Showing posts with label episode 4. Show all posts
Showing posts with label episode 4. Show all posts

Sunday, March 12, 2023

The Flash Season 9, Episode 4: The Mask Of The Red Death, Part 1

This week on The Flash, the Red Death Saga continues with a reasonably competent episode. Hey, these days that's about the best we can ask for on this show!

While The Mask Of The Red Death, Part 1 is fairly well written, there's still a lot of sloppy plotting on display. For example, I'm still puzzled as to just what Red Death's ultimate plan is, as her motivation seems to change from scene to scene.

I'm also growing weary of Joe & Cecile's argument over whether or not to leave Central City. First Joe wants to go and Cecile doesn't, then by the end of the episode they completely swap positions. It's like watching a tennis match.

And the whole of fandom is fed up with the interminable Chester/Allegra storyline, in which the two grown-ass adults inexplicably act like awkward lovesick teens who've never experienced a relationship before. These scenes are cringeworthy, absurd and downright unwatchable. Yet showrunner Eric Wallace seems determined to double down on them.

This week we also learn the origin of Red Death, and why she seems to hate the Flash so much. Unfortunately the producers choose to reveal this info through expository dialogue, rather than actually showing it to us. What the hell? Is this a budgetary thing? Or a result of this final season's truncated episode count? Whatever the reason, it was disappointing, as whenever I watch a superhero show I always want to HEAR about the action instead of actually SEEING it.

On a similar note, in the past I've complained about the show's tendency to drag out storylines longer than necessary, resulting in them crawling along at a snail's pace. That's why I can't believe I'm saying this, but the whole Red Death Saga is moving wayyyyyy too fast.

For example, we're only four episodes in and Red Death's already revealing her backstory to Iris, and her master plan is foiled in the third act (spoilers!)! Those are both things that shouldn't happen until we're at least nine or ten episodes in. Again, I assume this accelerated pace is due to the shortened season. It ends up being a determent here instead of an advantage, as Red Death's arc has no time to breathe.

One last thing about Red Death. In the comic, the character is the Earth-52 Batman who goes crazy for reasons, steals the Flash's powers and becomes and unhinged evil speedster who wants to eliminate crime by murdering anyone who breaks the law.

Thanks to a misguided decree by Warner Bros., there's no real Batman in the Arrowverse— which forced the producers to turn Batwoman into Red Death instead.

I get the feeling the creative team was afraid the audience wouldn't accept this though, because in this episode they go out of their way to have Red Death spout numerous Batman lines from various print and media. 

These repurposed lines go way beyond simple homage though, as it feels like the writers are using them to try and legitimize Red Death to the fans.

OK, that's enough intro, on with the complaining!

BIG HONKIN' SPOILERS AHEAD!

The Plot:
At Red Death's warehouse hideout, Chillblaine's busy building the new Cosmic Treadmill(which looks just like the old ones we've seen). Red Death enters to check on his progress. He says the device will need a massive energy source, and asks how she plans on powering it. She says to leave that to her and zooms off.

At the Loft, Barry tells Iris he fears this latest evil speedster in town is the new Avatar of the Negative Speed Force. 
He worries this new villain will upset the balance of the other Forces again (oh god, don't bring them back on the show), and wants to prevent them from being corrupted by their powers like Thawne was (seems a bit late for that!). He also wonders why the new speedster didn't kill him last week when he had the chance. 

Meanwhile, Iris continues trying to find Ryan Wilder (aka Batwoman), who disappeared from Gotham weeks ago. She figures her disappearance is related to the WayneTech weapons the Bad Rogues have been supplied with (what a brilliant hypothesis!).

At the West House, Joe's reading a story to Baby Jenna, who actually appears this week (!). She's no longer a baby, as she's grown into a toddler since the last time she appeared on the show. Cecile comes home and sees a real estate listing on the table, and asks what the hell's going on. Joe's still wanting to move out of Central City, and says this house would be perfect for their family. Cecile reminds him that in addition to her Team Flash duties, she has a law practice as well (even though we never see her in court) and refuses to consider moving.

At STAR Labs, Chester tells his online pal wookielover77 that he and Allegra aren't talking. Oy. Barry enters and says Gideon's detected a temporal signature, and it may be the new evil speedster.

Cut to a Central City plaza, where Red Death appears and causes the panicked citizens to run for their lives. The Flash zooms to the scene and asks to talk things out. Red Death says it's too late for that, and produces Roy G. Bivolo, aka the Rainbow Raider. His eyes glow, causing Barry to collapse and cower in terror. He eventually passes out from fear (I guess?).

Red Death then hisses that there shall be darkness, and releases an EM pulse that knocks out the power all over the city.

Barry wakes in Red Death's warehouse, chained to a platform and wearing meta dampening cuffs. The Bad Rogues (Boomerang 2.0, The Fiddler, Murmur, Bivolo and Chillblaine) enter and taunt Barry. Boomerang 2.0 starts to remove Barry's cowl and reveal his secret identity. Chillblaine— feeling guilty for betraying Team Flash— warns them against it as he claims the cowl's boobytrapped (it's not).

Back at STAR, Allegra can't locate Barry due to the power outage, and figures he's been captured by the Bad Rogues. Khione suggests calling the Good Rogues for help, and Chester says he can do so on his CB radio. Really? What year is this?

At the warehouse, Red Death zooms in and orders Chillblaine back to work on the Treadmill. Barry pleads with the villain not to use it, as it could irreparably damage the timeline. He tells Red Death the Negative Speed Force is fueling his hatred. Red Death denies this, and says the Flash is only part of his plan, as he's going after Barry's "lightning rod" next. Horrified, Barry realizes he's talking about Iris.

Cut to the Loft, where Iris hears a knock at the door. She opens it and sees an injured Ryan Wilder, who's reportedly been missing from Gotham for weeks. Iris asks what happened, and she says she was driving into Central City when the EMP hit and killed her car. Then Red Death appeared, attacked and left her for dead.

Ryan also claims the villain stole her utility belt, and Iris says that must be how the Bad Rogues all have WayneTech weapons. Ryan vows to go after Red Death as soon as possible to get her revenge.

Meanwhile the Good Rogues (Hartley, Goldface and Jaco) arrive at STAR (having gotten Chester's message). Hartley uses a hi-tech tracker of his own design to scan for Barry's meta signature or something, but comes up with bupkiss. Goldface figures Red Death slapped meta dampener cuffs on the Flash, meaning it'll be impossible to find him.

At the warehouse, Flash warns Red Death that the Negative Speed Force will upset the balance of the other forces. Red Death then removes her helmet, revealing there's nothing inside it. She says she's far more powerful than the Negative Speed Force ever was. Barry realizes she's using artificial speed, which is why she needs him to power her Cosmic Treadmill.

Back at the Loft, Ryan is listening to her conversation with Barry. Iris mentions that Barry's teamed up with the Good Rogues— who are all former criminals— to fight Red Death. Ryan angrily says there's no such thing as a reformed crook. Iris realizes something isn't right and pulls a gun on Ryan, asking who she really is.

We then get a lengthy expository infodump, as Ryan explains she's from another timeline, where she and Iris are best friends. She says in her world there was no Batman, so Thomas and Martha Wayne adopted her before being gunned down by criminals. She swore to protect Gotham at all costs, but was losing the battle. She then studied her world's Flash, gave herself artificial speed and used it to eliminate crime by killing everyone who broke the law.

Flash 2.0 then freed his Rogues from prison and led them against her. She says she tried to hide in the Speed Force, but it rejected her and spit her out into this timeline. She needs the Cosmic Treadmill to get back to her own timeline.

Elsewhere, Joe tells Cecile why he wants to move (again). He says his job as a cop prevented him from being there for Iris and Wally, and he wants a normal childhood for Jenna.

At the warehouse, Chillblaine offers Barry some water. Barry asks why he's allied himself with Red Death, and of course the answer is to bring back Frost. Barry says Chillblaine's a member of Team Flash (since when?) and everyone makes mistakes or something. Just like he thought Red Death was the new Negative Speed Force Avatar— a mistake which could destroy the world.

Meanwhile, Ryan tells Iris she wants her to convince Barry 2.0 to help her. Iris asks why she doesn't ask her counterpart for help. She says she can't because that Iris is dead. Apparently she "accidentally" killed her while battling the other Flash.

Iris doesn't believe her, and figures Ryan wants to take her to her timeline in order to somehow kill her Flash. Ryan sighs and says she hoped they could do things the easy way. She then summons her armor, which somehow flies piece by piece into the Loft and fastens itself to her body, revealing to Iris that she's Red Death.

Red Death grabs Iris and zooms her to the warehouse. She tells Flash she'll kill Iris if he doesn't get on the Treadmill. Flash agrees, and Chillblaine deactivates his meta cuffs.

Flash steps up onto the Cosmic Treadmill and begins running, powering it up. Chillblaine monitors some sort of readout on a tablet.

For some reason the powered-up Treadmill causes the skies over Central City to turn red (again!), and lightning stabs down from the clouds. The panicked citizens dodge the lightning as they flee for their lives.

