
The new film is certainly slick and polished, but it lacks the spark that made the original so special. It's also painfully unfunny, as it tries to substitute rambling improvisation for actual scripted jokes. I think I laughed maybe twice during the entire film. There's just no excuse for making a humorless Ghostbusters movie.
Good, bad or ugly, I'm just glad this goddamned movie is finally out so I never have to hear about it ever again.
From the second it was first announced, the film has been extremely divisive, mainly due to the all female cast. For months and months before the movie premiered, the internet was filled with terabytes of harsh, angry comments regarding the four leads, as fans of the original Ghostbusters claimed the presence of four women in the film would destroy the beloved franchise. When the first trailer premiered, it actually became the all-time most hated video on YouTube (by people who keep track of such things).
Like many fans, I wasn't looking forward to this new version either. I have no problem with the gender of the cast. Really, I don't! The problem is I just don't find any of these women the least bit funny. I honestly don't get Kristen Wiig, as I've yet to see her do or say anything even mildly humorous. I think Melissa McCarthy is extremely grating, and Kate McKimmon's appeal alludes me as well. Leslie Jones seems to have one loud, unfunny character that she plays over and over. Please believe me when I say I don't have anything against female comedians per se. It's just that these four do absolutely nothing for me.
Your mileage may vary here of course. If you think any or all of these comedians are funny, then you'll likely find the film hilarious. If not, well...
Naturally, anyone who expressed a dislike for any of these women was immediately labeled as sexist and anti-feminist. Because in the politically correct hellscape that passes for our current society, you're no longer allowed to dislike anything. Doing so will cause you to immediately be branded a "hater." God forbid I should watch a trailer and decide for myself that it just doesn't look funny.
Paul Feig smarmily insisted that he didn't deliberately cast four females as part of any agenda, saying he simply chose the funniest people he knows. That's a bald-faced lie. As proof, there's a very ugly anti-male undercurrent in this film. Every man in the film is either an idiot or evil.
Additionally, the all-female leads feels like a perfect example of "stunt casting" to me. Any time you put the word "All" in front of your cast, it's a stunt. "All female," "All black," "All child," "All washed-up 1980s action stars"— those are all examples of stunt casting.
Feig vehemently defended his cast though, saying it's high time we had a sci-fi film with strong female characters. Because of course that's never been done before (Ellen Ripley)! No, we've never had a genre movie with a kickass heroine (Sara Connor) who doesn't need a man to save her (Vasquez). Nope, never happened in the history of cinema (Lara Croft), so of course such a thing is long overdue (Alice from the Resident Evil movies). Yep, Feig was correct to finally right this (Imperator Furiosa) grievous wrong.
I'm also not a fan of the Feig's patented brand of improv humor. There are very few actual scripted jokes in the film, as most of the humor feels ad-libbed and improvised. It's painfully obvious that Feig just turned on the camera and told the cast to start riffing away and "be funny." A perfect example of that is when the Kevin character talks about his dog, who's named "Mike Hat." Get it? "My Cat?" I absolutely guarantee that line wasn't in the original script and Chris Hemsworth came up with it on the spot. Feh. I like my humor scripted, thanks.
I really wish this film had been a sequel rather than a remake. I'd have been much more receptive to it if they'd taken that route. Why not have the original characters make a brief appearance and "pass the torch" to the new folks, and hand over their proton packs to them? Answer: Because then the female Ghostbusters would have acquired their technology from MEN instead of developing it by themselves, and that is something that cannot not be allowed in 2016.
Starting over from scratch, pretending the original doesn't exist and believing they could improve upon it is a misfire in my opinion. It's a slap in the face to fans of the franchise, and leaves a bad taste in my mouth.
Oddly enough Dan Aykroyd is an executive producer on the film, while original director Ivan Reitman is listed as a producer. Apparently they were both OK with the idea of a remake rather than a sequel, which is puzzling to me.
They do bring the old cast back for a series of cringe-worthy cameos, but it felt like pandering to me, rather than reverence. Plus they're all playing brand new characters, not the old favorites, which was disappointing to say the least. And every time one of these original actors appears, the plot grinds to a halt. They end up becoming a distraction rather than a tribute.
Bill Murray in particular looks like he couldn't possibly care less and would rather be anywhere else than in this film. He can't even be bothered to stand during his scenes, as he immediately heads for the nearest chair and sits down.
Plus, seeing Bill Murray in this particular film only served to infuriate me. For decades, Dan Aykroyd begged and pleaded with him to reprise his role as Peter Venkman for a third Ghostbusters film. Murray continually dragged his feet, refusing to ever commit to the project, which delayed it year after year.
Then after the untimely death of actor Harold Ramis, when it's too late to get the entire gang back together again, Murray finally commits to the project, and deigns to film a cameo appearance in a Ghostbusters remake as a completely new character. What the hell? He wouldn't come back for a sequel, but he'll come back for a sub-par remake? F*ck you, Bill Murray!
I wish they'd have just jettisoned the cameos and the callbacks and gone in an entirely new direction, rather than rehashing the same old plot. We've already had two Ghostbusters movies in which a giant monster menaces New York City at the end, and now there's a third. Wouldn't this have been the perfect opportunity to do something different with the franchise? You can't blow up the Death Star every time, guys. It's way past time for something new.
For a film that wants to be judged on its own merits and prove that women can do anything men can do (only better), it can't go five minutes without dredging up a reference or callback to the original. They even bring back Slimer, the Stay-Puft Marshmallow Man, the Ecto-1 and the firehouse headquarters, for Zuul's sake! Even the plot is virtually identical. They even use the same theme song! Everything's been duplicated but the humor.
So far the film is underperforming at the box office, grossing a bit under $90 million (against its $144 million budget). It's going to be an uphill struggle for it to turn a profit. It's not going to get any help from the lucrative Chinese market either, as the government there has banned the film, calling it "witchcraft."
For all the hoopla, I have a feeling that after the dust settles this new film will become largely forgotten and the original Ghostbusters will continue to be as popular as it ever was, if not more so. People worried that when the Total Recall remake came out, it would either supplant the original in popularity or taint its legacy. That didn't happen. The remake was so poorly received that it was soon forgotten. The same with the Robocop remake. Both were blips on the public's radar for a few brief moments and then disappeared, never to be heard about or spoken of again. I'm betting that's what'll happen with Ghostbusters 2016.
SPOILERS FOR A REMAKE OF A THIRTY TWO YEAR OLD MOVIE!
The Plot:
The film opens in the Aldridge Mansion, a famous haunted house in New York City. A tour guide rattles off the history of the building, including the fact that Gertrude Aldridge, daughter of the Mansion's builder, went insane and was kept locked in the basement by her father. The tour group doesn't notice a glowing, high tech device hidden under a dresser. Later as the guide closes up shop, he hears strange sounds coming from the basement. He checks and sees green slime bubbling up through the floor, as the ghost of Gertrude Aldridge appears (credit where credit's due: this was actually somewhat scary, and not a bad way to update the library scene from the original).
At Columbia University, Dr. Erin Gilbert (played by Kristen Wiig) is doing her best to become a tenured physics professor, shamelessly kissing up to stuffy dean Harold Filmore (very briefly played by Game Of Thrones' Charles Dance). She's horrified when she discovers the book she co-wrote years ago with her former friend Abby Yates (played by Melissa McCarthy)— all about the paranormal— has resurfaced on Amazon (product placement!).
Erin fears the book will scotch her chances of getting tenure. She goes to the technical college where Abby works with her new partner Jillian Holtzmann (played by Kate McKinnon), a brilliant and eccentric engineer. After an argument, Abby says she'll pull the book if Erin will investigate the Aldridge Mansion haunting with her. Erin reluctantly agrees.
The three visit the Mansion. As Holtzmann films the interior, the ghost of Gertrude Aldridge appears. Erin tries to talk to the ghost, but it spews ectoplasmic slime all over her and disappears. Erin enthusiastically proclaims ghosts are real on the tape, which goes viral. Dean Filmore sees the tape online and fires Erin, saying her belief in the supernatural gives the university a bad name.
After the incident, Abby and Holtzmann demand more research money from their college. Their Dean admits he didn't know their department even existed, and fires them on the spot. The three now jobless women decide to open their own paranormal research facility.
Meanwhile, Patty Tolan (played by Leslie Jones) is a bored MTA worker who's also an expert on the history of New York. She meets a weird man named Rowan, who tells her about a "fourth cataclysm" that's coming soon. She spots Rowan entering a dangerous subway tunnel and chases after him. Inside the tunnel she sees him plant a device like the one in the Aldridge Mansion. The device begins sparking and conjures up a ghost in the tunnel. Patty flees in terror.
Erin, Abby and Holtzmann set up their Department Of Metaphysical Examination above a Chinese restaurant (because they can't afford the rent on the traditional Ghostbusters firehouse). They hire a hunky male receptionist named Kevin (played by Chris Hemsworth) and spend the rest of the movie making derogatory remarks about his low intelligence while ogling him. Sexism's funny when women do it!
Patty shows up at their lab and tells them about the subway ghost. Curious, the women follow her to the tunnel. They see the ghost again, and Erin attempts to capture it with one of Holtzmann's cobbled together proton packs. It fails, and the ghost escapes on a passing train. This new video also goes viral, and the internet dubs the women "Ghostbusters." Patty inexplicably quits her job and joins the team, since she knows the city's history and can borrow her uncle's hearse so they can haul their equipment around more easily. Annnnd now they have their own version of the Ecto-1.
Holtzmann improves and streamlines the proton packs, and comes up with a few other devices as well, including proton pistols, a ghost disintegrating grenade, and a proton glove. She also invents a containment unit to hold the ghosts once captured.
Meanwhile, Rowan plants another of his ghost-attracting devices at a heavy metal concert. The Ghostbusters investigate and find a large, dragon-like (?) ghost there. They capture the ghost, and the crowd thinks it's all part of the show. Later the Ghostbusters are taken to a secret meeting with the Mayor of New York. He says he's thankful for their help, but fears a citywide panic if the public found out that ghosts and the supernatural are real. He tells them to continue their work, but says that in order to maintain the peace, publicly he'll have to label them frauds.
Back at the lab, the Ghostbusters notice a pattern in all the ghostly occurrences. They're all happening along the city's "ley lines," which are alignments of mystical energy. The lines all intersect at the Mercado Hotel. When they investigate the place, they find Rowan has a secret lair in the basement. He's built a large engine there which he plans to use to open a portal to the afterlife and release ghosts into our world. Abby tries to talk him out of his plan, but when he hears the police coming, he electrocutes himself.
Later Erin reads through Rowan's notes, and discovers he deliberately killed himself to become a ghost, so he can start up the Fourth Cataclysm and lead an army of ghosts to scour the world.
In the lab, Abby is possessed by Rowan's spirit and starts destroying their equipment. Patty slaps Rowan out of Abby, and his spirit then inhabits the empty-headed Kevin. Rowan/Kevin returns to his lair and starts up the machine again, which opens a huge cliched portal over the city. Thousands of ghost flow through the portal and floodBoston, er, I mean New York (three guesses where the movie was actually filmed).
Abby, Holtzmann and Patty head out to start busting ghosts. They encounter a small, blobular green ghost, who for absolutely no reason at all turns out to be Slimer. He steals the Ecto-1 and goes joyriding in it. Patty starts to shoot at the car, but Holtzmann stops her, saying the equipment on top is basically an unstable nuclear bomb. I smell a plot point coming on...
The three are then attacked by giant, haunted (I guess?) Thanksgiving Day Parade character balloons, including one that looks like the Stay-Puft Marshmallow Man. Sigh… He dives onto them, flattening them against the ground. Erin shows up and pops the Marshmallow Man balloon with her Swiss Army knife.
