Showing posts with label stranger things. Show all posts
Showing posts with label stranger things. Show all posts

Monday, September 24, 2018

It Came From The Cineplex: Summer Of 84

Summer of 84 was written by Stephen J. Smith and Matt Leslie. It was directed by Francois Simard, Anouk Whissell and Yoann-Kark Whissell. Try typing those names three times fast!

Smith previously wrote The Harrowing, whatever that is. Leslie previously wrote... well, nothing. Summer Of 84 appears to be his first theatrical work.

Simard and the Whissells (they're brother & sister) are a trio of Canadian directors, who go by the collective name of "RKSS." Hey, everyone knows the more directors, the better, right? All the best movies have more than one. RKSS previously directed Turbo Kid, which had a similar 1980s aesthetic.


When I first saw the trailer I thought, "Wow, a Stranger Things ripoff! That didn't take long!" It's a fair comparison, since both properties take place in the mid 1980s, and feature a quartet of teenaged boys riding around on bikes as they investigate mysterious happenings in the suburbs.

But that's where the similarities end though. In reality, Summer Of 84 is pretty much a remake of Disturbia, which itself was a retelling of the Alfred Hitchcock's classic Rear Window. It's a remake of a remake that looks like a ripoff.

Honestly I'm not sure why the film was set in the 80s, as there are few if any references to the decade, and the setting has absolutely no relevance to the plot. There's no reason it couldn't have been set in the present day.

There've been a lot of recent TV series and films that worship at the altar of the 1980s, including Stranger Things, IT and Ready Player One. I'm assuming the filmmakers were just riding that wave of nostalgia here.

Despite its less than original storyline, Summer Of 84 manages to be a decent little thriller. It's definitely a slow burn film, which may turn off some viewers. Things finally pick up some in the third act, as the tension and suspense ramps up, but by then it may be too late.

I was expecting some king of plot twist toward the end, but sadly it never came. The storyline is pretty simple, and makes a unwavering beeline from setup to resolution, with no sidesteps or surprises along the way. 


Ordinarily I don't have a problem with stripped-down plotting, but in this case it made the killer's ultimate reveal predictable and underwhelming. 

Summer Of 84 had a VERY limited theatrical release, so much so that I can't find any info on its box office gross or even its budget. I can't imagine either one was very high. Why the hell would anyone spend all that time and money making a film and then not show it?

SPOILERS!

The Plot:
In the summer of 1984 (natch!), the sleepy town of Cape May, Oregon is rocked by the disappearance of yet another teen boy. The townspeople suspect it's the work of the Cape May Slayer, a serial killer who's abducted thirteen boys in the past decade.

We then meet our characters, as they chill in their tree house hideout discussing the Slayer. There's Davey Armstrong, the town's resident conspiracy theorist and our main character, Woody Woodworth, the "fat one," Curtis Farraday, the "brainy one," and Eats Eaton, the delinquent. 

For some reason, Davey suspects his neighbor Wayne Mackey (played by Rich Sommer— the only cast member you're likely to recognize) is secretly the Slayer. The others think he's nuts, as Mackey is a popular and respected police officer.

Desperate for proof, Davey sits in his room and trains his binoculars at Mackey's house, which is just across the street. He sees Mackey inside, talking with a teen boy he's never seen before. Feeling this is suspicious, he makes a note of it.

Davey then uses  the binoculars to peer at the home of Nikki Kaszuba, his secret crush and next door neighbor. He watches her as she changes clothes in her bedroom, but she unexpectedly turns around and catches him spying on her. 

Nikki comes over to Davey's house, lets herself in and goes up to his room. She's more bemused than angry that he's been watching her. Her mood changes as she tells him her parents are getting divorced, and she'll be moving away soon. She thanks him for listening, gives him a kiss and climbs out the window.

A few days later, the boy Davey saw in Mackey's house appears in a "missing child" ad on the back of a milk carton. This convinces Davey's friends that he may be onto something.

The four teens begin spying on Mackey, keeping a detailed account of his daily activities. They notice he buys an inordinate amount of gardening tools and lots of bags of soil. He also brings a mysterious duffel bag to work every day, and goes jogging late at night. 

Unfortunately none of this provides them with any evidence, so they decide to hide a walkie-talkie outside Mackey's bedroom window. Davey watches Mackey's house, and sees him standing in his bedroom window, holding the walkie. Davey worries that Mackey's onto them.