At the West home, Jenna looks out the window. Suddenly it's shattered by lightning, causing hundreds of glass shards head to right toward her. Suddenly they freeze in midair, as we see Cecile somehow had time to stop them with her telekinetic powers. Joe snatches up Jenna, and Cecile says she senses their neighbors are in trouble. She rushes off to help them.

Now that Barry's ditched the meta dampener cuffs, Team Flash is free to sense him. They detect him at the warehouse, and Allegra tells the Good Rogues she can teleport them there.

Iris watches as Barry's literally being run to death. She tells Chillblaine he doesn't have to do this and still has a choice. Red Death says he's still her bitch, as she's promised to bring back Frost when they're done here. Chillblaine struggles with his conscience, and finally realizes Barry & Iris are right. He overloads the Treadmill, causing it to explode. It throws Barry backwards and hits Red Death with a blast of energy, knocking her out.

Iris helps Barry up, just as the Bad Rogues stroll in. Barry says he's too drained to run, so Chillblaine tells them to escape while he holds off the Rogues.

Just then Allegra and the Good Rogues teleport in. They grab Barry and Iris, just as Red Death starts to wake. Barry yells for Chillblaine to join them, but he's overwhelmed by the Bad Rogues. Goldface says there's no time to save him, and Allegra teleports them all back to STAR.

Barry's upset that they left Chillblaine for dead. Khione overhears and says they have to go rescue him— even though he's the one who wanted to erase her from existence a few weeks back. Iris says Red Death's trapped in this timeline again, and her she'll be out for revenge.

In the storyline that no one cares about and just won't end, Allegra tells Chester she's ready to talk about their awful relationship. Amazingly he says he's too occupied with Team Flash business, and hopes maybe their timing will be right "some day."

Back at the West house, Cecile says Joe's right and they need to get out of Central City. Inexplicably, he says seeing her saving the neighborhood made him realize their place is here. Jesus Christ, people! Make up your damn minds!

Back at the warehouse, Red Death surveys the remains of her Cosmic Treadmill and freaks the hell out, throwing an epic tantrum just like a toddler. She hisses that she'll destroy Flash's world and bring the war to him.

Thoughts:
• As the episode opens, Chillblaine's putting the finishing touches on Red Death's Cosmic Treadmill. Strangely enough, as he puts the finishing touches on it he asks her what's gonna power the thing.

Does that sound right? How the heck can he build a machine without knowing what it runs on? If I was building the very first car, wouldn't "power source" be pretty high on the list of things I'd need to know?

• Chillblaine smarts off to Red Death, causing her to threaten him— resulting in a look of genuine fear crossing his face.

This is where turning Ryan Wilder into Red Death really goes off the rails for the producers. The cold hard truth is actress Javicia Leslie just doesn't have the screen presence or gravitas to pull off a character like this. I'm sure she's probably fine in the right role, but this definitely ain't it.

By the way, what's up with the white streak in Ryan's hair? I never watched Batwoman, so I'm wondering if that was a thing on her show, or if they added it here to make her seem more evil or something.

• As I've pointed out the past few weeks, the comic version of Red Death was the Earth-52 Batman. He went crazy for reasons, stole the Flash's powers and became an evil vigilante speedster.

Unfortunately there's no (current) Batman in the Arrowverse, so the writers were forced to improvise here and plug Batwoman into the role.

In order to try and justify this decision, they give her a bunch of Batman's classic lines in this episode. For example, when Red Death is trying to intimidate Chillblaine, she says:

Red Death: "You're all the same, aren't you? Criminals... a superstitious and cowardly lot, quivering like mice in their little holes, easy prey for the bad."

Of course in the comics, Bruce Wayne famously quipped that "Criminals are a superstitious and cowardly lot," to explain why he chose a bat theme to fight crime.

• Barry & Iris discuss Red Death and are convinced "he's" the new Avatar of the Negative Speed Force, and is being corrupted by it like Meena Dhawan and Eobard Thawne were.

The audience knows that's not true, but the characters seem determined to prove it for some reason. It's like Barry & Iris are acting out their own separate plot in a completely different episode. Definitely some odd writing going on there.

• Jesse L. Martin (aka Joe) makes the third of his five contractually obligated appearances this week, leaving just two more for the entire season.

• Ho. Lee. Crap! At long, long, LONG last, this episode gives us a real, honest to goodness, not a dream appearance of the oft-mentioned but rarely if ever seen Baby Jenna! Who's most definitely not a baby anymore, but a five year old!

I was beginning to think we'd never see her again! The last time she appeared in the flesh was in Season 6's A Girl Named Sue, over three years ago! I honestly thought the writers either forgot about her or used the Crisis to retcon her out of existence!

• Cecile comes home from the office, embraces her daughter and says, "Jenna Marie West, did you get taller while I was gone? You're not supposed to do that!"

OK, that was clearly the writers throwing a wink and a nod to the audience, acknowledging the fact that they know it's been years since this kid was seen onscreen!

• Cecile flips out when she finds a real estate flyer on the table, and realizes Joe's been shopping for houses outside of Central City behind her back.

I dunno where this house is (other than it's two hours away from Central City), but $375,000 seems kind of steep for tiny bungalow with only two bedrooms. At least where I'm from! The median house price in Kansas City, Missouri (the Arrowverse equivalent of Central City) is current $225,000. 

This particular property has an acre lot though, so that might have jacked up the price a bit.

• At STAR Labs, Chester chats with his old online pal wookieelover77 about his "relationship" with Allegra. I'm gonna do a deep dive here, so you might want to grab a snack and get comfortable.

As you're probably aware, wookieelover77 is an Unseen Character— one who's regularly mentioned, often affects the plot but never actually appears on camera.

He made his first "appearance" back in Season 6's Into The Void, where we just saw his name on Chester's screen during one of his live streams.

He popped up again last season in Into The Still Force. He had a bit more to do there, as he ended up secretly downloading some advanced tech plans that Chester naively posted online. He then attempted to use said tech to provide free unlimited hot water to the residents of a Central City halfway house. 

Unfortunately wookieelover's actions ended in disaster, as he inadvertently burned down the building, causing millions in property damage and nearly killing the residents!

Of course because this is The Flash, there were zero consequences for his actions, all because he felt bad about what he'd done. 

In reality wookieelover77 would be guilty of willful destruction of property, reckless endangerment, attempted murder (or involuntary manslaughter at the very least) and probably more charges I can't think of right now. The owners of the building would likely sue him for damages as well. The fact that it was an accident doesn't matter— in the eyes of the law he's still guilty!

By the way, on a related note:

Back at the end of Into The Still Force, we saw someone secretly hack into Chester's computer and download more of his secret and potentially dangerous hi-tech plans.

Clearly this short scene was setup for a future storyline. But who did the downloading? Was it wookieelover77 again? Or someone more insidious? 

Welp, apparently it's none of our business! According to showrunner Eric Wallace, he'd planned on resolving this particular little storyline in Season 9, but the truncated episode count (thirteen instead of the usual twenty two) put the kibosh on that idea. It's now officially a dangling plot thread that'll never be sewn up.

Not that it was all that terribly intriguing, mind you— but it's still frustrating when the show sets up things and then abandons them.

• Red Death appears at a Central City plaza and sends the citizens fleeing, hoping to draw out the Flash.

The part of the unnamed plaza is played by the Centennial Fountain at the Queen Elizabeth Theater in downtown Vancouver. You know, I'm actually gonna miss looking up the various shooting locations once the show's over!

• Barry zooms to the plaza and tries reasoning with Red Death. She growls, "I am Vengeance. I am the Night. I am the Red Death."

Once again, they're putting a famous Batman's words in her mouth. In the Batman: The Animated Series episode Nothing To Fear, Batman says "I am Vengeance. I am the Night. I am Batman!"

• There's some really choppy editing in this scene, where Red Death produces Roy G. Bivolo (aka the Rainbow Raider) seemingly out of nowhere. Seriously, it's like a magic trick— one second Red Death's standing alone in a completely empty plaza with nothing around her, and the next second Bivolo suddenly comes out from behind her.

While it's definitely sloppy filmmaking, it isn't necessarily a mistake. As we've seen in the past few episode, Boomerang 2.0 and The Fiddler can teleport at will, courtesy of advanced tech handed out by Red Death. Apparently she gave Bivolo a teleport device as well.

• Bivolo's eyes glow as he attacks Barry, causing him to experience incapacitating terror.

Bivolo/Rainbow Raider first appeared wayyyy back in Season 1's Flash Vs. Arrow, which was the Arrowverse's first attempt at a crossover. He appeared again in Rogue Air, but hasn't been seen since (he's been mentioned many times over the seasons though).

Oddly enough, Hartley Rathaway once recruited Bivolo for his own little team of Rogues! And now they're on opposite sides in this episode.

• As part of her revenge plot, Red Death unleashes a massive EMP that knocks out the power all over Central City. It'd do more than that! An Electromagnetic Pulse actually fries any kind of electronic device that isn't properly shielded— permanently! It even works on the wiring in homes! 

This would be a catastrophic disaster for the city, causing millions, if not billions in damage. It'd take months, and maybe even years to replace every electrical component and fully restore power to the city. So how much do you want to be that next week the power will be back on, like nothing every happened?

• Chester's so impressed by the power of the EMP that he momentarily forgets how to speak properly, saying, "That was one of the strongest electromagnetic pulses ever recorded outside of a NU-QUE-LAR event."