The Ghostbusters then fight their way through the army of ghosts, back to the hotel. There they see that Rowan/Kevin has possessed the army and police, freezing them in place. Rowan says he's bored with Kevin (?) and exits his body. He then takes on a new form— that of the happy-looking spirit in the Ghostbusters logo (oy). He then grows to gigantic size, just like a Power Rangers monster, and begins rampaging through the city, which is something we've never seen before (that was, I say that was sarcasm, son).
Just then Slimer roars by in the Ecto-1, and Holtzmann gets the bright idea to drive it into the portal and detonate the nukes on it, which will hopefully reverse the polarity of the neutron flow or something. They fire their proton packs at Slimer to herd the car into the portal and then shoot the nukes atop it. Sure enough, the plan works, and the ghosts all over the city are sucked back into the portal.
Unfortunately the gigantic Rowan is holding onto a couple of buildings to prevent himself from being pulled in. The girls shoot him in the crotch, forcing him to let go. Nope, nothing anti-male about this film at all!
Just then Rowan grabs Abby, and the two are sucked into the portal. Thinking fast, Erin ties a rope around her waist and dives in. Inside the swirling, supernatural vortex, Erin catches up to Rowan. She shoots his hand, causing him to let go of her friend. Erin grabs onto Abby, as Rowan falls into the endless void.
Patty and Holtzmann pull Erin and Abby out of the portal seconds before it closes forever. As a result of their trip to the other side, Erin and Abby's hair has turned completely white.
Later, the Mayor continues to deny the existence of ghosts, saying the whole incident was a mass hallucination or something. However, he secretly funds the Ghostbusters, offering them anything they need to continue their work and safeguard the city against further supernatural threats. They upgrade their headquarters to the fire house.
In the after credits scene, the team is in the lab while Patty's listening to an EVP (Electronic Voice Phenomenon) tape. She hears something odd on the tape, and asks "What's Zuul?" Groan!
Thoughts:
• As I mentioned earlier, for a movie that's allegedly all about gender and equality, it's surprisingly misandrist. Every male character is either evil, extremely stupid, socially awkward or grossly incompetent.
As proof of this you need look no further than the Kevin character. He's a huge slab of beef who's so dim he doesn't even understand how glass works (seriously!). The Ghostbusters hire him solely for his good looks, then spend the rest of the film ridiculing his low intelligence as they shamelessly leer at him. In fact they do everything but grind their privates against his body. Their actions come dangerously close to sexual harassment (if they don't cross the line completely).
Imagine how this little subplot would have gone over if the genders had been reversed. Apparently belittling and harassing women is verboten, but it's OK to do the same with males.
Now compare Kevin to Janine Melnitz, the receptionist in the original Ghostbusters. Janine was a strong female character who was attractive but also intelligent and competent. The male characters respected her and treated her as an equal.
This "men are stupid" attitude even extends to background characters. In the lab, Abby and Holtzmann watch a supernatural reality show called "Ghost Bros," featuring a group of overenthusiastic frat boys who "give paranormal investigation a bad name."
• The internet at large seems to be in love with Kate McKimmon's Holtzmann character. "She's a national treasure!" and "Every second she's onscreen is gold!" are just a few of the many gushing actual comments I read.
I thought McKimmon was extremely annoying and grating, as she spends the entire movie shamelessly mugging at the camera. McKimmon needs a director who can reign her in and force her to tone it down a notch or twelve. Obviously Feig is not that director, as he apparently believed her every facial tick and bizarre utterance was pure magic.
• I assume Holtzmann's look is a shout out to the animated version of Egon from The Real Ghostbusters cartoon. She's got the same glasses and poofed-up blonde pompadour as her animated counterpart. I guess this is only natural, since Holtzmann is most definitely a live action cartoon character, as opposed to an actual fleshed-out human being.
• When the first trailer appeared, I was appalled by Leslie Jones, who seemed to be playing the same "Loud, Angry Black Woman" character she plays in every episode of Saturday Night Live.
I was very surprised to find out that's not the case in the actual film. In fact she was the least annoying of the four main characters, and my favorite thing about the movie. She was the only one who seemed to be an actual person, rather than a character (or caricature, in some cases). Yes, she did have a couple of loud moments, but they were few and far between.
Whoever edited that horrible trailer needs to be fired, pronto.
• As I said earlier, I remember laughing exactly twice during the film. Once was at the beginning, when the Tour Guide describes the Aldridge Mansion by saying, "At the time of its construction, it was one of the most elegant homes in existence, featuring every luxury, including a face bidet and an anti-Irish security fence." See, now that's a funny joke. Not because it's anti-Irish, but because it sounds like something that would have actually happened in New York City in the 1800s.
The other time I laughed was when Jonathan the theater manager (played by Michael McDonald) uttered his high-pitched shriek. That's it, folks. That's all I got.
On the flip side, there were more unfunny lines than I could possibly list here. Oddly enough, most of them were uttered by Kate McKimmon's Holtzmann character. Here's a sampling of her lines that thudded to the ground like sacks of sour laundry:
Holtzmann: "Booyah! Emphasis on the boo!" That's… that's not a joke.
Holtzmann: (as she's caught eating Pringles at an inappropriate moment) "Just try saying no to these salty parabolas!"
Holtzmann: (after pranking Erin by playing a "hilarious" fart sound on a tape) "Is it more or less disgusting if I tell you it came out the front?" Yes, folks, Ghostbusters 2016 just made a quiff joke.
Holtzmann: (after discovering there's probably a dead body in back of Patty's uncle's hearse) "I can think of seven good uses of a cadaver, tuh-DAY!" Again, that is not a joke. And the way she overemphasizes the word "today" is nothing short of bizarre.
Erin: (after returning from the void) "What year is it?"
Holtzmann: "It's 2040. Our president is a plant!" Again, saying the weirdest non-sequitur you can think of is not a joke.
Holtzmann: "You just got Holtzmanned, baby!" Somehow I doubt people will be quoting that line like they do "Dogs and cats, living together…"
• Product placement ahoy! When the girls are in the haunted mansion and meet their first ghost, Holtzmann starts snacking on Pringles for absolutely no reason other than because they paid Sony a sh*tload of money for product placement. The scene gives the word "blatant" new meaning.

• As I said above, for months before the film's premiere, the internet was positively awash with negative comments about the gender of the four leads. Amazingly the movie actually references all the internet hate!
Holtzmann posts their encounter with the ghost of Gertrude Aldridge online, and it immediately goes viral. Abby reads a few of the comments on the video, one of which is, "Ain't no bitches gonna hunt no ghosts!"
I'm assuming that comment was thrown in to undermine all the haters, but… when an aspect of your film generates this much controversy, it's probably not a good idea to call undue attention to it.
• Abby, Erin and Holtzmann are all fired from their college positions, which leads to their decision to form the Ghostbusters.
I'm struggling to understand why Patty would quit her job with the city just to hook up with them though. Sure, her mass transit job probably isn't very exciting, but it's more secure and stable than ghost busting, and no doubt has better benefits.
• At one point Erin proclaims that "books can't fly and neither can babies." Both happened respectively in the original Ghostbusters and Ghostbusters II.
• I liked most of the new Ghostbusting equipment, like the proton grenades, proton pistols and proton glove. They were well thought out and seemed like a logical extension of the technology from the original film.
One piece of equipment I didn't care for though was the new PKE meter. The old one (on the left above) looked like a real piece of technology that performed an actual function. The new one, with its dumb looking, lighted whirling blades, looks for all the word like a kid's toy. Like something you'd find at Spencer's Gifts before they turned into a porn shop. Maybe its ridiculousness is supposed to be part of the joke?
• In all, there are five cameos by members of the original Ghostbusters cast. Six, if you count the late Harold Ramis. Slimer and the Stay-Puft Marshmallow Man also make cameo appearances.
Unfortunately, none of the human characters reprise their original roles, instead appearing as distracting new characters that stop the plot cold whenever they appear. Cue sad trombone.
Bill Murray plays spiritual debunker Martin Heiss. He's quite the asshole, much like the real Bill Murray. His character is killed when he demands to see one of the Ghostbusters trapped spirits. When they let it out, it knocks him out the window and he falls to his death. Note that this is all played for comedic effect. Oh, my sides!
Note: According to the novelization of the film, Heiss doesn't die from his fall, and the incident causes him to reverse his negative opinion of the Ghostbusters. Sorry, but I shouldn't have to do homework to find out what happens to a character. Movie novelizations don't count. As far as I'm concerned he's dead.
Dan Aykroyd plays a cab driver who exclaims, "I don't go to Chinatown, I don't drive wackos, and I ain't afraid of no ghosts!" Oy gevalt.
Ernie Hudson appears as Patty's uncle, who loans her the hearse that becomes the new Ecto-1.
Annie Potts plays a disgruntled hotel clerk, uttering some of the same lines she did in the original film.
Siogourney Weaver appears as Rebecca Gorin, Holtzmann's equally deranged mentor.
Harold Ramis makes sort of a posthumous appearance. When Dean Filmore exits Erin's office, there's a gold bust of a man wearing glasses in the hallway. That bust is supposed to be Harold Ramis, aka Egon Spengler. Hear that high pitched, whining noise? That's Ramis spinning rapidly in his grave after finding out his image was used in this cinematic turd.
Actor Rick Moranis (who played Louis Tully in the original film) was approached to make a cameo appearance, but told the producers to get lost. Good for him.
• When Rowan is possessing Kevin's body, he takes control of the entire army and police force, making them freeze in place. He even makes them participate in an elaborate dance number, if you stay for the end credits.
So... if he has that much power over humans, why doesn't he just use it against any of the Ghostbusters? Why not order them to shoot one another with their proton packs and be rid of them?
• I was going to mention that the idea of the Ghostbusters logo coming to life and stomping on the city was the stupidest plot point I'd ever seen in a film. Then I realized it's no stupider than the Stay-Puft Marshmallow Man doing the same thing. So I'll give 'em this one.
Still, the Stay-Puft Man was actually funny. Somehow the logo is not.
• At the end of the film, Rowan opens a portal to the other side, which for some reason transforms Times Square into an older version of itself. The entire area becomes a hodgepodge of previous eras, as I spotted ads from the 1930s through the 1970s.
So… are these ghosts of buildings and billboards? Did Rowan send the entire block back in time? I'm confused here...
• At the end of the film, the Mayor of New York claims the whole Rowan incident was a "mass hallucination" that never happened.
The Ghostbusters then look out over the city, and see the public has arranged the lights in various buildings to spell out messages thanking them.
So which is it? Do the citizens know the Ghostbusters saved them or not? You can't have it both ways, movie.
• In the post credits scene, the Ghostbusters are working in their lab. Patty listens to a recording of alleged ghostly voices captured on tape, looks puzzled and says, "I heard something really weird. What's 'Zuul'?"
Obviously they're setting up the big bad for a potential sequel here. I should point out though that in the original film, Zuul, aka The Gatekeeper, was just a minion of Gozer, who was the real threat. It's possible they're aware of this and are paving the way for Gozer, but who knows? C'mon guys, if you're going to strip mine the mythology, at least get the names right.
Ghostbusters 2016 is a tepid, ill-advised remake that adds little or nothing to the franchise. Worst of all it's just plain not funny, failing to capture the wit and dry humor of the original. I advise giving it a miss— I took one for the team and saw it so you don't have to. I give it a C.
Dippold previously worked mostly in television, writing scripts for MadTV and Parks And Recreation. On the film side of things, she wrote The Heat (which also starred Melissa McCarthy).
Feig is a prolific actor, writer and director. He created (and wrote several scripts for) Freaks And Geeks, which is one of my all-time favorite TV shows. He also wrote the screenplay for Spy, another Melissa McCarthy vehicle.