Meanwhile, a black-haired teen boy is walking home through Davey's neighborhood at night. He hears something behind him and when he turns, he's knocked out and abducted by the Cape May Slayer.

The next day Davey comes up with a more daring plan. He waits till Mackey leaves his house and sends Woody and Farraday to follow him. Davey and Eats then investigate Mackey's garden shed.

Woody and Farraday tail Mackey to a self storage center, where he keeps a second car and large canisters of sodium hydroxide. Farraday gulps and says sodium hydroxide can be used to dissolve organic tissue. Meanwhile, Davey and Eats break into the shed and find a bloodstained shirt. Davey recognizes it as the one the Milk Carton Boy was wearing.

Davey and the others then present their evidence to his parents. Mr. Armstrong, who's a local TV reporter, is shocked and appalled that they've been following and harassing an innocent man. He marches the boys over to Mackey's house and forces them to apologize. 

Mackey's amused by the boys' antics, and says there're no hard feelings. Mackey says the chemicals are for his garden, and the bloody shirt belonged to his nephew, who cut himself while helping him move a table. Mr. Armstrong tells Davey he's grounded for the rest of the summer.

Davey doesn't believe Mackey, and tries to get the other boys to continue the investigation. They're satisfied with his explanations though, and tell Davey to drop it already. Later that day, Mackey shows up at Davey's house while his parents are out. He offers to call his nephew to prove to Davey that he was telling the truth. Davey says OK, but becomes nervous when Mackey enters the foyer. He tells him to stay put and brings the phone to him. Mackey calls his nephew, but there's no answer. Davey says not to worry about it, and hurriedly rushes Mackey out of the house,locking the door behind him.

Davey then calls the operator, and discovers Mackey called his own number instead of his alleged nephew's. This reaffirms his suspicions that Mackey's a serial killer.

The next day, the town's abuzz with the news that the Cape May Slayer's been caught— by none other than Officer Mackey! Davey doesn't believe it of course, and somehow talks his friends into reopening their investigation. He gets Farraday and Eats to attend the Annual Cape May Festival and keep their eyes on Mackey, who's the guest of honor. During the Festival, Farraday finds out that Mackey bought the bags of soil for a park beautification project. He and Eats then abandon their posts and go home.

While his parents are out, Davey, Woody and Nikki sneak into Mackey's house. Woody films the whole thing with Mr. Armstrong's new video camera. They go down to the basement, where they find a bizarre and creepy recreation of Mackey's childhood bedroom. They then find a locked door and nervously force it open. Inside they discover the remains of the Milk Carton Boy being dissolved in a tub of sodium hydroxide. As they back out of the room in horror, they stumble over the black-haired boy, who's still alive.

Cut to Davey and the others in the police department, as they play the tape for the Chief. He watches in shock and disgust, and issues an APB on Officer Mackey. Mr. Armstrong apologizes profusely to Davey for not believing him.

Woody then spends the night at Davey's house for reasons. Mr. and Mrs. Armstrong very awkwardly assure the two boys they're safe now, and tell them goodnight. Right on cue, Mackey creeps down out of the attic and knocks out the two boys. He takes them to a remote tidal island and turns them loose, announcing he's going to play a game of "Manhunt" with them.

The boys take off into the woods, but tumble down a hill and land in a bog where Mackey's been dumping his bodies. Davey sees Mackey's police cruiser parked a few hundred feet away. He tells Woody to make a run for the car, and runs off in the opposite direction, yelling Mackey's name.

Woody makes it to the cruiser, but Mackey comes up behind him and slits his throat (!). Davey finds Woody's body and cradles it in his arms. Mackey then captures Davey, curses him for ruining his life, but decides not to kill him. Instead he tells him he's free to go, but warns he'll return for him some day. He'll never know exactly when though, and he'll have to spend the rest of his life looking over his shoulder.

Cut to Davey on his paper route, as he passes the homes of his neighbors: 
Eats' house (his parents fighting in the front yard), Milk Carton Boy and Mackey's now-abandoned home. He stops and opens one of his newspapers, whose headline reads, "Cape May Killer Still At Large."

Thoughts:
• Not a lot to say about the movie, so this'll be brief.