Yeah, it's "nu-clee-ar," Chester. You'd think a big-brained tech guru like him oughta would know that. Eh, he just flubbed a line, no need for a retake.

• Fortunately for Iris and the Wests, there's still plenty of light streaming into their homes even after the power's knocked out.

OK, I get it, it's a TV show and we can't be staring at a black sceeen. It's just that when the power goes out at night in MY house I can't see sh*t without a flashlight!

• Barry wakes in Red Death's warehouse, chained up and wearing meta dampening cuffs. He asks Bivolo why he's aligned himself with the Bad Rogues, and he says it's because the Flash let him rot for nine months in the Pipeline— aka the STAR Labs Secret Super Jail I've been ranting about for the past nine years.

Which perfectly confirms my suspicions that Team Flash regularly used a private facility to illegally hold metacriminals without the benefit of due process or a trial!

• When this particular version of Murmur appeared last week, I assumed she used sign language to "speak" because her lips were sewn shut (like the version of the character seen over on Arrow). Oddly enough in this episode, the Bad Rogues sign what THEY'RE saying when in her presence. So... is she actually a deaf-mute? Not being able to hear seems like it'd be a really big disadvantage for a villain.

• At the warehouse, Red Death barks orders to the Bad Rogues:

Red Death: "Blaine, get back to work. The rest of you, guard the entrances."

At first I thought she was abbreviating Chillblaine's name, which sounded weird. Turns out I'd forgotten his real name is Mark Blaine, so never mind.

• Back at STAR, Chester utters another of his Black History Month oaths, saying, "Sweet Otis Boykin."

As usual, I'd never heard of the subject of his adoration. But Boykin was actually a pretty big deal in the world of electrical engineering. He invented the capacitor and resistor, as well as the pacemaker! Chester's commenting on the EMP here, so his shoutout to Boykin actually makes sense!

• With Barry missing and the power out, Team Flash realizes they need to call the Good Rogues for help:

Allegra: "Wait, are you saying we need to call Barry's Rogue Squad?"
Chester: "I could use our CB radio to send out a distress call at 160 hertz. Hartley uses that frequency with his crew."

Wow, STAR Labs is equipped with a CB radio? And Hartley has one too that he regularly monitors? I thought those things went out with powdered wigs!

• I dunno guys... it's tough to take Red Death seriously when she's noticeably shorter than the Flash. And she's wearing heels, yet!

• When Red Death is monologuing to Barry about going after Iris, it looks for all the world like he yawns!

Clearly Grant Gustin's attempting to act like he's trying to catch his breath here, but it just didn't work.

• Ryan Wilder then shows up at the Loft for no good reason. There she tells Iris she was driving to Central City when the EMP hit, and it shorted out her car and burned her arm. 

Her arm really is burned, as we clearly see Iris bandage it. So it appears Ryan deliberately injured herself to make her story more believable! I'm not sure whether to be impressed or terrified of her!

• Ryan tells Iris she was beaten by Red Death & left for dead. She then crawled back to the Batcave, where Luke Fox told her Team Flash was looking for her, so she hightailed it to Central City (instead of contacting them, I guess). Iris becomes suspicious when she realizes Ryan made it from Gotham to Central City in a day. Ryan jokes that her car "drives really fast."

I'll say! It's been implied that in the Arrowverse, Gotham is somewhere in New Jersey, while Central City is located in Missouri (probably near Kansas City.) That's a distance of over a thousand miles!

Theoretically it's possible to drive that far in a day, but it's unlikely in reality. Especially when you factor in bathroom breaks, refueling stops and especially traffic.

• Iris then marvels at how even though Ryan's injured, she wants to get back out there and track down Red Death. Ryan replies, "Well, everybody's got their limits. I ignore mine."

This is yet another repurposed Batman line. In 1993's Detective Comics #663, Batman says, "All men have limits. They learn what they are and then learn not to exceed them. I ignore mine."

• The Good Rogues (Hartley, Goldface and Jaco) get Chester's message and arrive at STAR Labs. Hooray! I was happy to see them show up again, as the three of them are MUCH more interesting and entertaining than anyone on the real Team Flash!

• At the warehouse, Red Death taunts Flash by saying she's gonna attack his "lightning rod." Flash then begs him to leave Iris alone.

Did Red Death know Barry's secret identity over in her timeline? If not, then Barry just outed himself to her!

• Barry tells Red Death that the Negative Speed Force is corrupting her and turning her evil. Thing is, Barry's literally SHOUTING all this to her at the top of his lungs, becoming more hysterical and histrionic by the second. His words might hold a little more weight for her if he calmed the hell down a bit!

• Red Death then proves she's not powered by the Negative Speed Force by removing her helmet and revealing there's nothing inside her armor (!). I gotta admit that was pretty cool, but... I'm not sure how it proves she somehow created her own artificial speed.

By the way, the reveal that Ryan's controlling her Red Death armor from afar is a swipe, er, I mean an homage to Iron Man 3. Of all the Marvel movies they could have stolen from, they had to pick one of the worst in the entire MCU.

• Barry realizes Red Death captured him to fuel her Cosmic Treadmill, because it can only be powered by organic speed, not artificial. Sure, why not? 

It's a freakin' treadmill that generates energy when someone runs on it, so I don't see how the type of speed could possibly matter. Let's just accept it and move on though, or we'll be here all day. Comic Book Science!

• Back at the Loft, Ryan monitors her armor's conversation with Barry, courtesy of a Bluetooth-like device (how she's making the suit talk is anyone's guess). 

Amazingly, Iris— who's supposedly a crack investigative reporter— doesn't seem to notice the tech in her guest's ear.

• Iris finally realizes this Ryan's a fake and pulls a gun on her. So how'd she figure it out? With cream! Iris pours her a cup of coffee, and Ryan 2.0 strolls over the the fridge and pulls out a bottle of cream. This makes Iris realize she's dealing with an imposter, because the real Ryan has never been in the Loft before.

OK, that may be, but... where the hell else would the cream be? That's not exactly a telltale sign.

To Iris' credit, she does confirm her suspicions & trip her up by mentioning how Ryan's mother was killed by the Royal Flush Gang, when it was really the Wonderland Gang who did the deed. Still, the cream seems to have been the smoking gun here. How bizarre.

• Last week I predicted that the Ryan Wilder inside the Red Death armor wasn't the same one who starred in the Batwoman series. I said there was no way the producers would have the guts to take a major character like her and turn her evil.

Annnnd, I was right. The Ryan seen here is indeed not the one we know, as she's from a different timeline.

So what happened to the real Ryan Wilder, who went missing in Gotham a couple weeks ago? It's pretty obvious that Ryan 2.0 abducted her, and is holding her hostage in some secret location. I predict she'll reemerge at the end of this arc.

• We then get a VERY lengthy scene in which Ryan 2.0 infodumps her backstory to Iris, saying she's from another timeline where the Flash is the world's greatest villain. She claims she and the Flash were once friends, and she studied his powers and learned to generate her own speed to permanently ELIMINATE all crime in Gotham. But then the Flash became "jealous" of her powers and tried to stop her, so she hid in the Speed Force. Unfortunately it rejected her and spit her out in this timeline.

Iris doesn't buy any of this and says it's more likely the other Flash tried to STOP Ryan 2.0 and prevent her from committing genocide. She also finds out to her horror that Ryan 2.0 "accidentally" killed the Iris from her timeline.

It's an interesting tale, and one I'd like to have seen. Too bad the producers apparently never learned the old "Show, Don't Tell" rule of visual media. I cannot emphasize enough how disappointing it is to just hear about Ryan 2.0's activities in this other timeline, rather than see them.

I'm assuming the producers took this massive shortcut due to the truncated episode count of this final season. If this had been a normal one, I'm convinced we would have actually gotten to see Ryan 2.0's timeline instead of just hearing her blather about it.

• Great confusion seems to surround Ryan 2.0's place of origin. She tells Iris she's from an alternate timeline— one that's quite different from the Prime one we see on the show each week. For example, in this other timeline, she decided to end crime by simply wiping out all criminals, and fought the Flash when he opposed her. 

She also said there was no Batman in her timeline, so Thomas & Martha Wayne adopted her. She then became Batwoman after they were killed. That implies that this alternate timeline has been around for decades— at least as long as she's been alive.

That contradicts the way timelines usually work on the show. When Barry messed with the past and created Flashpoint, it altered the Prime timeline— it didn't create a second one running parallel to it.

Ryan 2.0 also keeps talking about getting back to her "world," not timeline. Just how would she go about that? How does one jump back and forth between timelines, when there's only a single malleable one?

It sounds like she's talking about multiversal worlds here, like Earth-2 or Earth-19. But that can't be, because the Crisis wiped out all the extra Earths (it didn't, but the characters don't know that).

Methinks the original plan was for Ryan 2.0 to come from Earth-95 or whatever, but someone on the writing staff remembered they said the multiverse is gone, so they had to hurriedly change the script to say "alternate timeline" instead. 

• During Ryan 2.0's interminable monologue, she explains her plan to Iris by stating, "With Flash's power, I could put a criminal behind bars before they even thought of committing a crime."