He's directed episodes of many top notch TV series, including Freaks And Geeks, Undeclared, Arrested Development, Mad Men, 30 Rock, The Office and Parks And Recreation. On the theatrical side, he directed Unaccompanied Minors (!), Bridesmaids, The Heat and Spy. I'm not sure why, but I like his TV work much more than his films. His movies seem to be becoming increasingly insufferable as time goes by.
I've been a big fan of the original Ghostbusters ever since I saw it in the theater way back in 1984. It was a perfect storm of casting, screenwriting, talent and special effects that shouldn't have worked, but somehow gelled and became a comedy classic (Ghostbusters 2, not so much).
The new film is certainly slick and polished, but it lacks the spark that made the original so special. It's also painfully unfunny, as it tries to substitute rambling improvisation for actual scripted jokes. I think I laughed maybe twice during the entire film. There's just no excuse for making a humorless Ghostbusters movie.
Good, bad or ugly, I'm just glad this goddamned movie is finally out so I never have to hear about it ever again.
From the second it was first announced, the film has been extremely divisive, mainly due to the all female cast. For months and months before the movie premiered, the internet was filled with terabytes of harsh, angry comments regarding the four leads, as fans of the original Ghostbusters claimed the presence of four women in the film would destroy the beloved franchise. When the first trailer premiered, it actually became the all-time most hated video on YouTube (by people who keep track of such things).
Like many fans, I wasn't looking forward to this new version either. I have no problem with the gender of the cast. Really, I don't! The problem is I just don't find any of these women the least bit funny. I honestly don't get Kristen Wiig, as I've yet to see her do or say anything even mildly humorous. I think Melissa McCarthy is extremely grating, and Kate McKimmon's appeal alludes me as well. Leslie Jones seems to have one loud, unfunny character that she plays over and over. Please believe me when I say I don't have anything against female comedians per se. It's just that these four do absolutely nothing for me.
Your mileage may vary here of course. If you think any or all of these comedians are funny, then you'll likely find the film hilarious. If not, well...
Naturally, anyone who expressed a dislike for any of these women was immediately labeled as sexist and anti-feminist. Because in the politically correct hellscape that passes for our current society, you're no longer allowed to dislike anything. Doing so will cause you to immediately be branded a "hater." God forbid I should watch a trailer and decide for myself that it just doesn't look funny.
Paul Feig smarmily insisted that he didn't deliberately cast four females as part of any agenda, saying he simply chose the funniest people he knows. That's a bald-faced lie. As proof, there's a very ugly anti-male undercurrent in this film. Every man in the film is either an idiot or evil.
Additionally, the all-female leads feels like a perfect example of "stunt casting" to me. Any time you put the word "All" in front of your cast, it's a stunt. "All female," "All black," "All child," "All washed-up 1980s action stars"— those are all examples of stunt casting.
Feig vehemently defended his cast though, saying it's high time we had a sci-fi film with strong female characters. Because of course that's never been done before (Ellen Ripley)! No, we've never had a genre movie with a kickass heroine (Sara Connor) who doesn't need a man to save her (Vasquez). Nope, never happened in the history of cinema (Lara Croft), so of course such a thing is long overdue (Alice from the Resident Evil movies). Yep, Feig was correct to finally right this (Imperator Furiosa) grievous wrong.
I'm also not a fan of the Feig's patented brand of improv humor. There are very few actual scripted jokes in the film, as most of the humor feels ad-libbed and improvised. It's painfully obvious that Feig just turned on the camera and told the cast to start riffing away and "be funny." A perfect example of that is when the Kevin character talks about his dog, who's named "Mike Hat." Get it? "My Cat?" I absolutely guarantee that line wasn't in the original script and Chris Hemsworth came up with it on the spot. Feh. I like my humor scripted, thanks.
I really wish this film had been a sequel rather than a remake. I'd have been much more receptive to it if they'd taken that route. Why not have the original characters make a brief appearance and "pass the torch" to the new folks, and hand over their proton packs to them? Answer: Because then the female Ghostbusters would have acquired their technology from MEN instead of developing it by themselves, and that is something that cannot not be allowed in 2016.
Starting over from scratch, pretending the original doesn't exist and believing they could improve upon it is a misfire in my opinion. It's a slap in the face to fans of the franchise, and leaves a bad taste in my mouth.
Oddly enough Dan Aykroyd is an executive producer on the film, while original director Ivan Reitman is listed as a producer. Apparently they were both OK with the idea of a remake rather than a sequel, which is puzzling to me.
They do bring the old cast back for a series of cringe-worthy cameos, but it felt like pandering to me, rather than reverence. Plus they're all playing brand new characters, not the old favorites, which was disappointing to say the least. And every time one of these original actors appears, the plot grinds to a halt. They end up becoming a distraction rather than a tribute.
Bill Murray in particular looks like he couldn't possibly care less and would rather be anywhere else than in this film. He can't even be bothered to stand during his scenes, as he immediately heads for the nearest chair and sits down.
Plus, seeing Bill Murray in this particular film only served to infuriate me. For decades, Dan Aykroyd begged and pleaded with him to reprise his role as Peter Venkman for a third Ghostbusters film. Murray continually dragged his feet, refusing to ever commit to the project, which delayed it year after year.
Then after the untimely death of actor Harold Ramis, when it's too late to get the entire gang back together again, Murray finally commits to the project, and deigns to film a cameo appearance in a Ghostbusters remake as a completely new character. What the hell? He wouldn't come back for a sequel, but he'll come back for a sub-par remake? F*ck you, Bill Murray!
I wish they'd have just jettisoned the cameos and the callbacks and gone in an entirely new direction, rather than rehashing the same old plot. We've already had two Ghostbusters movies in which a giant monster menaces New York City at the end, and now there's a third. Wouldn't this have been the perfect opportunity to do something different with the franchise? You can't blow up the Death Star every time, guys. It's way past time for something new.
For a film that wants to be judged on its own merits and prove that women can do anything men can do (only better), it can't go five minutes without dredging up a reference or callback to the original. They even bring back Slimer, the Stay-Puft Marshmallow Man, the Ecto-1 and the firehouse headquarters, for Zuul's sake! Even the plot is virtually identical. They even use the same theme song! Everything's been duplicated but the humor.
So far the film is underperforming at the box office, grossing a bit under $90 million (against its $144 million budget). It's going to be an uphill struggle for it to turn a profit. It's not going to get any help from the lucrative Chinese market either, as the government there has banned the film, calling it "witchcraft."
For all the hoopla, I have a feeling that after the dust settles this new film will become largely forgotten and the original Ghostbusters will continue to be as popular as it ever was, if not more so. People worried that when the Total Recall remake came out, it would either supplant the original in popularity or taint its legacy. That didn't happen. The remake was so poorly received that it was soon forgotten. The same with the Robocop remake. Both were blips on the public's radar for a few brief moments and then disappeared, never to be heard about or spoken of again. I'm betting that's what'll happen with Ghostbusters 2016.
SPOILERS FOR A REMAKE OF A THIRTY TWO YEAR OLD MOVIE!
The Plot:
The film opens in the Aldridge Mansion, a famous haunted house in New York City. A tour guide rattles off the history of the building, including the fact that Gertrude Aldridge, daughter of the Mansion's builder, went insane and was kept locked in the basement by her father. The tour group doesn't notice a glowing, high tech device hidden under a dresser. Later as the guide closes up shop, he hears strange sounds coming from the basement. He checks and sees green slime bubbling up through the floor, as the ghost of Gertrude Aldridge appears (credit where credit's due: this was actually somewhat scary, and not a bad way to update the library scene from the original).
At Columbia University, Dr. Erin Gilbert (played by Kristen Wiig) is doing her best to become a tenured physics professor, shamelessly kissing up to stuffy dean Harold Filmore (very briefly played by Game Of Thrones' Charles Dance). She's horrified when she discovers the book she co-wrote years ago with her former friend Abby Yates (played by Melissa McCarthy)— all about the paranormal— has resurfaced on Amazon (product placement!).
Erin fears the book will scotch her chances of getting tenure. She goes to the technical college where Abby works with her new partner Jillian Holtzmann (played by Kate McKinnon), a brilliant and eccentric engineer. After an argument, Abby says she'll pull the book if Erin will investigate the Aldridge Mansion haunting with her. Erin reluctantly agrees.
The three visit the Mansion. As Holtzmann films the interior, the ghost of Gertrude Aldridge appears. Erin tries to talk to the ghost, but it spews ectoplasmic slime all over her and disappears. Erin enthusiastically proclaims ghosts are real on the tape, which goes viral. Dean Filmore sees the tape online and fires Erin, saying her belief in the supernatural gives the university a bad name.
After the incident, Abby and Holtzmann demand more research money from their college. Their Dean admits he didn't know their department even existed, and fires them on the spot. The three now jobless women decide to open their own paranormal research facility.
Meanwhile, Patty Tolan (played by Leslie Jones) is a bored MTA worker who's also an expert on the history of New York. She meets a weird man named Rowan, who tells her about a "fourth cataclysm" that's coming soon. She spots Rowan entering a dangerous subway tunnel and chases after him. Inside the tunnel she sees him plant a device like the one in the Aldridge Mansion. The device begins sparking and conjures up a ghost in the tunnel. Patty flees in terror.
Erin, Abby and Holtzmann set up their Department Of Metaphysical Examination above a Chinese restaurant (because they can't afford the rent on the traditional Ghostbusters firehouse). They hire a hunky male receptionist named Kevin (played by Chris Hemsworth) and spend the rest of the movie making derogatory remarks about his low intelligence while ogling him. Sexism's funny when women do it!
Patty shows up at their lab and tells them about the subway ghost. Curious, the women follow her to the tunnel. They see the ghost again, and Erin attempts to capture it with one of Holtzmann's cobbled together proton packs. It fails, and the ghost escapes on a passing train. This new video also goes viral, and the internet dubs the women "Ghostbusters." Patty inexplicably quits her job and joins the team, since she knows the city's history and can borrow her uncle's hearse so they can haul their equipment around more easily. Annnnd now they have their own version of the Ecto-1.
Holtzmann improves and streamlines the proton packs, and comes up with a few other devices as well, including proton pistols, a ghost disintegrating grenade, and a proton glove. She also invents a containment unit to hold the ghosts once captured.
Meanwhile, Rowan plants another of his ghost-attracting devices at a heavy metal concert. The Ghostbusters investigate and find a large, dragon-like (?) ghost there. They capture the ghost, and the crowd thinks it's all part of the show. Later the Ghostbusters are taken to a secret meeting with the Mayor of New York. He says he's thankful for their help, but fears a citywide panic if the public found out that ghosts and the supernatural are real. He tells them to continue their work, but says that in order to maintain the peace, publicly he'll have to label them frauds.
Back at the lab, the Ghostbusters notice a pattern in all the ghostly occurrences. They're all happening along the city's "ley lines," which are alignments of mystical energy. The lines all intersect at the Mercado Hotel. When they investigate the place, they find Rowan has a secret lair in the basement. He's built a large engine there which he plans to use to open a portal to the afterlife and release ghosts into our world. Abby tries to talk him out of his plan, but when he hears the police coming, he electrocutes himself.
Later Erin reads through Rowan's notes, and discovers he deliberately killed himself to become a ghost, so he can start up the Fourth Cataclysm and lead an army of ghosts to scour the world.
In the lab, Abby is possessed by Rowan's spirit and starts destroying their equipment. Patty slaps Rowan out of Abby, and his spirit then inhabits the empty-headed Kevin. Rowan/Kevin returns to his lair and starts up the machine again, which opens a huge cliched portal over the city. Thousands of ghost flow through the portal and flood
Abby, Holtzmann and Patty head out to start busting ghosts. They encounter a small, blobular green ghost, who for absolutely no reason at all turns out to be Slimer. He steals the Ecto-1 and goes joyriding in it. Patty starts to shoot at the car, but Holtzmann stops her, saying the equipment on top is basically an unstable nuclear bomb. I smell a plot point coming on...