• Kudos to the four main actors, who all did a great job in the film. They seemed like actual kids, rather than the typical "movie teens."

One could argue that their characters are all stereotypical teen archetypes— you know, the brain, the punk, etc. Eh... I wasn't bothered by that, as I thought it helped differentiate them from one another.

That said, how the hell did this group of friends ever form in the first place? Davey, Woody and Farraday are all fairly nerdy, so I get why they're pals. But Eats is definitely the odd man out in the group. He's a heavy metal delinquent who's even had run-ins with the local police. 

He seems like the type who'd rather beat up Davey and the others than hang out with them. Especially in a freakin' backyard treehouse.

The only thing I can figure is that Eats was once a nerd like the others, but his horrible home life caused him to go through a "phase."

• Rich Sommer also does an amazing job as Officer Mackey. Somehow he manages to make him likable and endearing, but with an undercurrent of danger and malice. You're never quite sure whether he's going to hug someone or snap their neck, which really ratchets up the tension.

You may recognize Sommer from Madmen, as well as a few guest appearances in The Office. 

• When Nikki sneaks into Davey's room, she reminisces about how she used to babysit him. Wha...? How the hell did that work? They look like they're the same age!

The more I thought about it though, I realized that even if they're both in high school, they could still be four years apart. That means when Nikki was 14, Davey would have been just 9, and he'd have likely needed a sitter. So her statement checks out.

• The scene in which Davey's home alone and Mackey tries to "innocently" but firmly invite himself in was incredibly tense, and very well done. It's been a long time since a scene in the movie made me sit on the edge of my seat, so kudos to the directors!

• Unfortunately the film breaks down at the start of the first act, when Mackey's secret is revealed. The movie does its level best to pretend it's over and the threat's been eliminated,
 but it fails miserably as there's still another half hour to go!

I freely admit I can't think of a good way to fix this "fake ending" problem. It's common to many slasher/horror movies.

The worst part of the false denouement was the scene in which Mr. and Mrs. Armstrong assure Davey and Woody that they're safe. Their dialogue is extremely contrived, as they literally say, "You boys can sleep easy tonight, as that sicko Mackey will never get in here!" They then awkwardly leave them alone so Mackey can sneak in and attack them!

• In the final minutes, Mackey decides not to kill Davey, as he's come up with a better punishment. He vows to kill him someday, but he'll never know when. That way Davey'll have to spend the rest of his life looking over his shoulder.

Yeah, yeah, I get that this was supposed to be unsettling. But it felt like the movie just sputtered and coasted to a weak stop. It definitely needed a punchier ending.

Summer Of 84 is stripped-down, slow burn little thriller that's elevated by its top notch performances. Unfortunately it's also highly derivative, meaning there're absolutely no surprises. It falls apart a bit in the third act, but it's still worth a look. I give it a B-.

Tuesday, February 14, 2017

Things That Are Strange

Hey, remember Stranger Things, last summer's blockbuster series from Netflix? Of course you do!

It's finally out on home video! Huzzah! I saw it at Walmart yesterda... hey, wait a minute. Pret-tee sneaky, sis!

Whoever put this out didn't use the exact same font or layout here, but it's pretty darned close. And it's patently obvious they're hoping to confuse consumers here. Some hapless shopper's gonna grab this thing off the shelf without looking at it closely, and they're gonna be mighty pissed when they get it home and put it in their DVD player.

Note that none of the eleven movies in this collection are even remotely similar to Stranger Things. It contains, among other films, Spacehunter: Adventure In The Forbidden Zone, which is a Star Wars knockoff, and Krull, a sci-fi/sword & sorcery mashup.

Walmart is also selling Lego Batman: The Movie on DVD...

Which doesn't sound the least bit like The Lego Batman Movie, currently playing in theaters.

This type of Marketing Shenanigans always seems... sleazy and underhanded to me. Shouldn't deliberately trying to confuse your customers to trick them into buying a knockoff product be illegal? If it's not, then it oughta be.

Once again, they're banking on consumer confusion here. You just know some clueless grandma's gonna buy Lego Batman: The Movie for her grandkids, thinking that The Lego Batman Movie's already out on home video.

This will then enrage her ungrateful, entitled grandkids so much they'll petition their parents to put Nana in a home. Way to go, DC and Lego. You just ruined an old woman's life!