Wait, what? So... is Ryan 2.0 somehow a telepath now, in addition to being a speedster? Like one of the Pre-Cogs from Minority Report, who read people's minds and tattled on them before they actually robbed or murdered? That's pretty much what she's saying here, though there doesn't seem to be any evidence of it in this episode.

I'm also confused as to how copying the Flash's speed would give her psychic powers.

Maybe what the writers are trying to say here is she was profiling, and using her speed to round up "undesirables" before they committed a crime?

• I'm puzzled by Red Death's motivation so far.

At the end of Wednesday Ever After, Boomerang 2.0 asks her what their next move is. She says, "The Flash is never truly alone, but once I'm done with him, he will be." To me this implies she hates the Flash and plans on eliminating his loved ones.

Then in the final moments of Hear No Evil, Red Death finally takes physical form, walks out on a balcony and announces, "Central City, The Flash disgraced me. Now all of you will pay the price, and justice will be served." Apparently she's now turned her attention from the Flash to his home.

In this episode she's switched goals again, and now wants to get back to her own timeline to dish out vengeance to her own Flash. When Barry destroys her means of getting home, she pivots yet again, saying, "The Flash won't let me go back to my world, so I'll take his. But this time, we will bring the war to him!"

So exactly what is Red Death trying to achieve in this story arc? Good question! It depends on which episode she's in. At this point I don't think the writers know what the hell she's trying to accomplish either.

• Red Death's M.O. in her own timeline was to eliminate crime in Gotham by wiping out ALL criminals. So once she's stuck in this timeline, how does she plan on getting back? By recruiting a team of criminals to help her. Sure, why not.

• Iris says she figured out Ryan 2.0's story was a lie by "red teaming" it. She explains that in journalism, whenever someone writes a high profile story, the editors gather a team of other reporters to try and poke holes in it.

Believe it or not, that's an actual thing! Red teaming is used in lots of other fields as well, like computer programming and even in the military.

• Once her cover story's blown, Ryan 2.0 attacks Iris and appropriates yet another Batman line, saying, "You wanna get nuts? C'mon... let's get nuts!"

That line was made famous by Michael Keaton in the 1989 Batman film.

• Ryan 2.0 then summons her Red Death armor to the Loft, where it assembles itself on her body.

It's a very cool looking scene, especially for a TV budget. But once again, they cribbed it directly from the worst Iron Man movie in existence (the third one).

Plus, I know I'm gettin' into the weeds here, but how exactly does any of this work? Does each piece of armor have its own form of propulsion and fuel source, as well as a navigation system? That's some pretty damn impressive technology! Especially for the little pieces, like the knee and elbow pads!

An even better question— how the hell do all these parts enter the Loft? Did they magically phase through the walls? Or did the hand armor politely open the door and let the other pieces in?

By the way, look at that face Javicia Leslie makes right before the armor starts flying in. She is HAMMING it up here!

• Look out, Barry! That's not just a knife Murmur's threatening you with— it's a WayneTech Nanoparticle Knife! One that makes mechanical whirring sounds when it's swung around!

• Red Death returns to the warehouse with Iris in tow, and threatens to kill her unless Flash powers the Cosmic Treadmill. Barry pleads with her to leave Iris alone, prompting her to make this expression.

Just a note to the producers and to Javicia Leslie here— this is NOT the kind of face that's gonna inspire fear or intimidate anyone.

• Barry then climbs onto the Cosmic Treadmill and starts running. A couple things here:

First of all, as he runs we see his Speed Force "contrail" streaming out behind him. Wait a minute... that doesn't seem right, does it? He always leaves a lightning trail when he zooms through the streets, but he's not actually moving here— he's just running in place. So the lightning shouldn't be trailing out away from him.

In fact this early episode gets it exactly right, as he's running on a different Cosmic Treadmill and his lightning just envelops his body. 

Second, seeing him run on the Treadmill conjures up images of the Earth-90 Flash sacrificing himself on a similar one back in Crisis On Infinite Earths. Plus his running on this contraption somehow generates red skies and lots of lightning, again just like in Crisis.

This would have been the perfect time to address this headline that we've been seeing for the past nine years, and finally incorporate it into an episode. Of course that doesn't happen, as the producers are desperately hoping we all forget about this. I guess maybe Crisis really did put this element to rest once and for all.

• There's some more really choppy editing in the scene with Cecile & Jenna at the West house. The red lightning shatters a window, threatening to shred Jenna to ribbons. Somehow Cecile instantly moves clear across the room and holds the shards back with her telekinesis.

There's no way in hell she could have moved that far in less than a second, except through the power of bad editing.

• During the storm there's a nice little moment between Joe and Jenna, as they look out the window at the carnage (all unseen, of course) caused by the Cosmic Treadmill. Joe tells his daughter everything's gonna be OK, as he reassuringly strokes her shoulder with his thumb. It's exactly the kind of thing a dad would do to calm their terrified child. Well done!

• Team Flash finally pinpoints Barry's location, so the Good Rogues can rescue him. Unfortunately the EMP knocked out all the cars in the city, meaning it'll take hours to reach him. Allegra says she can teleport them in an instant.

If you'll recall, back when Nash Wells was on the show, he used teleporting "smoke bombs" of his own design to zip from one place to another. He then gifted his supply of them to Allegra before he sacrificed himself. Apparently he left her quite a hefty stockpile of them, as she's been using 'em for the past two years and still hasn't run out.

Maybe Chester figured out a way to replicate them, I dunno.

• Back at the warehouse, Barry's literally running himself to death on the Cosmic Treadmill. Chillblaine watches in horror, then finally redeems himself by reversing the polarity of the neutron flow and shorting out the Treadmill. This frees Barry but somehow overloads Red Death's artificial speed, knocking her out. Comic Book Science again!

Chillblaine's reversal, while welcome, really wasn't much of a surprise here, since his mug appears in the opening titles. They wouldn't place an actual villain in the credits, so...

• Allegra and the Good Rogues then teleport in, grab Barry & Iris and yoink back out. Unfortunately they're forced to leave Chillblaine behind.

This was a VERY cool scene, as it's all from Barry's POV. We see the Bad Rogues attacking Chillblaine, there's a puff of blue smoke and then we're in STAR Labs again. Awesome! I don't think we've ever seen a shot like that on the show before. Good work, FX Team!

• Back at STAR, Khione— who hasn't had anything to do all episode— hears about Chillblaine being left behind. She then says they have to save him, because "everyone's part of the world and we're all connected" or some New Age hooey. Barry says, "Khione's right— we can't lose anyone else."

It sounds for all the world in this scene like Barry flubs his line and calls her "Caitlin" instead of Khione. Heck, Closed Captioning even said it was "Caitlin." I watched the scene about twenty times, and he slurs her name when he speaks it, but I'm convinced he really did say Khione.

• We then get what the audience has all been clamoring for— another Chester/Allegra relationship scene.

Allegra finally tells Chester she's ready to rumble with him, but incredibly he's the one who blows her off this time, saying the moment isn't right.

Jesus Jetskiing Christ On A Cracker, someone please, please end these scenes. The only reason they exist is because showrunner Eric Wallace created the Allegra character in The Flash comic, and this is the only thing he can think of for her to do on the show.

• Last week I predicted that the writers would take the Joe Wants To Leave Central City And Cecile Doesn't Conflict and draw it out for the entire season, and we'd see the two of them ride off into the sunset in the series finale.

Welp, it looks like I was wrong about that. After all the red skies chaos, Cecile admits that Joe was right about Central City being dangerous, and agrees they should move. But then Joe inexplicably relents and says they should stay after all. So now I'm really confused.

• Jenna shows Cecile a picture she drew of her— complete with a blue superhero costume. Is this some foreshadowing here? Is Cecile gonna start wearing a costume as she becomes the Arrowverse version of Jean Grey?

• Back at the warehouse, Ryan 2.0 then surveys the shattered remains of her Cosmic Treadmill. A couple things here:

First off, she hisses that since the Flash has prevented her from returning to her own world, she'll destroy his. But... doesn't she live here now too? Where's she gonna keep all her stuff if this world's gone?

I guess maybe by "destroy his world" she meant "kill his loved ones and everything he holds dear." It's honestly unclear at this point though.

Secondly, Ryan 2.0 goes all out here, bugging her eyes and shrieking her lines like a spoiled child who's been denied something. 
In that regard she's a lot like Kylo Ren from the Star Wars Sequels. Mayne they should call her Kylo Red?

In the hands of a better actor, this scenery chewing could have been something special. As I've said before, Javicia Leslie is probably fine in the right role, but she just doesn't have the acting chops to pull off a character like this.

Sunday, July 24, 2022

The Orville Season 3, Episode 4: Gently Falling Rain

This week on The Orville we get another excellent episode, featuring tons of political intrigue, betrayal, our first look at the planet Krill and even another big space battle.

Although Gently Falling Rain relies heavily on politics, it's surprisingly fast paced and never dull. The Krill government operates much like our own, and it's not hard to see the parallels in our own recent elections— particularly those involving a certain Orange Man.

But although Teleya's "Make Krill Great" campaign closely mirrors that of trump, the episode doesn't hit us over the head with it. Amazingly it's fairly subtle, which is nothing short of a miracle!