The three are then attacked by giant, haunted (I guess?) Thanksgiving Day Parade character balloons, including one that looks like the Stay-Puft Marshmallow Man. Sigh… He dives onto them, flattening them against the ground. Erin shows up and pops the Marshmallow Man balloon with her Swiss Army knife.
The Ghostbusters then fight their way through the army of ghosts, back to the hotel. There they see that Rowan/Kevin has possessed the army and police, freezing them in place. Rowan says he's bored with Kevin (?) and exits his body. He then takes on a new form— that of the happy-looking spirit in the Ghostbusters logo (oy). He then grows to gigantic size, just like a Power Rangers monster, and begins rampaging through the city, which is something we've never seen before (that was, I say that was sarcasm, son).
Just then Slimer roars by in the Ecto-1, and Holtzmann gets the bright idea to drive it into the portal and detonate the nukes on it, which will hopefully reverse the polarity of the neutron flow or something. They fire their proton packs at Slimer to herd the car into the portal and then shoot the nukes atop it. Sure enough, the plan works, and the ghosts all over the city are sucked back into the portal.
Unfortunately the gigantic Rowan is holding onto a couple of buildings to prevent himself from being pulled in. The girls shoot him in the crotch, forcing him to let go. Nope, nothing anti-male about this film at all!
Just then Rowan grabs Abby, and the two are sucked into the portal. Thinking fast, Erin ties a rope around her waist and dives in. Inside the swirling, supernatural vortex, Erin catches up to Rowan. She shoots his hand, causing him to let go of her friend. Erin grabs onto Abby, as Rowan falls into the endless void.
Patty and Holtzmann pull Erin and Abby out of the portal seconds before it closes forever. As a result of their trip to the other side, Erin and Abby's hair has turned completely white.
Later, the Mayor continues to deny the existence of ghosts, saying the whole incident was a mass hallucination or something. However, he secretly funds the Ghostbusters, offering them anything they need to continue their work and safeguard the city against further supernatural threats. They upgrade their headquarters to the fire house.
In the after credits scene, the team is in the lab while Patty's listening to an EVP (Electronic Voice Phenomenon) tape. She hears something odd on the tape, and asks "What's Zuul?" Groan!
Thoughts:
• As I mentioned earlier, for a movie that's allegedly all about gender and equality, it's surprisingly misandrist. Every male character is either evil, extremely stupid, socially awkward or grossly incompetent.
As proof of this you need look no further than the Kevin character. He's a huge slab of beef who's so dim he doesn't even understand how glass works (seriously!). The Ghostbusters hire him solely for his good looks, then spend the rest of the film ridiculing his low intelligence as they shamelessly leer at him. In fact they do everything but grind their privates against his body. Their actions come dangerously close to sexual harassment (if they don't cross the line completely).
Imagine how this little subplot would have gone over if the genders had been reversed. Apparently belittling and harassing women is verboten, but it's OK to do the same with males.
Now compare Kevin to Janine Melnitz, the receptionist in the original Ghostbusters. Janine was a strong female character who was attractive but also intelligent and competent. The male characters respected her and treated her as an equal.
This "men are stupid" attitude even extends to background characters. In the lab, Abby and Holtzmann watch a supernatural reality show called "Ghost Bros," featuring a group of overenthusiastic frat boys who "give paranormal investigation a bad name."
• The internet at large seems to be in love with Kate McKimmon's Holtzmann character. "She's a national treasure!" and "Every second she's onscreen is gold!" are just a few of the many gushing actual comments I read.
I thought McKimmon was extremely annoying and grating, as she spends the entire movie shamelessly mugging at the camera. McKimmon needs a director who can reign her in and force her to tone it down a notch or twelve. Obviously Feig is not that director, as he apparently believed her every facial tick and bizarre utterance was pure magic.
• I assume Holtzmann's look is a shout out to the animated version of Egon from The Real Ghostbusters cartoon. She's got the same glasses and poofed-up blonde pompadour as her animated counterpart. I guess this is only natural, since Holtzmann is most definitely a live action cartoon character, as opposed to an actual fleshed-out human being.
• When the first trailer appeared, I was appalled by Leslie Jones, who seemed to be playing the same "Loud, Angry Black Woman" character she plays in every episode of Saturday Night Live.
I was very surprised to find out that's not the case in the actual film. In fact she was the least annoying of the four main characters, and my favorite thing about the movie. She was the only one who seemed to be an actual person, rather than a character (or caricature, in some cases). Yes, she did have a couple of loud moments, but they were few and far between.
Whoever edited that horrible trailer needs to be fired, pronto.
• As I said earlier, I remember laughing exactly twice during the film. Once was at the beginning, when the Tour Guide describes the Aldridge Mansion by saying, "At the time of its construction, it was one of the most elegant homes in existence, featuring every luxury, including a face bidet and an anti-Irish security fence." See, now that's a funny joke. Not because it's anti-Irish, but because it sounds like something that would have actually happened in New York City in the 1800s.
The other time I laughed was when Jonathan the theater manager (played by Michael McDonald) uttered his high-pitched shriek. That's it, folks. That's all I got.
On the flip side, there were more unfunny lines than I could possibly list here. Oddly enough, most of them were uttered by Kate McKimmon's Holtzmann character. Here's a sampling of her lines that thudded to the ground like sacks of sour laundry:
Holtzmann: "Booyah! Emphasis on the boo!" That's… that's not a joke.
Holtzmann: (as she's caught eating Pringles at an inappropriate moment) "Just try saying no to these salty parabolas!"
Holtzmann: (after pranking Erin by playing a "hilarious" fart sound on a tape) "Is it more or less disgusting if I tell you it came out the front?" Yes, folks, Ghostbusters 2016 just made a quiff joke.
Holtzmann: (after discovering there's probably a dead body in back of Patty's uncle's hearse) "I can think of seven good uses of a cadaver, tuh-DAY!" Again, that is not a joke. And the way she overemphasizes the word "today" is nothing short of bizarre.
Erin: (after returning from the void) "What year is it?"
Holtzmann: "It's 2040. Our president is a plant!" Again, saying the weirdest non-sequitur you can think of is not a joke.
Holtzmann: "You just got Holtzmanned, baby!" Somehow I doubt people will be quoting that line like they do "Dogs and cats, living together…"
• Product placement ahoy! When the girls are in the haunted mansion and meet their first ghost, Holtzmann starts snacking on Pringles for absolutely no reason other than because they paid Sony a sh*tload of money for product placement. The scene gives the word "blatant" new meaning.

To be fair, the original Ghostbusters had more than its fair share of obvious and obnoxious product placement as well. Cheez-Its, Coca-Cola, Perrier, Lay’s, Fritos, Hostess Twinkies, Wise potato chips, USA Today and even Budweiser beer were all featured prominently in the original film, so… I guess I can't complain too loudly about this aspect.
• As I said above, for months before the film's premiere, the internet was positively awash with negative comments about the gender of the four leads. Amazingly the movie actually references all the internet hate!
Holtzmann posts their encounter with the ghost of Gertrude Aldridge online, and it immediately goes viral. Abby reads a few of the comments on the video, one of which is, "Ain't no bitches gonna hunt no ghosts!"
I'm assuming that comment was thrown in to undermine all the haters, but… when an aspect of your film generates this much controversy, it's probably not a good idea to call undue attention to it.
• Abby, Erin and Holtzmann are all fired from their college positions, which leads to their decision to form the Ghostbusters.
I'm struggling to understand why Patty would quit her job with the city just to hook up with them though. Sure, her mass transit job probably isn't very exciting, but it's more secure and stable than ghost busting, and no doubt has better benefits.
• At one point Erin proclaims that "books can't fly and neither can babies." Both happened respectively in the original Ghostbusters and Ghostbusters II.
• I liked most of the new Ghostbusting equipment, like the proton grenades, proton pistols and proton glove. They were well thought out and seemed like a logical extension of the technology from the original film.
One piece of equipment I didn't care for though was the new PKE meter. The old one (on the left above) looked like a real piece of technology that performed an actual function. The new one, with its dumb looking, lighted whirling blades, looks for all the word like a kid's toy. Like something you'd find at Spencer's Gifts before they turned into a porn shop. Maybe its ridiculousness is supposed to be part of the joke?
• In all, there are five cameos by members of the original Ghostbusters cast. Six, if you count the late Harold Ramis. Slimer and the Stay-Puft Marshmallow Man also make cameo appearances.
Unfortunately, none of the human characters reprise their original roles, instead appearing as distracting new characters that stop the plot cold whenever they appear. Cue sad trombone.
Bill Murray plays spiritual debunker Martin Heiss. He's quite the asshole, much like the real Bill Murray. His character is killed when he demands to see one of the Ghostbusters trapped spirits. When they let it out, it knocks him out the window and he falls to his death. Note that this is all played for comedic effect. Oh, my sides!
Note: According to the novelization of the film, Heiss doesn't die from his fall, and the incident causes him to reverse his negative opinion of the Ghostbusters. Sorry, but I shouldn't have to do homework to find out what happens to a character. Movie novelizations don't count. As far as I'm concerned he's dead.
Dan Aykroyd plays a cab driver who exclaims, "I don't go to Chinatown, I don't drive wackos, and I ain't afraid of no ghosts!" Oy gevalt.
Ernie Hudson appears as Patty's uncle, who loans her the hearse that becomes the new Ecto-1.
Annie Potts plays a disgruntled hotel clerk, uttering some of the same lines she did in the original film.
Siogourney Weaver appears as Rebecca Gorin, Holtzmann's equally deranged mentor.
Harold Ramis makes sort of a posthumous appearance. When Dean Filmore exits Erin's office, there's a gold bust of a man wearing glasses in the hallway. That bust is supposed to be Harold Ramis, aka Egon Spengler. Hear that high pitched, whining noise? That's Ramis spinning rapidly in his grave after finding out his image was used in this cinematic turd.
Actor Rick Moranis (who played Louis Tully in the original film) was approached to make a cameo appearance, but told the producers to get lost. Good for him.
• When Rowan is possessing Kevin's body, he takes control of the entire army and police force, making them freeze in place. He even makes them participate in an elaborate dance number, if you stay for the end credits.
So... if he has that much power over humans, why doesn't he just use it against any of the Ghostbusters? Why not order them to shoot one another with their proton packs and be rid of them?
• I was going to mention that the idea of the Ghostbusters logo coming to life and stomping on the city was the stupidest plot point I'd ever seen in a film. Then I realized it's no stupider than the Stay-Puft Marshmallow Man doing the same thing. So I'll give 'em this one.
Still, the Stay-Puft Man was actually funny. Somehow the logo is not.
• At the end of the film, Rowan opens a portal to the other side, which for some reason transforms Times Square into an older version of itself. The entire area becomes a hodgepodge of previous eras, as I spotted ads from the 1930s through the 1970s.
So… are these ghosts of buildings and billboards? Did Rowan send the entire block back in time? I'm confused here...
• At the end of the film, the Mayor of New York claims the whole Rowan incident was a "mass hallucination" that never happened.
The Ghostbusters then look out over the city, and see the public has arranged the lights in various buildings to spell out messages thanking them.
So which is it? Do the citizens know the Ghostbusters saved them or not? You can't have it both ways, movie.
• In the post credits scene, the Ghostbusters are working in their lab. Patty listens to a recording of alleged ghostly voices captured on tape, looks puzzled and says, "I heard something really weird. What's 'Zuul'?"