Wednesday, September 7, 2016

It Came From The Cineplex: Morgan

Morgan was written by Seth Owen and directed by Luke Scott.

Owen previously wrote Seriously Weird and Peepers, whatever the hell those are. This is Scott's first time in the director's chair (theatrically, at least).

Luke Scott is also the son of Ridley Scott, the famed director of ALIEN, Blade Runner, Gladiator and The Martian, among many, many others. Yeah, that Ridley Scott. Gosh, I wonder how his son got this gig?

Actually I'm fine with that. I've never quite understood why the general public frowns on nepotism in the entertainment field. If Will Smith was a plumber and pulled some strings to get his kid a job fixing leaky sinks, no one would bat an eye. But he uses his influence to get his son an acting job, and suddenly the whole world clucks their tongues in disapproval. Why? Why shouldn't a celebrity help out their kid if they have the means?

Morgan is yet another entry in the already crowded "A.I. Goes Wrong" genre.


The problem is every A.I. movie I've ever seen has had the exact same plot. Scientists invent an artificial intelligence, it starts learning at an exponential rate, it becomes smarter than those who created it and instantly decides to kill them. It's like the Frankenstein story for the computer age.


Plot-wise, Morgan is somewhat similar to 2015's Ex Machina, which was a thoughtful and intelligent look at artificial intelligence and what it means to be human. Morgan desperately wants to follow that same path, but unfortunately it trips and falls flat on its face. There just aren't any ideas or substance present in Morgan, leaving it as hollow as the title character's blank-eyed stare. Heck, it even devolves into a standard action film in the third act!


There's a big plot twist near the end of the film that you'll likely see coming a mile off. Once you know the twist, you'll see the clues were there all along, and were pretty darned obvious. I'm ashamed of myself for not figuring it out earlier than I did. Like in the first reel.

So far the movie's tanking at the box office, managing to scrape up just a measly $2.5 million in its opening weekend. I can't say I'm surprised. I go to the cineplex every weekend, and I didn't see a single trailer or even a poster for the film before it came out. In fact I had no idea it even existed until the day I went to see it! If the movie ends up being a huge bomb, Fox has no one to blame but themselves. If you want people to see your movie, you've got to spend some cash to let them know about it!

ARTIFICIALLY INTELLIGENT SPOILERS AHEAD, INCLUDING A THIRD ACT PLOT TWIST YOU'LL LIKELY SEE COMING!

The Plot:
Deep in an underground lab, Dr. Kathy Grieff (played by Jennifer Jason Leigh) enters a secured glass cell housing Morgan (played by Anna Taylor-Joy), a young girl who's some sort of artificial human. They chat for a bit about how the artificial life form is feeling. Suddenly Morgan lashes out, violently stabbing Dr. Grieff in the eye before being sedated.

The next day Lee Weathers (played by Kate Mara of Fant4Stic fame) arrives at the lab. Lee is a stoic, Vulcan-like (Hmmm…) risk-assessment specialist, who works for the shadowy Corporation funding the Morgan experiment. She's basically an insurance adjuster, there to determine whether the Morgan project should be shut down or salvaged.

Lee meets the various scientists working on the project. Among them is Amy Menser (played by Rose Leslie of Game Of Thrones), who's been placed in a time out from the project for taking Morgan on an unauthorized trip to the woods. She also meets Skip, the lab's nutritionist, who takes an unrequited shine to Lee.

Dr. Simon Ziegler (played by Toby Jones) speaks with Lee and explains the genesis of the "L-9" project and how Morgan was created. Morgan is a synthetic human, who grew to adolescence in the space of only six months. Lee cuts him off, saying she's familiar with the process (Hmmm...). She also says the scientists shouldn't refer to Morgan as "she," but rather "It."

Dr. Grieff tells Lee that the attack was her fault, as she accidentally "provoked" Morgan. In fact all the scientists in the facility seem to bend over backward trying to excuse and justify Morgan's behavior. Are they genuinely concerned for her welfare, or just trying to protect their meal ticket project?

Lee demands to meet Morgan, and is taken to her glass cell. Morgan already knows who Lee is, as she seems to have mild telepathic powers. Morgan seems upset by her recent behavior, and says she knows what she did was wrong.