So far every episode this season has built upon a previous one— often requiring the viewer to have seen the entire series to understand what's going on. That's a pretty big ask of the audience— especially since Season 2 finished up over THREE YEARS ago! 

Even if someone watched Seasons 1 and 2 in their entirety, they'd likely have forgotten most of them by now. I'm betting a lot of people watching this episode were wondering who the hell Teleya was, and why she was so important!

Of course I can't blame the producers for this, as the whole Covid thing hit and Season 3 was never meant to be delayed for so long. It's still unfortunate that a lot of viewers are gonna have to do homework to catch up here. 

This episode was written by the team of Brannon Braga and Andre Boramis, two Trek veterans who've written quite a few Orville scripts. I'm continually amazed by Braga's outstanding work on this show. He's come a lonnnnnnnnng way since he wrote Threshold for Voyager, which is widely considered one of the worst episodes in all of Trekdom.

Lastly, I'd like to take a minute to praise the producers of the show for the way the female characters are written. Kelly, Claire and Talla all feel like fully realized people, as well as professional and competent officers.

Compare that to the show's inspiration, Star Trek: The Next Generation. The ladies on that show were more like set dressing than actual characters. Doctor Crusher was a competent physician and was Wesley Crusher's mom. That was pretty much all we ever knew about her!

We knew even less about Troi. Outside of being the ship's counselor, she was Riker's ex and loved chocolate. The end.

TNG was created by middle aged men who clearly had absolutely no idea how to write women, and as a result they were all horribly neglected in favor of Picard and Data.

Thankfully The Orville doesn't have that problem. Kelly is a fierce and capable first officer, as she ably demonstrated in this episode when she refused to back down from the Krill. Claire's a single mother struggling to deal with her children while dating a robot! Talla's a little underdeveloped at this point, but she's still miles ahead of any of the women over on TNG.

Kudos to the writers for fixing TNG's mistakes!

SPOILERS!

The Plot:

On the planet Krill, Teleya (who once posed as a human on the Orville and seduced Mercer) appears before a massive gathering on the eve of an election. She says current Supreme Chancellor Korin— who's in favor of signing a peace treaty with the Union— is weakening Krill, and will lead to its downfall. She whips up the crowd into a very familiar-looking frenzy.

Meanwhile on Earth, a Union delegation consisting of President Alcuzan, Senator Speria Balask and Admirals Halsey, Perry and Ozawa host Supreme Chancellor Korin of Krill and two of his aides. They enjoy a musical on Broadway, then a lavish dinner later on. Halsey says he hopes the treaty will strengthen both planets against the Kaylon threat.

Chancellor Korin is very reasonable for a Krill, and says he's enjoyed the Union's hospitality. He says his planet's in the middle of an election, but is so confident he'll win that he invites the party to Krill for the signing of the treaty.

On the Orville, the crew's in the Holodeck, er, I mean the Environmental Simulator, enjoying themselves in an Old West saloon. Just then Mercer & Kelly are contacted by Admiral Halsey. He tells them he's chosen the Orville to transport the Union delegation to Krill to sign the official peace treaty.

Sometime later a shuttle arrives, carrying Halsey, Preseident Alcuzan and Senator Balask. Halsey shows Mercer a video of one of Teleya's explosive speeches. He says after Mercer released her back to the Krill, she started a radical movement that's been gaining popularity on the planet.

Later on, Kelly finds Mercer in his quarters, watching another video of Chancelor Korin denouncing his opponents and actually gassing them to death! Kelly's appalled, but Mercer assures her the video was Deep Faked, and cooked up by Teleya's campaign to undermine Korin. He says he regrets returning Teleya to her people.

Three Krill battlecruisers meet the Orville and escort it to their planet. Mercer, Halsey, Alcuzan and Speria take a shuttle down to the planet's surface. For absolutely no good reason, Mercer brings Charly along as well. They're met by Chancellor Korin, who promises to sign the treaty just as soon as he's reelected.

Unfortunately the election doesn't go the way he expected. Teleya wins several districts, diminishing Korin's lead. As the final results come in, Teleya's announced the winner. Korin's stunned, and orders his Council Of Clerics not to ratify the election until the votes are recounted.

Just then a squad of soldiers enter, saying Teleya's ordered them to capture Korin and the Union members. Wow, that was a quick transfer of power!

Back in orbit, the Krill warships turn and lock a tractor beam on the Orville. Kelly orders Bortus to fire on the Krill ship's emitters, which breaks them free. Kelly tells John to enact "Directive 21," whatever that is. Gordon initiates evasive action until John's ready, and Kelly orders the ship to jump to quantum.

Elsewhere, Teleya parades the captive Korin out on her balcony, and presents him to her supporters. They all denounce him, and she kills the Chancellor with a ceremonial knife. She vows that the Union leaders are all next.

Meanwhile, Mercer and the others are cooling their heels in a holding cell. Suddenly two Krill soldiers appear and take Mercer away.

Mercer's brought to Teleya's new office. She thanks him for releasing her two years ago, and he says he did so in the hopes it would bring their peoples together. She laughs at his naiveté, and says the Krill don't need the treaty because they've developed new weapons to withstand the Kaylons. She finishes by announcing she killed Korin, and Mercer and the others will be executed the next day.

Mercer's led away by two soldiers, who unexpectedly toss him a hooded robe and tell him to put it on.

Back on the Orville, Teleya contacts Kelly and says the Union delegation will be charged with conspiracy and executed. Kelly contacts Admiral Perry, who orders the Union fleet to stage a military rescue.

Back on Krill, the soldiers lead the disguised Mercer through the city streets. They're ambushed by yet another group of Krill, who take Mercer to a secret complex. Inside, an elderly Krill woman shows Mercer a sealed room, containing a young human/Krill hybrid girl!

The woman explains that the girl's the offspring of Mercer and Teleya. No idea how that would be physically or genetically possible, but here we are. She says Teleya's aware of the child and provides for her, but has never paid her a visit.

Mercer asks to speak to the girl, whose name is Anaya. The caretakers agree, but warn him not to reveal he's her father. The sheltered girl says he looks "funny," and shows him her toy. He's instantly taken with her.

The Krill caretakers tell Mercer that many still support a Krill/Union treaty. They think if he and Teleya present their child to the public, they can convince them that peaceful coexistence is possible. They also tell him that Teleya still has feelings for him. Mercer isn't so sure though. He says goodbye to his daughter and leaves.

Mercer returns to Teleya's office and confronts her, saying he's met their daughter. He suggests peace is still possible, if they show a united front by presenting their child to the masses.

Teleya rejects the idea, and Mercer asks why she went ahead and had the kid. She demonstrates by taking him to a criminal facility to show him what happens to Krill who abort their children. They bring in a couple and use their DNA to recreate the child they would have had, as a form of psychological torture.

Teleya then changes her mind about releasing Mercer and returns him to his cell.

Later Teleya holds another public rally, where she intends to execute the Union delegation. She declares them enemies of Avis, and brandishes a ceremonial knife.

Just then the Union fleet drops out of quantum above Krill, and Kelly orders Teleya to release the prisoners. Teleya whipsers to her soldiers to launch an assault, and then stabs President Alcuzan in the gut. As he collapses, he's caught by two unknown Krill— who then lob flash grenades at Teleya and her crew.

The Krill— who are highly sensitive to bright light— are stunned by the grenades. The unknown Krill reveal they're really John and Claire, who are disguised as part of Directive 21. They herd the Union delegation (including the wounded President) into a hovercar and zoom off.

In space, the Krill begin an intense battle against the Union fleet. Dozens of ships are destroyed on both sides.

Inside the hovercar, Claire treats President Alcuzan, and says he'll make it. The car's pursued by several Krill vehicles, but John manages to outmaneuver them. They make it to their shuttle, load everyone in and blast off.

The shuttle docks with the Orville, and once everyone's safely inside, the Union fleet enters quantum and withdraws.

Sometime later, Mercer and Kelly are at Union Central HQ on Earth. Admiral Halsey says the President will recover, but they're now at war with the Krill.

Halsey says they have one ace up their sleeve— Anaya. He says revealing her existence could force Teleya to end the war. Mercer disagrees, saying Teleya would likely make their daughter disappear to protect the regime. Halsey leaves, and Kelly tells Mercer he would have made a good father. He says even though he only spoke with Anaya a few minutes, he misses her already. He says they need to find a way to end the war for his daughter's sake.

Back on Krill, Teleya watches a secret video feed of her daughter playing.

Thoughts:
• This episode begins with a dedication to Lisa Banes, who died in 2021.

I didn't have any idea who that was, so I looked her up. Turns out she played Senator Balask in this episode— which was filmed way back in early 2020.

Once again, it's been so damn long since Season 2 ended (over three years!) that the cast is starting to die off! Happened first with Norm Macdonald, and now Lisa Baines. Let's hope they're the only ones.

• This episode is positively filled with speeches and political dialogue that sound verrrrry familiar, and echo the words and controversies surrounding a particular Orange Person in the public spotlight. 

