Thursday, August 14, 2014

It Came From The Cineplex: Into The Storm

Into The Storm was written by John Swetnam and directed by Steven Quale. 

Swetnam also wrote the classic 2014 film Step Up All In. Quale previously directed Final Destination 5: Even Finaler. What's that? I'm being told the title is just Final Destination 5.

The movie was filmed back in 2012, which seems like an oddly long lead time. It was originally titled Black Sky, but New Line eventually changed it to Into The Storm. The film was shot in Michigan, including two weeks of filming in Detroit. Insert your own "Detroit apparently looks like the aftermath of a tornado" joke here.

Into The Storm is a virtual remake of 1996's Twister. Pretty much everything from that film has an analogue here. There's a group of life-risking storm chasers, endless scenes of tornadoes disintegrating barns and an experimental vehicle that will allow them to see what's inside the vortex. 


Even the pattern of the tornadoes is the same; it starts out with a small one, then a larger one, then several at once, finally culminating in a pants-soiling mile wide F5. There's even a brief glimpse of a flying cow! The storm chasers are even "in it for the money," just like in Twister! At least this time none of the tornadoes roared like tigers.

I'm betting the only reason this film isn't called Twister 2 is because hiring Bill Paxton would have strained the budget too much.

SPOILERS AHEAD, ALTHOUGH THERE'S HONESTLY NOT MUCH TO SPOIL!

The Plot:
A suspiciously improbable rash of tornadoes breaks out in the town of Silverton (I don't think they ever specify a state), endangering the small hamlet. A group of storm chasers cross paths with an assistant high school principal who's searching for his teenaged son. They team up in order to survive the deadly tornadoes. That's pretty much it!

Thoughts:
• This film feels a lot like a Siffy Channel movie but with a bigger budget and better effects. It even features mostly TV actors, with the exception of Richard Armitage (of The Hobbit films).

• It's no secret that I am not a fan of "found footage" films. My main beef with them, apart from the shaky camera work, is that the filmmakers have to bend over backwards to think of reasons as to why the characters are filming the events instead of running for their lives as a sane person would.

The movie begins with a found footage scene of a tornado encounter, causing me to let out an exasperated moan as I thought the entire thing would be filmed that way. Fortunately that wasn't the case. It's an odd combo of found footage and a regular narrative. 


Funny thing is, in the found footage scenes the camera predictably shakes and wanders all over the place. But as soon as a tornado appears, the camera work suddenly becomes rock solid so we can get a good look at the expensive effects.

• I'll admit the tornado scenes were very well done, and one of the film's few highlights. 
I'm guessing most of the events aren't scientifically accurate, but it all looks nice. With the theater's sound cranked up it was all very immersive. As close as I ever want to come to a real tornado.

• Sarah Wayne Callies stars as tornado hunter Allison Stone, and proves she can actually be likable when she wants to. This is in stark contrast to the years she spent annoying the hell out of the world as Lori Grimes on The Walking Dead.

• Some have complained about the film's paper-thin characters. Eh, that's been par for the course in disaster movies since the 1970s. People go to these movies to see disasters. If you want compelling human drama, look elsewhere.


• The film touches ever so briefly on the subject of climate change, saying that giant storms used to happen once a century, but now seem to pop up several times a year, and we need to do something about it before they start touching down in large cities.

It's like the filmmakers want to make a statement about climate change, but either don't know how or don't want to alienate the deniers in the audience. In the end the matter was given so little lip service they might as well not have bothered to include it at all.

• Vice Principal Gary (played by Richard Armitage) has an argument with his teen son Trey (played by Nathan Kress of iCarly fame). Hilariously the only reason the writer can think of for all the friction is that Trey is secretly carrying a pocket knife, of which his father disapproves.

Do teens even carry pocket knives these days? You can't make a call, text or take selfies with a knife, so I wouldn't think so.

This knife ends up becoming the Most Important Item In The Universe. Gary angrily confiscates it from Trey, then later on uses it to cut through a strap and rescue his other son Donnie from a watery death. At the end of the film Gary solemnly gives the knife back to Trey, with all the reverence and importance of a general presenting a purple heart to a wounded soldier.

• Donnie and his crush Kaitlyn (oy, one of those "clever" spellings) are filming a video in an abandoned factory when a tornado hits, trapping them under tons of rubble. Every time the movie cuts to them and their plight, it absolutely grinds to a halt.

• Jeremy Sumpter (of 2003's Peter Pan) plays Jacob (does anyone in this film have a last name?), a twitchy and inexperienced storm-chasing intern.

Jacob is deathly afraid of tornadoes, which of course seals his doom from the start. He might as well have been wearing a red shirt or had a target painted on his back.