That night at dinner, Lee meets Dr. Lui Cheng (played by Michelle Yeoh). Lee speaks to Cheng in fluent Mandarin, which the others don't understand. She brings up a similar experiment in Helsinki, involving both Dr. Cheng and Dr. Ziegler, in which most of the science team was killed. Cheng excuses herself and leaves.

After dinner Skip tries to put the moves on Lee, who shows no reaction whatsoever (Hmmm...). He awkwardly apologizes and leaves. Amy goes down to Morgan's cell and turns off the cameras so they can chat without being recorded. Cut to a flashback of Amy taking Morgan into the woods. Morgan's amazed at everything she sees. She then spots a wounded deer and calmly breaks its neck, putting it out of its misery. Holy crap!

The next day Lee brings in psychiatrist Dr. Alan Shapiro (briefly played by Paul Giamatti) to evaluate Morgan. Shapiro 
insists he needs to be inside the cell with Morgan with her to properly do his job, in what may be the most blatant and obvious plot contrivance I've ever seen in a film. The scientists reluctantly unlock the door and let him in. He begins grilling Morgan, deliberately trying to push her buttons to see how she reacts. He even asks her what she'd do if he recommended she be terminated. To absolutely no one's surprise, she leaps across the table and rips out his throat with her teeth.


The scientists are horrified, and rush in to sedate Morgan and try to save Shapiro. Naturally Morgan escapes the second they open the door to her cell. Lee grabs a tranquilizer gun and follows. Morgan runs outside and sees Amy, which distracts her long enough for Lee to shoot her. Morgan's then strapped to a table as Lee orders her to be terminated. Morgan comes to and tearfully pleads with Dr. Cheng, who she calls "Mother." Cheng coldly says she's not her mother, and orders the scientists to give Morgan a lethal injection. Cheng then leaves the l
ab and goes to her room (another plot contrivance!) instead of watching the procedure.

The other scientists are too attached to Morgan, and refuse to kill her. Lee says, "Oh for f*ck's sake!" and enters the cell to do it herself. One of the scientists shoots her with a tranq gun to stop her, and Lee beats the living crap out of him, which seems beyond the job requirements for an insurance adjuster (Hmmm....). Lee passes out from the tranq dart and is locked in Morgan's cell.

The other scientists try to take Morgan to safety, but she escapes her restraints and kills them all (natch!). She then goes to Dr. Grieff's room and finishes her off, hangs Dr. Ziegler in his closet (?) and kills her "mother," Dr. Cheng. Morgan tells Amy, who she considers her friend, to get in an SUV, and the two drive off.

Lee wakes up and breaks out of the cell. She runs into Skip, who Morgan apparently overlooked. He tells Lee he knows where Morgan's going— to the lake where Amy promised to take her some day. Lee tells Skip to stay there and drives off after Morgan and Amy. Lee catches up and tries to run them off the road, but Morgan forces her into a tree. Skip drives up, and Lee shakes off the impact (Hmmm...), takes the car and speeds off yet again..

Lee finds Morgan's abandoned car and heads into the woods after her. Morgan attacks and the two engage in an epic battle, full of powerful punches and impressive back flips. Seriously, are all insurance agents trained in hand-to-hand combat like this? Morgan finally ends the fight by shoving Lee onto a sharp, jagged tree root that impales her in the gut. 
Lee grimaces a bit, but otherwise seems unaffected (Hmmm...). 


Morgan leaves Lee for dead, which is another plot contrivance, and joins Amy at the lake. Morgan gazes at the scenery in wonder. Just then the Terminator Lee suddenly appears, and throws Morgan into the lake and holds her underwater until she drowns. Lee climbs out of the water and casually shoots Amy in the head. She heads back to the car and Skip runs up, asking what the heck's going on. She shoots him as well. I guess that's that then! Everyone in the movie's dead except for Lee!

Cut to the Corporate boardroom, in which an executive pronounces the L-9 project a failure. Another executive asks, "What about Lee Weathers?" The first executive says, "What about her? She's perfect."

We then see Lee sitting in a diner, staring at her hands just like Morgan did. Gasp! Get it? Eh, did you get it yet? Hey, did you get the shocking twist ending?

Thoughts:
• One of the film's biggest problems is we're never quite sure just what Morgan is, or why she goes nutty and starts killing. 