For example, the episode begins with Teleya speaking at a "Make Krill Great Again" rally. Her rousing speech, full of fear-mongering and outright lies:

Teleya: "When you go home to your children, will you tell them you chose to destroy our future? Or will you tell them you have reclaimed our dreams and placed your trust in the word of Avis? A word which declares that Krill comes first! Place your faith in me as your Supreme Chancellor, and I will end this madness! And those responsible will pay for their treason!"

Wow. As I said, that all sounds very, VERY familiar!

• Wondering why it's always nighttime on Krill? According to the Official Orville Wiki, the planet is shrouded by a dense cloud cover that obscures 96% of the sunlight from its star— plunging the world into perpetual darkness. As a result, the Krill species evolved pale white skin, huge pupils and a deadly sensitivity to bright light.

• Man, look at all those Krill extras! There're hundreds of them! There's no way in hell they could ALL be wearing prosthetic makeup, as it would take days to apply it all. I'm betting they went the Planet Of The Apes route and used simple rubber masks for the background extras.

• This is some Heavy Duty Nitpicking, but whatever. As much as I love this show, I kind of wish MacFarlane would get someone to help him name his characters. We've got the planet Xeleya, then in this episode there's Teleya and her daughter Anaya.

It's already tough to keep strange alien names straight, but when they sound so similar it makes it even worse.

This is nothing new of course, as TNG had its dreaded "T" aliens, such as the Takarans, Takarians, Tamarians, Talarians and Telerians. And don't forget the Terellians, Terrellians and Terrelians, whose names were all identical except for the spelling!

• Union President Alcuzan and his entourage host Supreme Chancellor Korin of Krill, hoping to sign a peace treaty between their peoples. The Union delegation wine and dine the Krill, taking them to a performance of Annie on Broadway. A couple things here:

First off, President Alcuzan is played by Bruce Boxleitner. He's completely unrecognizable under all that latex and silicone, but the second he spoke I knew it was him! He's got a very distinctive gravelly voice.

Boxleitner starred as Captain Sheridan over on Babylon 5, which is no doubt why he was cast here. He played the titular character in TRON as well.

Secondly, apparently musical theater will still exist four hundred years from now. And people will still somehow still find Annie worth sitting through!

• Speaking of Annie: For years now studios have been attempting to be diverse by casting people of color in traditionally white roles. This has generated tons of controversy, as it's welcomed by some but denounced as blatant virtue signaling by others.

Welp, critics of "colorblind casting" would really hate the 25th Century! In this production of the musical, Annie's played by a young Xelayan girl...

While Daddy Warbucks is the same species as Dann! In fact there are numerous aliens in the cast playing human characters. 

I'm betting this was MacFarlane's way of showing us where he stands on the whole woke casting thing.

Or maybe not! For hundreds of years now live theater has never worried much about such things. Men routinely play women's parts, women play men's, blacks play whites, etc. Maybe the interplanetary cast of Annie was simply following this tradition.

By the way— Victor Garber, aka Admiral Halsey, once played Daddy Warbucks in a 1999 TV version of Annie!

• Admiral Halsey asks Chancellor Korin how he enjoyed the musical. I loved how he completely missed the point of the Tomorrow number, saying: 

Korin: "The repeated prophecy of the orphan child was quite haunting. 'The Sun Will Come Out Tomorrow...' In our culture, the sun is a symbol of suffering and death."

Ha! Makes perfect sense for a race that exists in permanent night!

• I actually liked Chancellor Korin quite a bit, as he was something we've never really seen before on the show— a levelheaded, reasonable Krill! I really wanted the peace treaty to work out too. I guess it wasn't meant to be, as there're more story opportunities if the Union and Krill are at odds.

• During the dinner, Chancellor Korin casually mentions he's running for reelection on Krill:

Admiral Ozawa: "You seem very certain of your victory."
Korin: "My opponent is a divisive figure who exploits fear and ignorance. She has a devout following, but it is insignificant."
Korin's Aide: "Our projections show that Chancellor Korin will prevail."
Korin: "Once the people of Krill see you for themselves, as I have, they will understand you are not the soulless monsters my opponent would have them believe."

Again, that all sounds very familiar. If you'll recall, back in 2016, a certain Orange Man was seen as "a divisive figure who exploits fear and ignorance." So much so that the Democrats assumed Hillary Clinton had a sure-fire lock on the election, causing many voters to stay away from the polls, which... well, you know what happened.

• We then see the crew of the Orville hanging out in an Old West saloon in the Holodeck, er, I mean the Environmental Simulator. A LOT going on in this brief scene:

First of all, Mercer and Kelly are decked out in authentic western gear...

Which looks suspiciously like the costumes worn by Seth MacFarlane and Charlize Theron in A Million Ways To Die In The West. They're not identical, but they're pretty darned close. There's no way that wasn't intentional!

Second, Bortus takes a swig of beer and ends up with a foam mustache. Gordon references the time that Bortus grew a real one, back in Season 2's A Happy Refrain. I'm betting this is another reference to A Million Ways To Die In The West, which featured a rousing musical number called The Mustache Song.

Third, the crew's participating in an Historical Pub Crawl, using the Simulator to drink in various past eras. Gordon mentions his dad once did the crawl and got all the way from Ancient Greece to the "Water Wars."

Although this is just a throwaway sci-fi line, there's more to it than you think! The very same week this episode aired, the Lake Mead Reservoir near Las Vegas dropped to an all-time low, and is in real danger of drying up. We may actually experience the Water Wars for real!

Fourth, Talla and John get all flirty in the simulated salloon, as the episode strongly hints at an eventual pairing between them. Eh, I dunno... so far I'm not feeling it. Have the two of them ever even spoken to one another on the show before? If so I don't remember it. They don't seem to have any chemistry that I can see. Maybe they'll ramp it up once this arc inevitably gets going.

Fifth, Talla gets promoted to Lt. Commander this week. In fact they even updated the opening credits already!

Lastly, Isaac tries getting into the Old West spirit, as he bursts into the saloon and says, "This town will not accommodate the numerical totality of our combined mass!" HAW! I love it!

• OK, one last thing about the Historical Pub Crawl. The Environmental Simulator is used to create realistic holographic worlds and situations. But it can apparently whip up real, actual foodstuffs as well! This week the crew's drinking real booze in the Simulator, and we've seen other cases where characters actual food in holographic restaurants. 

There's nothing wrong with this idea per se, I just thought it was interesting that the Simulator can create both fake AND real items!

• Admiral Halsey contacts Mercer and invites the Orville to transport the Union delegation to the treaty signing on Krill.

What a difference a couple years makes! When the series started, the Orville was considered an insignificant mid-level ship. Welp, not any more! After the events of Identity Part 1 and 2, it's suddenly become one of the most important and influential vessels in the entire fleet!

• Yep, I'm gonna complain about this again! The Union delegation's shuttle flies into the Shuttlebay, and of course immediately spins around so it's facing the door. Note that as it turns, it looks like the front of the ship just misses a stack of storage containers by the wall! They really do need to figure out a better way to handle these incoming shuttles.

Of course it would help if they didn't park Gordon's little Pteradon fighter right smack in the way in the middle of the goddamn room! Shove that thing against the back wall already!

There's really no reason for the Pteradon to be there in the first place— other than to make sure the audience is aware of it. According to Brandon Fayette, VFX Supervisor on The Orville, there's a deck below the Shuttlebay where the various shuttles and fighters can be lowered and stored. Unfortunately we never get to see it on the show.

It's pretty clear at this point that the Pteradon is sort of a "Chekov's Shuttle," and is gonna play a major part in a future episode— most likely the season finale. Why else would they have given it such a huge buildup in Electric Sheep?

• President Alcuzan and his entourage are then met by an Orville honor guard. Wow, I don't wanna height shame here, but where'd they dig up that wee security guard on the far end?

• President Alcuzan greets Kelly, and says he and Admiral Halsey both admired her father very much. From that I assume that A: Hher dad's dead, and B: He was some high ranking Union officer. And I'm not 100% sure, but I think this is the first time he's been mentioned.

• Admiral Halsey shows Mercer & Kelly a video of Teleya's inflammatory speech. First of all, how'd he get ahold of a sensitive piece of Krill media like that? I guess maybe Chancellor Korin gave him his KrillTube password?

Second, note that the video is the exact same one we saw at the beginning of the episode— complete with the same camera angles AND identical cutaways to the cheering crowd! Amazing! Maybe Halsey just downloaded this week's episode and played the beginning for them.

• Halsey discusses the political climate on Krill with Mercer & Kelly:

Halsey: "It's our understanding that Chancellor Korin maintains a wide lead. But for some, his embrace of the treaty makes him look soft. To the more radical demographics, his comparatively moderate administration seems out of touch. 
So what you've got is a political vacuum."
Kelly: "A political vacuum is a dangerous thing. Always."
Halsey: "If no one fills it with hope, someone will fill it with fear."

A bit later, Mercer and Kelly discuss the situation further:

Mercer: "Teleya is inexperienced. She's a populist, not a politician. She's running on rhetoric and fire. So the Chancellor thinks that he's still a lock. He says he trusts his people to follow the will of Avis."
Kelly: "You never want to underestimate a populist movement. Emotions can be more persuasive than thoughts. You think any of this will affect the treaty?"
Mercer: "Battle plans are only perfect until the fighting starts."