• Well into the film, probably around the 3/4 mark, a man named Lucas suddenly emerges from the back of the storm chasers' van. Where the hell did he come from? I swear he wasn't in the film up to that point. He must have been ducking just out of camera range for most of the movie.

In a similar vein, around this same time Daryl, the driver of the van, walks off the screen and completely disappears from the rest of the film.

• Watch for the flying cow, which of course is a shout out to Twister. This time though it's a fiberglass cow from a billboard, and not a real one.

• Scott Lawrence plays high school principal Thomas Walker (Hey! A last name!) and looks a lot like President Obama. In fact for a few seconds I wondered if he was supposed to be Obama visiting a high school graduation for some reason.

• As happened in Twister, the characters don't seem to be all that affected by tornadoes that are virtually right next to them. Unless the script calls for it, that is.

At one point Gary and Allison are almost sucked into the air by a tornado that's a block or so away. A few minutes later they and their group are surrounded by four or five tornadoes, and they're able to run unimpeded into a church. 

So which is it, guys? Do tornadoes suck you into the air or can you casually stroll away from one?


• The F5 heads toward a nearby airport, causing the planes on the runway to slowly lift into the air and spin around the vortex. Not just prop planes mind you, but giant 737s. It's an awesome scene, but I don't know... can a tornado really lift a commercial airliner into the sky?

• Pete (played by Matt Walsh) is the film's Designated Asshole, whose sole trait is that he places storm chasing above people. He's also the inventor of the Titus, an indestructible tank-like vehicle that can anchor itself to the ground and survive being mowed over by a tornado.

At the end of the film he decides to redeem himself by positioning the Titus so it will protect the rest of the cast, who are cowering from the massive F5 twister in a convenient storm drain. He anchors the Titus to the ground with metal spikes and even a winch. 


Unfortunately for him the tornado sucks the top half of the tank into the air, leaving the chassis (complete with spikes and winch) on the ground. I guess he must have forgotten to tighten the screws?

• The F5 tornado lifts Pete (inside what's left of the Titus) high into the atmosphere and above the storm clouds, into the peaceful, sun-filled skies for a few seconds before he comes crashing back to earth. Again, awesome scene, but I have a feeling it's not very scientifically accurate.


• The most cringe-worthy part of the film were the two amateur redneck storm chasers, Donk and Reevis (sigh... yeah, those are their names). They were ostensibly the movie's comedy relief, but their antics were nothing but grating and their "jokes" thudded to the floor like sacks of sour laundry.

At the risk of sounding like a jittery Soccer Mom, not only were these scenes irksome, they seem ill-advised and dangerous. Somebody out there's going to watch these two morons survive a tornado plowing over them and think they could do the same.

Into The Storm is mindless, action-packed storm porn in which the tornadoes upstage the humans. Honestly if you've already seen Twister, there's really not much reason to see this one. I give it a B-.

Milking The Who Cow

The new season of Doctor Who, starring a brand new Doctor played by Peter Capaldi,  starts up on August 23. Right now Amazon is taking pre-orders for the DVD of the first episode.

Not the entire season, mind you, but just the first episode.

Talk about milking the franchise! I don't like the sound of this at all. Of course the BBC has been selling Classic Doctor Who episodes individually since Day One, instead of by seasons as god intended. Up to now they've never done so with the new series (apart from the Christmas and Anniversary Specials). They've always sold them by seasons or occasionally half seasons.

Hopefully this isn't part of some new insidious cash-grab marketing scheme from the BBC. Because if they're going to sell all thirteen episodes one at a time, it's gonna get pricey around here real quick.

Let's all vow to ignore these single ep discs, and just wait for the inevitable season collections and teach the godless capitalists at the BBC a lesson they won't soon forget.

This Week In Movie Posters

This week Dimension Films debuted yet another character poster for Sin City: A Dame To Kill For, the sequel to 2005's Sin City. This one prominently features a sultry image of actress Alexa Vega (or PenaVega, as she's billed here).

You may remember Alexa Vega from the Spy Kids films. Yeah. Carmen Cortez and the woman in the poster are one and the same. Sigh... excuse me while I go take my rheumatiz medicine.

Oddly enough, earlier in the year the MPAA (the ultra secret film organization that knows what's best for all of us) banned this poster for the film, saying it was too risqué.

I'm honestly not seeing much of a difference. They both feature half naked women in provocative poses. I'm having trouble seeing why one's OK and one's not, especially since the new one contains even more bare skin. I guess that's why I'm not part of the MPAA. 

So for the record kids: Gauzy boob = bad. Shadowy crotch and ass cheek = just fine.

Hooked On A Feeling

It's official! The Guardians Of The Galaxy soundtrack is now the number one selling album in America! Woohoo!

According to Billboard, it sold over 100,000 copies last week and is notable for being the first soundtrack that contains nothing but previously released music to ever hit #1.