She's definitely not a simple robot like Ava in Ex Machina, because we're told she grew from infant to tween in the space of six months. One of the scientists calls Morgan a synthetic life form, but then Dr. Ziegler claims they created her by fusing nanites with human embryos or some such. I guess she's like a test tube baby or a lab-grown, enhanced human? But then wouldn't she have her own consciousness? Why do they talk about her "programming" and artificial intelligence. It's all very vague and confusing.


We definitely needed some clarification here as to just what the hell she's supposed to be.


We also never find out just why she likes to kill so much. Is there something wrong with her programming? Does she kill because she doesn't have a soul? Is it because she grew up too fast and hasn't had time to learn morality and the rules of society? Your guess is as good as mine.


• "Don't Let It Out" may be one of the worst tag lines I've seen on a poster. Every time I see it I think of someone trying to hold in a fart. Or worse yet, it's a warning to the studio— "Don't let this movie out to theaters!"

• Kate Mara was the perfect choice to play an artificial human killing machine. With her mask-like, immobile face and emotionless demeanor, it's the role she was born to play. Zing!


• The short-haired, superpowered, lab-grown Morgan is incredibly similar to the short-haired, superpowered, lab-grown Eleven from Netflix's Stranger Things series. About the only thing missing from Morgan is Eggos!

Stranger Things came out just a month or two before Morgan premiered. That means they were probably both in production at the same time, so I doubt either would have been able to copy from the other. But man, that is one huge coincidence.

• Speaking of Stranger Things and coincidences:

Chris Sullivan plays Dr. Darren Finch in the film, and despite the fact that he considers Morgan his friend, she ruthlessly kills him.

Oddly enough, Sullivan (very briefly) played diner-owner Benny in Stranger Things, befriending the enigmatic Eleven right before meeting a similar fate.

This Sullivan guy definitely needs to stay away from doe-eyed little supergirls.

• Poor Jennifer Jason-Leigh. She tries to be Morgan's friend, and gets beaten up, stabbed in the eye and later on has her head crushed for her trouble.


Earlier this year she played Daisy Domergue in Quentin Tarantino's The Hateful Eight, and spent the majority of the run time being severely beaten by Kurt Russell.

Apparently Jason-Leigh's agent has it in for her, and only casts her in films which call for her to be violently brutalized. I don't know what she did to piss him off, but she needs to apologize to him, stat.

• It's always nice to see Michelle Yeoh onscreen. Too bad she's not in more films here in the States.

• As I said earlier, the big plot twist is telegraphed well in advance. One of the biggest and most obvious clues comes when Lee first meets Morgan. As Lee stands outside her cell, Morgan's face is perfectly reflected in the glass over her own, visually indicating their secret kinship.

It's not exactly subtle, but I thought it was pretty well done. The film could have used more cool little touches like that.

Oddly enough, later on this scene is duplicated almost exactly, as Morgan's face is reflected over Amy's. Is that supposed to be another clue? Is Amy another synthetic human, just like Morgan? Amy never shows any signs that she's anything more than human, so I honestly don't know what that little scene meant.

• After Lee is locked in Morgan's underground holding area, she notices a skylight at the top of a tall shaft. She then shinnys up the shaft, smashes the skylight and climbs to the surface.

I guess in all the time Morgan was held in the cell, it never occurred to her that she could have escaped the exact same way.

• Once Morgan escapes, Lee springs into action, becoming a female Terminator as she relentlessly tracks her down. As she kicked multiple asses I was thinking, "Damn, this is one tough insurance investigator! Do NOT attempt insurance fraud when she's around!"

When she was impaled by the tree root and just shook it off, it finally hit me that she was much more than just a pencil pusher.

• All through the movie I was convinced that the filmmakers used CGI to subtly alter Anna Taylor-Joy's eyes. They seemed a little too far apart, and something about them just seemed... off somehow.

Welp, apparently they didn't, and that's just the way she looks! Earlier this year Taylor-Joy starred in The V V Itch, and she had the same wide-set, otherworldly eyes there as well.

Morgan would love nothing more than to be a thinking man's sci-fi film, but it's far too vapid and empty to qualify. It degenerates into a standard action movie in the third act, and you'll likely see the big twist coming a mile off. Skip it and re-watch Ex Machina again to get your A.I. fix. I give it a C.
Related Posts with Thumbnails
 
Site Meter