Again, that all sounds so, so familiar, as it's what helped that  deranged Orange Man I mentioned earlier become president. In fact this entire episode is pretty much a recap of his political trajectory.

• Mercer discovers that the Krill routinely use "Influence Operations," which are basically computer generated attack ads indistinguishable from the real thing. We're probably going to have to start dealing with that soon in our own world, as Deep Fake technology gets better and better every month!

I would also not be surprised if this story element plays a larger role later in the season. I could see the Union wanting to use it to discredit Teleya or reveal the existence of her daughter, causing Mercer to strongly object to such falsification— even in the name of peace.

• As I've noted the past month or so, rumor has it that Seth MacFarlane is allegedly dating Anne Winters, who plays Charly on the show. I don't usually put much stock in internet gossip, but I gotta admit it's starting to seem pretty likely. How else to explain why Mercer chooses Charly to fly the Union delegation's shuttle, instead of a far more experienced pilot like Gordon?

Also, note that once again the shuttle passengers stand behind the pilots instead of sitting their asses down like they should. And this time they actually almost fall over due to the turbulence when they enter the thick Krill atmosphere!

• We then get our first good look at the surface of Krill, a perpetually dark, Blade Runner-esque cyberpunk megacity. Man, the budget has definitely been raised since the show went to Hulu!

• The shuttle lands on Krill, and the Union delegation exits. For absolutely NO good reason, Admiral Halsey takes a liking to Charly and invites her along to the treaty signing!

Again, it's none of my beeswax, but why would any of that happen if she wasn't dating the boss?

• As Mercer and the Union officials are led through the city, we get a good look at a statue of Avis, the Krill god. Seems like a nice, loving deity! Much like the Old Testament God!

• Chancellor Korin leads the Union delegation to his office, where he offers them refreshments:

Korin: "Please, join us for some Kahspid cider. A Krill delicacy."
Charly: "Alien delicacies. Always a crap shoot."
Mercer: "Wow! Mm. That's fantastic. My God, could we get a case of this?"
Korin: "We take great pride in our Kahspid crops. I will have some sent to your ship."

Gosh, lucky for Mercer and the others that the Kahpid cider wasn't deadly poisonous to humans! This "universal food" trope is something that's always bugged me about sci-fi shows in general. I mean, there are people who can die from simply eating a single peanut— and it's an Earth food! Imagine what would happen if they ate some kind of alien dish!

• Chancellor Korin then checks out the latest election returns. Man, check out that Krill video wall! How annoying would that be to have the various screens constantly flying around like that? Sure, it's cool looking I guess, but how the hell do you know which hexagon you're supposed to be looking at?

• There's some major league plot trickery going on in this episode, that requires the characters to act like idiots in order for the script to work.

Chancellor Korin invites the Union President and his delegation to Krill to formally sign a peace treaty between their worlds. For some reason though, he schedules this historic meeting on the day of the election in which he's running against his opponent Teleya! Are your freakin' kidding me?

In reality there's no way in hell that the Union would have ever agreed to send their President and his entourage to Krill until AFTER the election! Sure, Korin assured them that his reelection was a lock, but there was no guarantee it would happen. Sure enough he was defeated, and Teleya instantly assumed power and immediately captured the Union President!

It was also a pretty boneheaded move on the Union's part to send a single ship to transport the President into enemy territory. Surely Korin wouldn't have objected to a small squadron armada to escort such an important dignitary?

Or course sending one ship made it easy for Teleya to surround it with Krill battlecruisers, as the rest of the Union Fleet was hours away. How convenient for the plot!

You know, with just a simple rewrite, they could have fixed all this and made it more believable. All they had to do was forget about the election entirely, and just have Chancellor Korin invite the Union delegation to Krill on a normal day. Once there, Teleya and her followers could have launched a successful coup and taken over the government. That way the delegation could have still been captured without looking like idiots.

This series gets so much right, that it's really disappointing when they rely on clumsy writing like this to make the episodes work.

• Wow, things must move really fast on Krill! Literally seconds after Chancellor Korin's defeated in the election, Teleya takes over the planetary government and imprisons him. Now THAT'S a quick transfer of power!

To be fair, when Teleya's guards enter and take Korin captive, he shouts, "This is not an election, it is a coup!" So it's entirely possible this wasn't the normal change of command timeline.

Teleya's takeover VERY closely mirrors trump's terrifying attempts to overthrow our own government in a futile effort to remain in power. Thing is, this episode was written and filmed back in 2020— well before the January 6 Coup, which happened in 2021!

Does Seth MacFarlane know something we don't?

• Back in orbit, the Orville's contacted by the Krill. I loved Kelly's expression of unbridled disgust when she realized it was Teleya was calling her. Nothing like a call from your one of your ex's old girlfriends!

• The Krill battlecruisers turn on the Orville and begin attacking. Kelly contacts John, tells him to grab Doctor Finn and execute Directive 21. A lot to unpack here: 

Let's start with the plan itself. Although we're not supposed to know it yet, Directive 21 involves John and Claire disguising themselves as Krill and secretly taking a shuttle down to the surface in order to rescue the Union delegation.

Since the plan involved surgically altering themselves, why the hell did Kelly contact JOHN first? Shouldn't she told Claire to initiate the directive?

So how much time elapses between Kelly's initial order and the Orville blasting away to safety? One minute and forty one seconds! Less than two minutes for John to make his way down to Sickbay, inform Claire of what's going on, gather everything they needed to implement Directive 21, board a shuttle and somehow leave the ship unseen in the middle of a fierce battle.

I'll leave it to you to decide if any of that was feasible or not.

• This is some more reeeeeeeeeeeally Heavy Duty Nitpicking, but whatever.

After Teleya takes over as Chancellor, she walks out on her balcony and gives a speech to the massive crowd gathered below. 

She's not wearing any kind of headset, so how's her voice booming and echoing all across the city without a mic?

Since this is the future, I assume the Krill have some sort of hidden amplification system on the balcony. Or who knows, maybe Krill can make their voices reeeeally loud when they want to!

I just thought it was funny, as once you realize she's invisibly amplifying her voice you can't unrealize it!

• Telaya orders two of her guards to smuggle Mercer through the city so he can escape back to his ship. These shots of the neon-soaked metropolis gave me definite Cyberpunk 2077 vibes. Someone on the FX team is definitely a fan of the game!

• As Mercer's led through the city's Grand Marketplace, we see a brief shot of a homeless Krill begging for money.

Woah, wait a minute here! At the beginning of the episode, Chancellor Korin and his aides discussed Earth's economy with the Union Admirals:

Korin: "The performance depicted a time of tremendous hardship in your history. For how long did your world endure this catastrophe?"
Union Official: "The Great Depression. It lasted over a decade."
Admiral Ted: "Sadly, those kinds of societal collapses used to be pretty common."
Admiral Ozawa: "It wasn't until we advanced beyond the need to buy and sell things that our world became a more stable place."
Krill Aide: "The Merchant Class is the backbone of our civilization. And our society has been stable for tens of thousands of years."

So which is it? Krill can't have a perfect economy and homelessness both. I suspect the Krill Aide was grandstanding here, and trying to play up his society in front of the humans.

• We also see a couple of Krill pole dancers writhing around in the Marketplace (!). Um... I though this was an oppressive RELIGIOUS society? Is soft core porn really the Will Of Avis? Or does He realize a man's gotta blow off some, er, steam once in a while, and turn His divine eye away from such things?

• We then come to the biggest "what the hell" moment in the entire episode, as Mercer's led to a secret bunker by a group of Krill who oppose Teleya and her radical policies. There they introduce him to a little half human, half Krill girl named Anaya— who's the daughter of Mercer and Teleya! GASP!

Boy, are we gonna talk about this!

First of all, how the hell can Anaya even exist? ApparentlyThe Orville subscribes to Star Trek's "Any Race Can Reproduce With Any Other Race" school of genetics, which popped up on every one of the various series. Spock, Deanna Troi, B'lEanna Torres, K'Ehleyr, Simon Tarses, Tora Ziyal and more were all alien hybrids.

Of course this could never happen naturally in the real world, as the various races' chromosomes wouldn't line up.
It might be possible with some serious genetic manipulation done in a lab, but there's no way a human could ever accidentally knock up an alien species.

Secondly, back in Season 1, Teleya disguised herself as a human officer, infiltrated the Orville and struck up a romantic relationship with Mercer. So just how'd she pull off this amazingly perfect facade?

Back in the Season 1 episode Krill, Mercer and Gordon used sophisticated holographic generators to disguise themselves as Krill soldiers. They then used these image generators to infiltrate a Krill ship.

All well and good, but there's no way that trick would have worked with Jenal, as she was onboard the Orville for weeks, not hours. Plus if she did use just a holographic disguise, it wouldn't have altered her internal structure. Which means Mercer would have presumably noticed something wasn't right down there when they got intimate!

That means Teleya must have somehow used Krill science to literally transform herself into a human— right down to the genetic level! Her altered body would then have to function exactly like a human one as well, otherwise Mercer would have noticed he was banging someone with alien genitalia.

That seems pretty unlikely to me, but hey, who knows what kind of scientific advances there'll be in the next four hundred years.