Obviously they're setting up the big bad for a potential sequel here. I should point out though that in the original film, Zuul, aka The Gatekeeper, was just a minion of Gozer, who was the real threat. It's possible they're aware of this and are paving the way for Gozer, but who knows? C'mon guys, if you're going to strip mine the mythology, at least get the names right.
Ghostbusters 2016 is a tepid, ill-advised remake that adds little or nothing to the franchise. Worst of all it's just plain not funny, failing to capture the wit and dry humor of the original. I advise giving it a miss— I took one for the team and saw it so you don't have to. I give it a C.
Tuesday, March 10, 2015
I Ain't Afraid Of No Vacuum Cleaner!
In a surprising announcement, this week Sony pictures revealed they're planning yet another Ghostbusters reboot, this one to feature an all-dog team of paranormal exterminators.
The film will reportedly follow the canine Ghostbusters team as they try to protect New York City from a plague of spectral cats. Rumor has it that internet sensation Grumpy Cat will star as Sir Moans-A-Lot, the ghostly feline antagonist.
The film will reportedly premiere along with Sony's previously announced all-female Ghostbusters film.
Writer/producer Dan Aykroyd and director Ivan Reitman are excited about the project, hoping it will inject new life into the stalled Ghostbusters franchise. In an interview Aykroyd said he envisions an entire universe of Ghostbusters films with various teams comprised of infants, Catholic nuns, Shriners, Pentecostal snakehandlers, television court show judges, mariachi band members, retired Borscht Belt comedians and disgraced former network anchormen.
Aykroyd also hopes to produce a film about a group of Ghostbusters cosplayers who attend a convention that's attacked by actual ghosts, and have to defend the con from the real-life spirits. The film will reportedly be titled Fauxbusters and is expected to premiere sometime in 2018.
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Saturday, November 29, 2014
1984: Another Great Year For Blockbuster Movies!
Summer, 1984. One of the greatest blockbuster seasons ever at the cineplex. There were an amazing number of big budget, high grossing films released during that period, many of which have gone on to classic or cult film status. Influential films we're still watching and talking about today.
Some of the most important directors of our time released their best work during this incredible period. Whether it was a fortuitous alignment of stars in the cosmos or just a random confluence of studio schedules, the Summer of 1984 was a great time to be a movie lover!
It just doesn't seem possible that it's been a whopping thirty years since these films were released.
Note that of all the films on this list, only two are sequels. And there's not a single remake to be found. You hear that Hollywood? Audiences like new ideas and stories.
It seems silly to issue a Spoiler Warning for a bunch of three decade old movies, but... consider yourself warned!
Beverly Hills Cop
Released December 5, 1984
Budget $15,000,000
Grossed: $234,000,000
Starring Eddie Murphy, Judge Reinhold, John Ashton, Ronny Cox and Bronson Pinchot.
The Plot:
Axel Foley (Eddie Murphy) is a young police detective in Detroit. When his best friend Mikey is killed, he's determined to investigate and solve his murder. The trail of clues take him to Beverly Hills, where he teams up with a couple of local detectives to solve the crime. Hijinx ensue.
Thoughts:
• Saturday Night Live may have made Eddie Murphy a household name, but it was Beverly Hills Cop that made him a superstar.
• The role of Axel Foley was first offered to Mickey Rourke (!), but numerous delays caused him to leave the film. No offense to Mr. Rourke, but if he'd taken the part I doubt we'd still be discussing the film today.
The role was then offered to Sylvester Stallone, who rewrote the script into an epic, over the top action film. The studio balked, saying his script would be too costly to film. This caused Stallone to leave just two weeks before filming began (Sly took some of his more action-y ideas and incorporated them into the movie Cobra).
Richard Pryor, Al Pacino and James Caan were all considered for the Axel Foley part but turned it down.
The film was finally offered to Eddie Murphy, who accepted. This required a quick and massive overhaul of the script though, to pump up the laugh quotient and play to Murphy's comedic strengths.
• Martin Scorsese and David Cronenberg (!) were asked to direct, but declined. Martin Brest supposedly took the director job based on the results of a coin toss. Always nice to see an artist with a passion for his projects.
• Much of the between Murphy and co-stars Judge Reinhold and John Ashton was improvised. Many takes were ruined due to cast and crew alike laughing at the ad-libbed lines. Reinhold's "five pounds of red meat in your bowels" monologue came from an off the cuff line he performed during his audition.
• In addition to catapulting Eddie Murphy to superstardom, the film gave quite a boost to Bronson Pinchot's career as well. He practically stole the show as the odd art dealer Serge, and used a variation of the character (as well as his accent) as Balki in his Perfect Strangers sitcom.
• Amazingly the film received an Academy Award nomination for Best Writing (Original Screenplay). Really? An Oscar nom? It's a decent film and I like it, but c'mon, it ain't that good.
• The Beverly Hills Cop soundtrack, including the iconic Axel F instrumental, is almost as famous as the film itself. It won a Grammy for Best Score Soundtrack.
• The film spawned two sequels, also starring Eddie Murphy and Judge Reinhold. In 2013 there were rumors that CBS was interested in a television series based on the films, featuring Axel Foley's son, but nothing ever came of it. That's probably just as well.
Dune
December 14, 1984
Budget: $40,000,000
Gross: $30,000,000
Starring Kyle MacLachlan, Max Von Sydow, Jose Ferrer, Patrick Stewart, Sean Young, Brad Dourif and Sting.
The Plot:
In the far future, various political houses fight over a planet that produces a drug that makes space travel possible (how's that for distilling such a complicated story into one sentence!).
Thoughts:
• David Lynch's adaptation of Frank Herbert's scifi novel is a glorious train wreck of a film. It was labeled a bomb in 1984, but as often happens, it's since become regarded as a cult classic.
• There were many failed attempts to film Dune before it finally came to the big screen. In 1971 Arthur P. Jacobs (producer of the Planet Of The Apes films) bought the film rights and wanted David Lean (of Lawrence Of Arabia fame, no less) to direct.
Next a French consortium bought the rights and hired Alejandro Jodorowsky to direct. Jodorowsky had a lot of screwball ideas that would have no doubt made for an even weirder and crazier version than what we ended up with. In fact there's even a documentary about his vaporware film!
Jodorowsky planned to make a ten hour long movie (!) starring artist Salvador Dali as the Emperor (!!!). Dali agreed to start in the film, but demanded $100,000 an hour. Jodorowsky accepted his terms, planning to film all of Dali's scenes in one hour (how he realistically thought such a thing was possible, I have no idea).
Jodorowsky spent $2 million of the films $9.5 million budget on pre-production alone. Around this time the French investors' money dried up and the project was cancelled.
In 1981, Dino De Laurentiis (of the 1976 King Kong fame) bought the film rights. He hired Ridley Scott (ALIEN) to direct. Scott planned on making two films, but the project stalled yet again and he went on to direct Blade Runner.
Finally De Laurentiis hired David Lynch to direct. Lynch spent six months working on the script before filming finally began on March 30, 1983. Lynch's first cut of the film was over four hours long, which, all things considered, wasn't bad for a movie based on such a massive book. Universal wanted a two hour film (so it could play in theaters more times per day, raking in more money) and forced him to cut it down. Lynch claims Universal Pictures denied him final cut of the picture, and has distanced himself from the production, refusing to even talk about it in interviews.
• The film boasts an amazing international cast, but everyone acts in a dreamlike, languid style, as if they're either hypnotized by the complexity of the script or there was a gas leak in the studio.
• Rob Lowe and Val Kilmer turned down the part of Paul Atreides. Paul was ultimately played by Kyle MacLachlan, in his film debut. I wonder if Val Kilmer passed on the role because he was busy shooting Top Secret!, which also premiered in 1984?
• Patrick Stewart, who plays Gurney Halleck in the film, said the film's "stillsuit" was the most uncomfortable costume he's ever worn. He also said the same thing about the first season uniforms in Star Trek: The Next Generation. Maybe Sir Patrick just isn't comfortable in any kind of uniform.
Although the musical instrument played by Patrick Stewart looks suitably futuristic, it was a real type of electric guitar called a Chapman Stick.
• At the time, much was made of Feyd-Rautha, played by Police frontman Sting, and his tiny winged g-string. Originally he agreed to film the scene in the nude, but the studio became nervous and demanded he cover up his "little sting."
• Universal saw how much money Star Wars toys were raking in and decided they wanted in on some of that sweet, sweet merchandising pie. To that end they released a whole line of ill-advised Dune action figures and accessories.
Never mind that the film is a complex tale of political intrigue and ecology and offers very little for a child to appreciate. Sure, there are a few action set pieces (mostly involving the sandworms), but they're bracketed by endless scenes of dry, bureaucratic machination.
Needless to say few kids wanted a figure of a five hundred pound sexually perverted dictator or a middle aged man with a photographic memory who inexplicably had a house cat and a rat hooked up to his bloodstream, and they were quickly clearanced from the nation's toy shelves.
• David Lynch makes a cameo appearance as a mining ship radio operator. For some unfathomable reason, new age saxophonist Kenny G. also makes an appearance as a drummer during Feyd and Paul's duel.
• Dune has a very odd production design. Take a look at the object above. What does that look like to you? Some sort of futuristic wall clock? Nope, believe it or not it's a ray gun.
Was the production designer simply trying to get away from the traditional pistol-like weapon? Or did he have six weeks to design one, but goofed off until the day he was supposed to present it and came up with this idea at a stop light on the way to the studio meeting? I'm betting the latter.
• Watch the end of the film carefully, because this is the only time in motion picture history that you'll ever see the credit "Music by Toto." Because who better to write the score for your sprawling, epic scifi adventure than an 80s prog-rock keyboard band?
Richard Pryor, Al Pacino and James Caan were all considered for the Axel Foley part but turned it down.
The film was finally offered to Eddie Murphy, who accepted. This required a quick and massive overhaul of the script though, to pump up the laugh quotient and play to Murphy's comedic strengths.
• Martin Scorsese and David Cronenberg (!) were asked to direct, but declined. Martin Brest supposedly took the director job based on the results of a coin toss. Always nice to see an artist with a passion for his projects.
• Much of the between Murphy and co-stars Judge Reinhold and John Ashton was improvised. Many takes were ruined due to cast and crew alike laughing at the ad-libbed lines. Reinhold's "five pounds of red meat in your bowels" monologue came from an off the cuff line he performed during his audition.
• In addition to catapulting Eddie Murphy to superstardom, the film gave quite a boost to Bronson Pinchot's career as well. He practically stole the show as the odd art dealer Serge, and used a variation of the character (as well as his accent) as Balki in his Perfect Strangers sitcom.
• Amazingly the film received an Academy Award nomination for Best Writing (Original Screenplay). Really? An Oscar nom? It's a decent film and I like it, but c'mon, it ain't that good.
• The Beverly Hills Cop soundtrack, including the iconic Axel F instrumental, is almost as famous as the film itself. It won a Grammy for Best Score Soundtrack.
• The film spawned two sequels, also starring Eddie Murphy and Judge Reinhold. In 2013 there were rumors that CBS was interested in a television series based on the films, featuring Axel Foley's son, but nothing ever came of it. That's probably just as well.
Dune
December 14, 1984
Budget: $40,000,000
Gross: $30,000,000
Starring Kyle MacLachlan, Max Von Sydow, Jose Ferrer, Patrick Stewart, Sean Young, Brad Dourif and Sting.
The Plot:
In the far future, various political houses fight over a planet that produces a drug that makes space travel possible (how's that for distilling such a complicated story into one sentence!).
Thoughts:
• David Lynch's adaptation of Frank Herbert's scifi novel is a glorious train wreck of a film. It was labeled a bomb in 1984, but as often happens, it's since become regarded as a cult classic.
• There were many failed attempts to film Dune before it finally came to the big screen. In 1971 Arthur P. Jacobs (producer of the Planet Of The Apes films) bought the film rights and wanted David Lean (of Lawrence Of Arabia fame, no less) to direct.
Next a French consortium bought the rights and hired Alejandro Jodorowsky to direct. Jodorowsky had a lot of screwball ideas that would have no doubt made for an even weirder and crazier version than what we ended up with. In fact there's even a documentary about his vaporware film!
Jodorowsky planned to make a ten hour long movie (!) starring artist Salvador Dali as the Emperor (!!!). Dali agreed to start in the film, but demanded $100,000 an hour. Jodorowsky accepted his terms, planning to film all of Dali's scenes in one hour (how he realistically thought such a thing was possible, I have no idea).
Jodorowsky spent $2 million of the films $9.5 million budget on pre-production alone. Around this time the French investors' money dried up and the project was cancelled.
In 1981, Dino De Laurentiis (of the 1976 King Kong fame) bought the film rights. He hired Ridley Scott (ALIEN) to direct. Scott planned on making two films, but the project stalled yet again and he went on to direct Blade Runner.
Finally De Laurentiis hired David Lynch to direct. Lynch spent six months working on the script before filming finally began on March 30, 1983. Lynch's first cut of the film was over four hours long, which, all things considered, wasn't bad for a movie based on such a massive book. Universal wanted a two hour film (so it could play in theaters more times per day, raking in more money) and forced him to cut it down. Lynch claims Universal Pictures denied him final cut of the picture, and has distanced himself from the production, refusing to even talk about it in interviews.
• The film boasts an amazing international cast, but everyone acts in a dreamlike, languid style, as if they're either hypnotized by the complexity of the script or there was a gas leak in the studio.
• Rob Lowe and Val Kilmer turned down the part of Paul Atreides. Paul was ultimately played by Kyle MacLachlan, in his film debut. I wonder if Val Kilmer passed on the role because he was busy shooting Top Secret!, which also premiered in 1984?
• Patrick Stewart, who plays Gurney Halleck in the film, said the film's "stillsuit" was the most uncomfortable costume he's ever worn. He also said the same thing about the first season uniforms in Star Trek: The Next Generation. Maybe Sir Patrick just isn't comfortable in any kind of uniform.
Although the musical instrument played by Patrick Stewart looks suitably futuristic, it was a real type of electric guitar called a Chapman Stick.
• At the time, much was made of Feyd-Rautha, played by Police frontman Sting, and his tiny winged g-string. Originally he agreed to film the scene in the nude, but the studio became nervous and demanded he cover up his "little sting."
• Universal saw how much money Star Wars toys were raking in and decided they wanted in on some of that sweet, sweet merchandising pie. To that end they released a whole line of ill-advised Dune action figures and accessories.
Never mind that the film is a complex tale of political intrigue and ecology and offers very little for a child to appreciate. Sure, there are a few action set pieces (mostly involving the sandworms), but they're bracketed by endless scenes of dry, bureaucratic machination.
Needless to say few kids wanted a figure of a five hundred pound sexually perverted dictator or a middle aged man with a photographic memory who inexplicably had a house cat and a rat hooked up to his bloodstream, and they were quickly clearanced from the nation's toy shelves.
• David Lynch makes a cameo appearance as a mining ship radio operator. For some unfathomable reason, new age saxophonist Kenny G. also makes an appearance as a drummer during Feyd and Paul's duel.
• Dune has a very odd production design. Take a look at the object above. What does that look like to you? Some sort of futuristic wall clock? Nope, believe it or not it's a ray gun.
Was the production designer simply trying to get away from the traditional pistol-like weapon? Or did he have six weeks to design one, but goofed off until the day he was supposed to present it and came up with this idea at a stop light on the way to the studio meeting? I'm betting the latter.
• Watch the end of the film carefully, because this is the only time in motion picture history that you'll ever see the credit "Music by Toto." Because who better to write the score for your sprawling, epic scifi adventure than an 80s prog-rock keyboard band?
• Dune is the only film I can think of that's ever passed out "cheat sheets" to the audience. The plot was so complicated and filled with alien words and names that the studio printed up handouts featuring a glossary of terms for confused moviegoers. Can you imagine sitting in a darkened theater, squinting while trying to read your handout to find out what "mentat" means?
If you have to resort to such drastic measures to explain what the hell's going on, then you've failed as a screenwriter and director.
• David Lynch was signed to direct two sequels to the film, but the poor box office squelched those plans.
Ghostbusters
Released June 8, 1984
Budget: $30,000,000
Grossed: $291,000,000
Starring Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, Sigourney Weaver, Annie Potts and Rick Moranis.
The Plot:
Three parapsychologists lose their positions at Columbia University. After noticing increased supernatural activity in New York City, they form a successful small business called Ghostbusters.
The paranormal activity continues to grow, culminating in the arrival of an ancient god named Gozer who wants to bring about Armageddon Naturally, the Ghostbusters are the only ones who can save the world.
Thoughts:
• Ghostbusters was my favorite movie of 1984 and I still love it to this day. I vividly remember seeing it in a crowded theater while on a trip to St. Louis. This was way before the advent of the internet and spoiler sites, so everyone was totally surprised by the appearance of the Stay-Puft Marshmallow Man. The entire audience roared with laughter for many minutes afterward, a reaction I've not seen since. Sometimes I miss those days.
• Dan Aykroyd wrote the film, intending to star in it alongside his friend John Belushi. The original script was quite different, featuring "Ghostsmashers" who traveled through time, space and other dimensions as they hunted an entire race of giant ghosts (one of which the Stay-Puft Marshmallow Man!). The Ghostsmashers wore SWAT-type uniforms and used wands (?) to battle the ghosts.
Director Ivan Reitman liked the concept, but worried that the film would cost at least $200 million (in 1984 dollars). He suggested Harold Ramis help Ackroyd rewrite the script and make it cheaper to shoot.
• Ramis and Aykroyd wrote roles specifically for John Belushi and Eddie Murphy, who would play two of the Ghostbusters, and for John Candy as Louis Tully. Unfortunately Belushi died before filming began, and Murphy and Candy wouldn't commit to the film.
Eventually Bill Murray was offered the role of Peter Venkman. Most of Bill Murray's lines were ad-libbed.
• Christopher Walken, John Lithgow, Christopher Lloyd and Jeff Goldblum were all considered for the role of Dr. Egon Spengler before it was given to Harold Ramis. Although they all would have made interesting Egons, in the end I can't imagine anyone else in the role.
• Louis Tully was originally written as a conservative businessman. The part was given to Rick Moranis, who played the character as a geeky milquetoast and wrote most of his own highly technical tax law dialog!
• Gozer the Gozarian was originally going to be a man in a business suit played by Paul Ruebens (better known as Pee Wee Herman), but was replaced by scantily-clad Yugoslavian model Slavitza Jovan. Good move!
• William Atherton starred as the irritating EPA agent Walter Peck. Atherton claims that the film ruined his life, as to this day people yell at him on the street and even attempt to pick fights with him. The mark of a good actor!
• 1970s porn star Ron Jeremy makes a brief and puzzling camera appearance near the end of the film. Years later, in 2011, he starred in a porn parody called This Ain't Ghostbusters XXX. I hope that those triple Xs refer to the pornographic nature of the film and don't mean it's Part 30.
• Throughout most of the shooting the film didn't have a name. They actually considered Ghoststoppers before finally settling on the far more satisfying Ghostbusters. The producers then discovered that there had been a 1975 live action Saturday morning show called The Ghost Busters, produced by Filmation Studios. Fortunately Columbia worked out a deal with Filmation.
After the film became a huge hit, Filmation produced an animated version of The Ghost Busters with the incredibly inventive new title of Filmation's Ghostbusters. Not to be outdone, in 1986 Columbia countered with their own animated version of the film called The Real Ghostbusters. Confusing!
• The Stay-Puft Marshmallow Man actually makes a couple of appearances before his big scene in the final act. The eggs which fry themselves on Dana's kitchen counter are sitting next to a package of Stay-Puft marshmallows. Later as the Ghostbusters roar out of their
headquarters in the Ecto-1, there's an ad for Stay-Puft marshmallows on a building behind them.
The Stay-Puft Marshmallow Man suits cost approximately $20,000 apiece. Three were made and all were destroyed during filming.
• So what's up with that bizarre "ghostly sex" dream sequence in the middle of the film?
As originally filmed, Ray and Winston go on a ghost busting call to an old Civil War fort, which has been converted into a museum. They split up and start hunting for the ghost. Ray wanders into a bedroom and tries on one of the old Civil War uniforms. He then either becomes really sleepy, or perhaps is lulled to sleep by the resident ghost. He lies down on the bed and instantly falls asleep. He's then awakened by a female ghost who gives him a taste of supernatural sex.
This scene was ultimately cut from the film, but part of it was used in a clumsily edited and out of place dream sequence in the middle of the "hard working Ghostbusters" montage (look closely and you can see Ray's inexplicably wearing the Civil War uniform).
If you have to resort to such drastic measures to explain what the hell's going on, then you've failed as a screenwriter and director.
• David Lynch was signed to direct two sequels to the film, but the poor box office squelched those plans.
Ghostbusters
Released June 8, 1984
Budget: $30,000,000
Grossed: $291,000,000
Starring Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, Sigourney Weaver, Annie Potts and Rick Moranis.
The Plot:
Three parapsychologists lose their positions at Columbia University. After noticing increased supernatural activity in New York City, they form a successful small business called Ghostbusters.
The paranormal activity continues to grow, culminating in the arrival of an ancient god named Gozer who wants to bring about Armageddon Naturally, the Ghostbusters are the only ones who can save the world.
Thoughts:
• Ghostbusters was my favorite movie of 1984 and I still love it to this day. I vividly remember seeing it in a crowded theater while on a trip to St. Louis. This was way before the advent of the internet and spoiler sites, so everyone was totally surprised by the appearance of the Stay-Puft Marshmallow Man. The entire audience roared with laughter for many minutes afterward, a reaction I've not seen since. Sometimes I miss those days.
• Dan Aykroyd wrote the film, intending to star in it alongside his friend John Belushi. The original script was quite different, featuring "Ghostsmashers" who traveled through time, space and other dimensions as they hunted an entire race of giant ghosts (one of which the Stay-Puft Marshmallow Man!). The Ghostsmashers wore SWAT-type uniforms and used wands (?) to battle the ghosts.
Director Ivan Reitman liked the concept, but worried that the film would cost at least $200 million (in 1984 dollars). He suggested Harold Ramis help Ackroyd rewrite the script and make it cheaper to shoot.
• Ramis and Aykroyd wrote roles specifically for John Belushi and Eddie Murphy, who would play two of the Ghostbusters, and for John Candy as Louis Tully. Unfortunately Belushi died before filming began, and Murphy and Candy wouldn't commit to the film.
Eventually Bill Murray was offered the role of Peter Venkman. Most of Bill Murray's lines were ad-libbed.
• Christopher Walken, John Lithgow, Christopher Lloyd and Jeff Goldblum were all considered for the role of Dr. Egon Spengler before it was given to Harold Ramis. Although they all would have made interesting Egons, in the end I can't imagine anyone else in the role.
• Louis Tully was originally written as a conservative businessman. The part was given to Rick Moranis, who played the character as a geeky milquetoast and wrote most of his own highly technical tax law dialog!
• Gozer the Gozarian was originally going to be a man in a business suit played by Paul Ruebens (better known as Pee Wee Herman), but was replaced by scantily-clad Yugoslavian model Slavitza Jovan. Good move!