Lastly, this series also clearly follows Trek's notion of "Alien Kids Who Age Ridiculously Fast." According to the Official Orville Wiki, Nothing Left On Earth Excepting Fishes— in which Teleya revealed herself to be a Krill agent— took place in October 2420. Gently Falling Rain supposedly takes place sometime in 2422.

That means Anaya would have to be less than two years old. And yet she appears to be around seven or eight, as well as quite intelligent and articulate. The same thing happened to Bortus & Klyden's son Topa, who's now an adolescent even though he's chronologically about three years old.

• Is it just me or does Anaya look a little like Kryten the robot in Red Dwarf? I feel like the angles of her head are a little too sharp and precise to be organic.

• Man, MacFarlane definitely brought his A game to this episode. His acting was excellent this week, especially in his scene with Anaya. He played it perfectly when he met her, delivering a performance filled with quiet wonder and awe for the daughter he didn't know he had.

• After Mercer speaks with Anaya, he and her caretakers stand right smack in the middle of the doorway and loudly discuss her. They talk about whether he feels shame at having an illegitimate daughter, how some would see Anaya as an abomination and lots more. 

Let's hope for the kid's sake that her room's somehow soundproofed and she didn't hear any of that!

• Mercer goes back to the capitol and tells Teleya he knows about their daughter. She then tells him the name Anaya means "gently falling rain."

Houston, We Have A Title!

• Mercer asks Teleya why the hell she went ahead and had Anaya if she was just going to lock her away forever like a criminal. Teleya scoffs, saying the Krill don't terminate their unborn with abandon like godless humans do. 

She then demonstrates how her world punishes abortionists— by scanning the parents' DNA and generating a holographic simulation of their unborn child as a form of psychological torture.

Holy crap! Talk about cruel and unusual punishment!

Astonishingly, Gently Falling Rain aired the exact same week that the "Supreme" Court stupidly voted to overturn Roe V Wade. The episode was filmed in mid 2020, so there's no way anyone on the production staff could have foreseen such an amazing coincidence. That said, sometimes I wonder about Seth MacFarlane, and just how much he knows! 

• As Teleya prepares to publicly execute the Union President and his delegation, an aide informs her that the Union Fleet has just entered orbit.

When I saw this scene I couldn't help but think of the famous shot of a startled Dubya being told about 9/11. I doubt that's what MacFarlane had in mind here, but you gotta admit it fits!

• Teleya trots out the Union delegation ono her balcony, where she plans to publicly execute them. 

You know, she was standing awfully close to the edge there as she was speechifying. I was hoping maybe Senator Balask would use her Xeleyan strength to snap her cuffs and kick Teleya into the abyss!

• John and Claire then show up to save the day— disguised as a couple of Krill as part of Directive 21.

Note that Claire mentions the two of them had a "microdermal makeover" to turn them into Krill. As I mentioned earlier, in Season 1 Mercer and Gordon used holographic imagers to disguise themselves into Krill. Their actual bodies remained unchanged.

Claire implies here that she and John used advanced medical science to transform themselves into actual Krill. If Teleya used the same technology, that might explain how she was able to conceive a child with Mercer. 

There's just one flaw with that explanation though— if Teleya literally became human, then her offspring would be as well. But Anaya's half Krill, so... scratch that idea. We're right back where we started!

• The Union fleet then arrives, and we're treated to yet another spectacular space battle as they attack the Krill warships.

Man, Union ships must have reeeeeally bad deflector shields. Every time we see one of these scenes there're always nine or ten Union vessels on fire! Always!

• Lucky for Mercer and Charly that President Alcuzan and Senator Balask were in their little landing party. Otherwise, the Union likely wouldn't have sent an entire fleet to rescue one captain and a lowly ensign! 

• The Union delegation's shuttle somehow manage to make it back to the Orville, where it crash lands in the Shuttlebay. Note that as it does so, the bay is suspiciously empty for the first time all season! No other shuttles or even the ever-present Pteradon are in the way! Funny how that worked out, eh?

I guess the Shuttlebay commander anticipated they'd be making a hasty entrance and had all the ships moved below.

• In the wrapup, Admiral Halsey says the Krill treaty's dead as a doornail, but there's one hope left:

Halsey: "There is one card left to play. If we want to."
Mercer: "Anaya."
Halsey: "Revealing her could force Teleya's hand."
Mercer: "Admiral, she didn't ask to be born into the eye of a storm. And I gotta be honest, I'm not so sure Teleya wouldn't make her disappear just to protect the regime."
Kelly: "You really think she'd be capable of that?"
Mercer: "I thought I knew her. I don't."
Halsey: "She's your daughter. The President is leaving it up to you."

Yeah, that's nice of President Alcuzan to leave Anaya's fate up to Mercer, but I don't buy it. We're talking about a treaty that could effectively eliminate the Kaylon threat. I know the Union's enlightened and all, but would they really jeopardize billions of lives just to protect one little girl? What happened to "The Needs Of The Many Outweigh The Needs Of The Few... Or The One?" 

• At the end of the episode, Mercer's feeling down because he has a daughter he'll never get to see grow up. Kelly feels his pain, and tries to cheer him up by inviting him to breakfast.

I gotta say, I much prefer seeing Mercer and Kelly as friends, rather than lovers. They're much better together as professionals and colleagues, and I hope they've permanently buried their whole relationship storyline and never go that route again.

• This Week's Incongruous 21st Century (And Earlier!) References:
Not too many this week. 

There was the whole Annie play, of course. And Admiral Halsey mentions Oklahoma! as well. Both musicals are apparently experiencing revivals in the 25th Century.

When Mercer sees Teleya in her office, he says, "Looks like you're an Uptown Girl now." When she looks puzzled, he adds, "Billy Joel." If you'll recall, Mercer played Joel's song for Teleya back when she was posing as Janelle Tyler.

• This Week's Star Trek Swipes:
There was one big one, but other than that not a lot.

The main was was definitely the whole "Teleya Secretly Has Mercer's Child" subplot, which was very similar to Chakotay & Seska's storyline on Voyager. There, Seska was a Bajoran who joined the Maquis resistance and started a relationship with Chakotay. Once they both joined Voyager's crew, Seska revealed she was really a gentically-altered Cardassian, and secretly had Chakotay's son— who she then used to manipulate him. 

The idea of humans altering themselves to look like enemy races is a Star Trek staple. In Unification Parts 1 and 2, Picard and Data (!) disguised themselves as Romulans to infiltrate their planet. The same thing happened in Face Of The Enemy, in which Counsellor Troi of all people was altered to pose as a Romulan. And over on DS9, Major Kira was kidnapped, altered to look like a Cardassian and convinced she was actually born one!

The Union having a singular leader echoes the Star Trek movies, in which there were various Federation Presidents.They were often aliens too, just like in this episode.

That's about it! Maybe the swipes are finally starting to peter out! 

• This Week's Best Lines:
(During the pub crawl, Bortus takes a swig of beer and gets a foam mustache.)
Gordon: "Aww, man, y'know, that makes me miss your mustache.:
Charly: "Oh my god, you had a mustache?"
Gordon: "Oh, yeah, it was amazing.:
Charly: "I thought Moclans didn't grow facial hair. ?"
Bortus: "Doctor Finn was able to stimulate growth."
Charly: "What about the Hippocratic Oath, 'First do no harm?"
Gordon: "Wait a minute, how is that harm?"
Charly: "It's a mustache."
Claire: "She's got us there."

Mercer: "I've gotta say, I've never understood the pub crawl. We're here, we're drinking. The booze is gonna be exactly the same at the next place. Let's just stay here, we're enjoying ourselves."

Teleya: (speaking at another Make Krill Great rally) "What they call a treaty, I call a capitulation of cowards! Their Union is a patchwork alliance of hundreds of species that long ago surrendered their identities to this, this social collective that rapes them of their purity. Would you let them do the same to us? No! Make no mistake. The outstretched hand of welcome will quickly become the fist of oppression!"

Mercer: "I let you go because I believed we'd found some common ground, not so you could drive a deeper wedge between our two peoples."
Teleya: "There was never a common ground. You were merely too stupid to resist a false seduction."
Mercer: "Well, movie night was fun, but that's not what I'm talking about."

Telaya: "An alliance with outsiders is no longer necessary."
Mercer: "About half your population disagrees. Korin had a lot of support."
Teleya: "Korin's influence has diminished considerably. Ask him yourself if you would like. You will find him in the center of the Capitol Square. Or at least his head."

(Mercer meets his daughter and is instantly taken by her.)
Mercer: "Hi there."
Anaya: "Hello."
Mercer: "What's your name?"
Anaya: "Anaya."
Mercer: "That's a pretty name."
Anaya: "What's yours?"
Mercer: "I'm Ed."
Anaya: "That's a funny name. You look funny."
Mercer: "Thanks. I get that a lot."

Kelly: "Talla, open a channel to Krill."
Talla: "Anyone in particular?"
Kelly: " General frequency. See if anyone answers the phone."
(I dunno why, but that last line made me laugh!)

Mercer: (discussing Anaya with Kelly) "I miss her. Is that weird to say? I only met her once. I don't even know her. And I miss her. The treaty is dead. But we have to find a way to preserve some kind of peace. For Anaya."
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