• William Atherton starred as the irritating EPA agent Walter Peck. Atherton claims that the film ruined his life, as to this day people yell at him on the street and even attempt to pick fights with him. The mark of a good actor!
• 1970s porn star Ron Jeremy makes a brief and puzzling camera appearance near the end of the film. Years later, in 2011, he starred in a porn parody called This Ain't Ghostbusters XXX. I hope that those triple Xs refer to the pornographic nature of the film and don't mean it's Part 30.
• Throughout most of the shooting the film didn't have a name. They actually considered Ghoststoppers before finally settling on the far more satisfying Ghostbusters. The producers then discovered that there had been a 1975 live action Saturday morning show called The Ghost Busters, produced by Filmation Studios. Fortunately Columbia worked out a deal with Filmation.
After the film became a huge hit, Filmation produced an animated version of The Ghost Busters with the incredibly inventive new title of Filmation's Ghostbusters. Not to be outdone, in 1986 Columbia countered with their own animated version of the film called The Real Ghostbusters. Confusing!
• The Stay-Puft Marshmallow Man actually makes a couple of appearances before his big scene in the final act. The eggs which fry themselves on Dana's kitchen counter are sitting next to a package of Stay-Puft marshmallows. Later as the Ghostbusters roar out of their
headquarters in the Ecto-1, there's an ad for Stay-Puft marshmallows on a building behind them.
The Stay-Puft Marshmallow Man suits cost approximately $20,000 apiece. Three were made and all were destroyed during filming.
• So what's up with that bizarre "ghostly sex" dream sequence in the middle of the film?
As originally filmed, Ray and Winston go on a ghost busting call to an old Civil War fort, which has been converted into a museum. They split up and start hunting for the ghost. Ray wanders into a bedroom and tries on one of the old Civil War uniforms. He then either becomes really sleepy, or perhaps is lulled to sleep by the resident ghost. He lies down on the bed and instantly falls asleep. He's then awakened by a female ghost who gives him a taste of supernatural sex.
This scene was ultimately cut from the film, but part of it was used in a clumsily edited and out of place dream sequence in the middle of the "hard working Ghostbusters" montage (look closely and you can see Ray's inexplicably wearing the Civil War uniform).
• Did you know Bill Murray and Dan Aykroyd played dual roles in the first cut
of Ghostbusters? The two played homeless men who witness Louis being chased through Central Park by one of the terror dogs. This scene was removed from the final cut because little was done to disguise their identities, and the filmmakers feared the audience would be confused by seeing Murray and Aykroyd playing other characters.
• If you're a Ghostbusters fan, you owe a debt of gratitude to the film The Razor's Edge. According to Dan Aykroyd, Bill Murray was on the fence about starring as Peter Venkman, and only committed to the project after Columbia agreed to let him film The Razor's Edge, which was a passion project of his.
The film was released after Ghostbusters and tanked hard at the box office. Audiences no doubt had little interest in seeing Murray spouting philosophy in a serious and introspective film.
• Ghostbusters was another film with a hugely successful soundtrack. Ray Parker Jr. wrote and performed the catchy theme song, which became an incredibly huge hit. Amazingly it won an Oscar for Best Original Song (!). Seriously? I'm starting to think it's not all that hard to win an Oscar.
Not everyone was pleased with Parker's success though. In the fall of 1984 Huey Lewis sued Ray Parker Jr. for plagiarism, claiming the Ghostbusters theme copied the melody from his 1983 song I Want A New Drug. So was it true? Did the Ghostbusters theme copy New Drug? Well, the two settled out of court, so that means the answer is yes. Yes it did.
Veteran film composer Elmer Bernstein wrote the film's musical score.
• Reitman knew he had a hit on their hands when a test screening of the film-- without most of the ghostly special effects-- still met with thunderous applause from the audience.
The film spawned a less successful sequel, and the long running cartoon series. Aykroyd has been trying to get a third film off the ground for decades now, but has so far been unsuccessful. With the untimely death of Harold Ramis and Bill Murray's disinterest in the project, I say why bother? Better to have one good and one OK film to enjoy over and over, than to release a disastrous third film and sully the memory of the franchise.
In recent months a new Ghostbusters film with an all female team has been announced.
Gremlins
Released June 8, 1984
Budget: $11,000,000
Grossed: $153,000,000
Starring Zach Galligan, Phoebe Cates, Hoyt Axton, Polly Holiday, with Frank Welker and Howie Mandel as the voices of Stripe and Gizmo.
The Plot:
An unsuccessful inventor buys his son Billy a strange creature in a Chinatown shop. The creature, called a Mogwai, comes with three strict instructions: Keep it out of bright light, never get it wet, and never, ever feed it after midnight.
Grossed: $153,000,000
Starring Zach Galligan, Phoebe Cates, Hoyt Axton, Polly Holiday, with Frank Welker and Howie Mandel as the voices of Stripe and Gizmo.
The Plot:
An unsuccessful inventor buys his son Billy a strange creature in a Chinatown shop. The creature, called a Mogwai, comes with three strict instructions: Keep it out of bright light, never get it wet, and never, ever feed it after midnight.
Of course it doesn't take long for Billy to violate all three rules, and the cute and cuddly Mogwai mutates and grows into an army of destructive monsters that wreak havoc in the peaceful town of Bedford Falls, er, I mean Kingston Falls.
Thoughts:
Thoughts:
• Gremlins, along with Indiana Jones And The Temple Of Doom, are the two films directly responsible for the creation of the PG-13 rating. Parents took their children to see Gremlins assuming it was harmless family fare, only to be outraged when their precious snowflakes were traumatized by the violence and gore on display. Executive producer Steven Spielberg called the MPAA and suggested a rating between PG and R, and the rest is history.
• The term "gremlin" supposedly originated in WWII, as pilots blamed mechanical failures on the unseen, mischievous creatures.
• I'm told that "Mogwai" is Cantonese for "hairy monster."
• Written by Chris Columbus, who also wrote The Goonies, Home Alone, Mrs. Doubtfire and three of the Harry Potter films.
• Spielberg handpicked Joe Dante to direct, based on his work on The Howling.
• The first draft of the script was even darker than the finished product, and included scenes of the gremlins eating Billy's dog (!) and decapitating his mother and tossing her head down the stairs (!!!).
Also in the original script, it was Gizmo himself who mutated into the lead gremlin and caused much mayhem. Speilberg vetoed this idea, feeling that audiences would embrace the cute Gizmo and would be upset at his transformation. The script was then rewritten so that Stripe becomes leader of the gremlins.
This was probably a wise move on Spielberg's part, as the film birthed an onslaught of Gizmo-centric merchandise.
• Phoebe Cates plays Kate, Billy's girlfriend. Her speech about her father dressing as Santa Claus and breaking his neck while coming down the chimney was supposedly inspired by a famous urban legend. Spielberg didn't like the scene and wanted it cut, but Dante refused to take it out.
• Veteran actor Keye Luke played Mr. Wing, the shopkeeper who sells Gizmo to Billy's father. Even though Luke was 80 at the time of filming, he looked much younger and needed old age makeup in order to play the role.
• The backlot set used for Kingston Falls was the same one used for Hill Valley in Back To The Future.
• There are many similarities between Gremlins and It's A Wonderful Life, which I'm sure was intentional.
• The effects team tried dressing monkeys in gremlin costumes, with predictably disastrous results. That idea was quickly scrapped and most of the gremlins were sophisticated hand puppets. Certain puppets were built at a larger scale in order to be capable of more sophisticated expressions.
• Some critics with way too much time on their hands have accused the film of racism, saying the gremlins represent "negative African American stereotypes," as they're seen "devouring fried chicken, listening to black music, breakdancing and wearing sunglasses after dark." Jesus wept!
These are the same types of people who insist that the TV series The Munsters was really about ethnic groups moving into "nice" neighborhoods, and that Bewitched was really about interracial marriage. In other words, nut jobs. Sure those suppositions fit, but I can guarantee you that's not what the producers had in mind. You can read pretty much anything into any property if you try hard enough.
The Last Starfighter
Released July 13, 1984
Budget: $15,000,000
Grossed: $28,000,000
Grossed: $28,000,000
Starring Lance Guest, Robert Preston, Catherine Mary Stewart, Dan O'Herlihy.
The Plot:
A teenaged videogame wiz named Alex Rogan is recruited by an alien to fight in an intergalactic war. It turns out that Alex's favorite game Starfighter was really a testing unit to seek out space pilots. Alex agrees and saves the Star League from the threat of the Xur and the Ko-Dan Armada.
Thoughts:
• The Last Starfighter wasn't the first film to feature cgi, but it was the first to use such detailed and complex spaceship designs. The special effects look dated now of course, but at the time they were nothing short of jaw-dropping.
• Robert Preston's role as Centauri was very reminiscent of his Professor Harold Hill in The Music Man, and the part was written with him in mind. Sadly, this was Preston's final film role.
• A large number of the film's cast starred in the various Star Trek TV series, including Wil Wheaton, Marc Alaimo, Barbara Bosson, Meg Wyllie and Kay E. Kuter.
Wil Wheaton's small part was virtually eliminated from the film during editing. He would go on to play Wesley Crusher in Star Trek: The Next Generation.
Meg Wyllie, who plays Granny Gordon in the film, is probably best known as the Keeper in the first Star Trek pilot!
Dan O'Herlihy, who plays the alien Grig, went on to star as The Old Man in 1987's Robocop.
• In 2004, the film was adapted into an off-Broadway musical. We live in strange times.
Indiana Jones And The Temple Of Doom
Released May 23, 1984
Budget: $28,000,000
Grossed: $333,000,000
Grossed: $333,000,000
Starring Harrison Ford, Kate Capshaw, Amrish Puri and Jonathan Ke Quan.
The Plot:
In 1935, Indiana Jones, his sidekick Short Round and nightclub singer Wille Scott crash-land near a village in India. The inhabitants believe their village is cursed, and beg Indy to retrieve their sacred stones, along with their children, from the sinister Pankot Palace.
Thoughts:
• As mentioned above, this is one of the films directly responsible for the creation of the PG-13 rating. Apparently the scenes of villain Mola Ram reaching into the chests of his victims and pulling out their still-beating hearts caused much soiling of garments of the children in the audience.
• Most people don't realize that Temple Of Doom is actually a prequel, taking place a year prior to Raiders Of The Lost Ark. Why? Because George Lucas, that's why. He didn't want the villains to be Nazis again, and apparently felt the only way to solve this perplexing conundrum was to set the film even farther in the past. Or something.
This actually causes a continuity error in the film. In Raiders, Indy was confronted by a sword-swinging villain, and rather than engage in a lengthy battle, pulled out a pistol and shot him
In this film Indy's menaced by two swordsmen. He reaches for his gun, but finds it's not in its holster and runs.
Even though this is supposed to be a cutesy callback to the scene in Raiders, chronologically it's happening before, and thus makes absolutely no sense. It's like Indy's answering a question before it's asked.
• Director Steven Spielberg wanted to bring back Marion Ravenwood for the film, but George Lucas vetoed the idea. Lucas wanted each film to feature a different love interest for Indy, ala the James Bond films. Thanks a lot, George. See? He was upsetting fans as far back as 1984.
At least Spielberg benefitted from the deal. He ended up marrying star Kate Capshaw.
• Spielberg blames the film's darker tone on the fact that both he and Lucas were going through messy breakups at the time.
• Note at the beginning of the film, Indy meets Lao Che at Club Obi Wan. Wakka wakka!
• Indy hands over the cremated remains of Nurhachi to Lao Che. Nurhachi was an actual emperor of China in 1916 and founded the Manchu Qing dynasty.
• The "running from machine gun fire while using a rolling gong" gag was originally written for Raiders Of The Lost Ark, but was cut from the film. It resurfaced in this film.
• Look for Dan Aykroyd's uncredited cameo as the official who arranges Indy's flight out of China.
• Even though the film is set in India, it was filmed in Sri Lanka. Indian officials supposedly refused permission to film there because they found the script "racist and offensive."
They had a point, as the film bears little or no resemblance to actual Indian culture. It portrays the goddess Kali as evil, when she is in fact the Goddess Of Energy. The "dinner of horrors" was especially ridiculous as eels, beetles, eyeball soup and chilled monkey brains are most definitely not examples of delicious Indian cuisine.
• During filming Harrison Ford suffered a severe spinal injury while riding an elephant, and had to rest on a hospital bed between takes. His pain worsened until Lucas shut down production for three weeks to allow him to recover.
Many of Indy's more strenuous scenes were actually performed by stuntman Vic Armstrong (which is an absolutely perfect name for a stuntman).
• The rope bridge in the film was real; it was built by a group of British engineers over a two hundred foot deep gorge. Spieberg was terrified of it and would drive a couple of miles out of his way in order not to cross it. Ford had no such misgivings, and would run across it at full speed.
• Amrish Puri, who played Mola Ram, shaved his head for the role and kept it shaved afterward, as he then went on to quite a successful career playing villains in Indian films.
• Jonathan Ke Quan accompanied his brother to the audition for Short Round in order to provide moral support. Spielberg saw Quan bossing his brother around before the audition and cast him on the spot.
The Terminator
Released October 26, 1984
Budget: $6.400,000
Grossed: $78,000,000
Grossed: $78,000,000
Starring Arnold Schwarzenegger, Linda Hamilton, Michael Biehn and Lance Henriksen.
The Plot:
An intelligent computer called Skynet sends a murderous cyborg back in time to 1984, to kill a woman named Sara Conner. Skynet knows that Conner will one day give birth to a freedom fighter who will lead a revolution that will destroy it. Wibbly wobbly, timey whimey.
Thoughts:
• Writer-director James Cameron's original script included two Terminators being sent back in time. One was a humanoid cyborg, while the other was made of liquid metal.
There was no way to realistically film the liquid metal Terminator in 1984, so the idea was scrapped. It was of course reused in the 1991 sequel Terminator 2: Judgement Day.
• Lance Henriksen was originally cast as the Terminator, because Cameron thought he should be able to blend into a crowd. When that concept was changed, he gave Henriksen the part of Detective Vukovich.
Arnold Schwarzenegger was originally going to play human time traveller Kyle Reese, while O.J. Simpson was to play the Terminator (!). Ultimately Simpson was dropped as Cameron thought he was too nice to be believable as a merciless killing machine (!!!). I think the Irony-O-Meter just exploded.
• Arnold has a total of 18 lines in the film, amounting to less than 100 words.
• Police frontman Sting was considered for the role of Kyle Reese.
• Geena Davis, Debra Winger, Michelle Pfeiffer, Diane Lane and Carrie Fisher (among many, many others) all auditioned for the part of Sarah Conner.
• The iconic line "I'll be back!" almost didn't make it into the film. Schwarzenegger didn't want to say it, because he had difficulty pronouncing the word "I'll." He wanted to say the more formal, "I will be back," but Cameron refused. It's amazing when you read things like this to think how different film history could be.
• The low budget, unassuming little film created a franchise and merchandising empire. To date there have been three sequels or prequels or whatever the hell they were, with a fifth film scheduled for 2015.
• Sci-fi writer Harlan Ellison claimed that The Terminator stole his screenplay for Soldier, an episode of The Outer Limits. This was nothing new, as Ellison has made a second career out of suing anything that moves for plagiarism. Ellison must have had better lawyers than Orion Studios though, because they ended up paying him a cash settlement, and all subsequent prints of the film include a "Story by Harlan Ellison" credit.
The Karate Kid
Released June 22, 1984
Budget: $8,000,000
Grossed: $90,000,000
Grossed: $90,000,000
Starring Ralph Macchio, Noriyuki "Pat" Morita, Elizabeth Shue, William Zaba
The Plot:
Skinny kid Daniel LaRusso and his mother move from New Jersey to Reseda, California. Daniel gets sand kicked in his face by a local martial arts asshole. Mr. Miyagi, the handyman of Daniel's building, takes pity on him and teaches him to defend himself.
Thoughts:
• Like many of the movies that came out in 1984, this one spawned a film franchise and a ton of merchandise. There are four films in the series, plus a remake that apparently didn't understand its own title, as it's set in China, where Kung Fu originated.
• The studio originally wanted Mr. Miyagi to be played by Toshiro Mifune or Mako. They were leery of casting Pat Morita, because they saw him as a comedic actor (having played Arnold on the Happy Days TV series) and felt he wouldn't be able to handle a dramatic role. Morita ended up being nominated for an Oscar for his role in the film. So suck on that, studio execs!
Why is it that studio executives seem to be so consistently wrong about everything? How do they manage to rise to such positions of power?
• Mr. Miyagi is named after Chogun Miyagi, an Okinawan who created his own style of karate.
Morita's based his portrayal of Miyagi on karate master Fumio Demura, copying his attitude, mannerisms and speech. Demura doubled Morita in many of the fight scenes.
• In true Hollywood fashion, the teenaged Daniel LaRusso was played by the 22 year old Ralph Macchio (although Macchio did look much younger). Charlie Sheen was considered for the role but turned it down (thank the Maker!).
• In the film Mr. Miyagi gets drunk and reminisces about serving in the 442nd regimental Combat Team in WWII. This was a real regiment, composed of mostly Japanese-Americans (many of whom had been in internment camps) who fought in Europe and became the most highly decorated unit in the history of America's military.
During this scene Daniel sees Mr. Miyagi's Medal Of Honor. Unfortunately that's a mistake. Due to racism among the Army upper brass, no Japanese-Americans were awarded the Medal Of Honor in WWII, instead receiving lesser awards. This unfortunate oversight was finally corrected after an investigation in 2000. Whoops!
A Nightmare On Elm Street
Released November 9, 1984
Budget: $1,800,000
Grossed: $28,000,000
Grossed: $28,000,000
Starring Heather Langenkamp, Robert Englund, John Saxon & Johnny Depp.
The Plot:
A teen-aged girl is plagued by nightmares of a sinister child killer named Freddy Krueger. She eventually discovers that Freddy is all too real, and if he kills her in her dreams, she'll die for real.
Thoughts:
• Yet another film on the list that launched a franchise, consisting of seven sequels and a remake.
• Screenwriter/Director Wes Craven claims to have based the film on an article he read about "Asian Death Syndrome." According to the article, Khmer refugees from Cambodia began suffering terrifying nightmares, and some actually even died in their sleep. Doctors could find no physical cause for their deaths, which led to rumors and superstition that some thing in their nightmares was killing them.
• The film's villain, Freddy Krueger, was originally written as a child molester. Craven eventually changed this to the apparently more acceptable child murderer. Ah, that's much better!
Craven named the character after Fred Kruger, a childhood bully who regularly beat him as a youth. So chew on that, bullies of the world! Think twice before beating future filmmakers.
Freddy's red and green sweater came about after Craven read that that color combination was the most jarring to the human eye.
Despite Freddy's seemingly massive presence in the film, in reality he appears for less than seven minutes.
• Jennifer Grey, Demi Moore, Courntey Cox and Tracey Gold all auditioned for the part of Nancy Thompson, which ultimately went to Heather Langenkemp.
• Nightmare was actor Johnny Depp's first feature film. He accompanied his friend Jackie Earle Haley to an audition for the movie. Haley was passed over, but Craven asked Depp to read for a part and ultimately cast him as Glen.
Ironically, Haley ended up playing Freddy Krueger 26 years later in the remake of the film.
Star Trek III: The Search For Spock
Released June 1, 1984
Budget: $16,000,000
Grossed: $87,000,000
Grossed: $87,000,000
Starring William Shatner, Leonard Nimoy, DeForest Kelly, James Doohan, Nichelle Nichols, George Takei, Walter Koenig, Robin Curtis and Christopher Lloyd.
The Plot:
After the death of Spock in the previous film, Kirk and crew risk everything to find his body and bring him back to life through an unholy Vulcan ritual.
Thoughts:
• Before the previous film Star Trek II: The Wrath Of Khan began shooting, Leonard Nimoy had grown weary of playing Spock. He only agreed to star in the film if they promised to kill off Spock at the end.
However, Nimoy enjoyed filming Wrath so much that he decided he wanted to return, paving the way for this film and no doubt causing studio executives to wish he'd make up his damned mind.
• This was Nimoy's first stint as a director. He went on to direct Star Trek IV: The Voyage Home and Three Men And A Baby, among others.
• The original script cast the underused Romulans as the villains, but Nimoy insisted they be changed to Klingons.
Apparently someone forgot to do a search and replace on the script, because the "Bird Of Prey" class of ship, which had always been a Romulan thing, remained unchanged and was now also assigned to the Klingons. The design of the Bird Of Prey also looks more Romulan than Klingon, complete with stylized feathers on the ship's "wings."
• Kirstie Alley, who played Lt. Saavik in The Wrath Of Khan, reportedly demanded an excessive salary increase to appear in this film. She was promptly replaced by Robin Curtis.
• In traditional Hollywood fashion, Mark Leonard, who plays Spock's father Sarek, is only seven years older than Leonard Nimoy.
• Nimoy didn't want the Klingons to spout alien gibberish, so he hired linguist Mark Okrand to come up with a language for them.
And boy did he! Klingon proved immensely popular, and has gone on to become a fully realized, if fictional, language, spawning dictionaries, classes and books completely written in the language. There's even a Klingon Language Institute!
• One thing I never understood– in the film, a Klingon female named Valkris is traveling on a human freighter. She's stolen top secret information about the Federation's Genesis Project. She's met by her boyfriend, Klingon Commander Kruge (played by Christopher Lloyd). She transmits the Genesis info to him, and when he asks if she's seen it, she says yes. He replies, "Bummer!" and destroys her and the freighter.
Why'd Kruge kill his girlfriend? So she saw the Genesis document, big deal. Heck, even the mush-mouthed alien McCoy talks to in the bar knows about it. How big a secret could it be?
It just doesn't make any sense to me. Beam her off the ship & throw her in the brig for a month if that violates some Klingon regulation, but don't kill her. Maybe Kruge was tired of her crap and looking for an excuse to get rid of her? At least he didn't say, "Consida dis a divorce!" as he blew her to kingdom come.
By the way, as Kruge says goodbye to Valkris, it looks like he sheds a single tear. All good trekkies know that Klingons have no tear ducts. Whoops!
• Several new ship models were built for the film, including the Exclesior, the Grissom, the Klingon Bird Of Prey, and the space dock.
• The Enterprise's self destruct codes used here are the exact same ones the crew uttered way back in the original series episode Let That Be Your Last Battlefield.
Seems like they'd want to update such important codes once in a while, but what do I know?
Other notable movies that premiered in 1984:
• The NeverEnding Story
• Amadeus
• Footloose
• Children Of The Corn
• Red Dawn
• This Is Spinal Tap!
• Top Secret!
• Splash
• Conan The Destroyer
• The Adventures Of Buckaroo Banzai Across The 8th Dimension
• 2010
• Supergirl
• Repo Man
• The Toxic Avenger
• Night Of The Comet
• Starman
• Firestarter
• C.H.U.D.
• Runaway
• Greystoke: The Legend Of Tarzan, Lord Of The Apes
• Sheena, Queen Of The Jungle
• Birdy
• The Ice Pirates
• Silent Night, Deadly Night
• Dreamscape
Labels:
1984,
beverly hills cop,
blockbuster,
dune,
ghostbusters,
movies,
summer of 1982
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