I couldn't be more pleased. The soundtrack is comprised of songs from the 1960s and 1970s, and they're all still just as catchy today as they were back in my youth. In fact most of the songs are still rattling around in my head nearly two weeks after I saw the film.

This confirms my belief that current pop music sucks. For a long time now I've thought that today's vapid, overproduced and auto tuned music is double plus ungood. But I couldn't tell if it was truly bad, or if it just seemed so to me because I'm getting old. After all, it's only natural to feel that things were better in the past.

But the success of this soundtrack would seem to indicate I'm right. What passes for music today is awful, the public's tired of it and they want songs containing actual human voices with talent. 

So I wonder who's buying this soundtrack? Is it oldsters like me on a nostalgia kick, or youngins discovering this music for the first time? Hopefully it's both.

For the record, here's what's on the soundtrack:

Hooked On A Feeling by Blue Swede


Go All The Way by The Raspberries


Spirit In The Sky by Norman Greenbaum


Moonage Daydream by David Bowie


Fooled Around And Fell In Love by Elvin Bishop


I'm Not In Love by 10cc


I Want You Back by The Jackson 5ive


Come And Get Your Love by Redbone


Cherry Bomb by The Runaways


Escape (The Pinã Colada Song) by Rupert Holmes


O-O-H Child by The Five Stairsteps


Ain't No Mountain High Enough by Tammi Terrell

Xena, Time Lord Princess

I recently started catching up on Parks And Recreation, NBC's mockumentary sitcom set in my home state of Indiana.

In Season 5 of the show, guest star Lucy Lawless makes several appearances as Ron Swanson's new love interest. By Odin's Beard! Is that really her? Other than her hair color, Lawless looks remarkably unchanged from her Xena: Warrior Princess days. And that series aired a whopping twenty years ago!

The only explanation I can come up with is that Lucy Lawless is secretly a Time Lord who's hopscotching through the decades. Either that or she's in possession of the One Ring.

Idea for future illustration: Xena wonders through 1970s downtown Minneapolis, giddily spins around and throws her circular chakram into the air. She might just make it after all!

Wednesday, August 13, 2014

That's A Lot Of Dollars

This week closeout giant Dollar Tree announced it's buying rival store Family Dollar for a cool $8.5 billion. Yeah, I said billion. Now that is a lot of dollars!

So what do you think they'll call this unholy merger between the two discount behemoths?

If we take a part from both names and combine them, we get Dollar Dollar. Hmm. That definitely tells you what the store's all about, but I'm thinking it's a bit too repetitive.

How about Dollar Family? Eh, I'm gonna say no. Somehow it sounds like an ill-fated Old West expedition that ended in cannibalism.

I know! How about Family Tree? It's catchy, it'll appeal to the Mormons and best of all it's got zing! Nailed it!

Thursday, August 7, 2014

It Came From The Cineplex: Guardians Of The Galaxy

Guardians Of The Galaxy was written by James Gunn and Nicole Perlman, and was also directed by Gunn.

James Gunn is no stranger to the cineplex, as he wrote the screenplays for the live action Scooby-Doo movie and its sequel, Scooby-Doo: Monsters Unleashed (meh), along with the 2004 version of Dawn Of The Dead (yay). He also wrote and directed 2006's Slither (double yay).

The Guardians first appeared in the comics waaaay back in 1969, in Marvel Super-Heroes #18. Back then they had a completely different lineup and operated in the 31st century. I'm just guessing here, but I bet they were Marvel's answer to DC's Legion Of Superheroes. They appeared sporadically over the years, getting their own book in the 1990s and most recently in 2008 (which was cancelled in 2010, but will no doubt be returning soon). The film is loosely based on the 2008 version of the team, so don't rush out to the comic shop expecting to find a comic exactly like the movie (although that will probably change soon).

Many industry insiders were certain this film would be Marvel Studio's first big flop, as it featured a very obscure group of characters and its cosmic setting would be too weird for mainstream audiences. I don't know why anyone would think that– Marvel's already made two Thor films that feature alien gods living in a super-advanced He-Man world, and they were quite successful. Fortunately the film appears to have struck a cord with audiences, and is a huge hit. So suck it, naysayers!

The film is fast-paced, has a goofy (in a good way) tone and is probably the closest thing I've seen to the original Star Wars since, well, since 1977.

I hope Warner Bros. is watching this film on a continuous loop, studying every single frame. Marvel's superhero films are fun. DC's are full of mopey, navel-gazing "heroes" who resent their powers and kill more people than they save. Warner desperately wants their own Avengers-style franchise, but it's never going to happen unless they lighten up their movies a notch or twelve.

GALAXY SPANNING SPOILERS AHEAD!

The Plot:
In 1988, young Peter Quill is abducted from Earth by aliens. Cut to 26 years later when an adult Quill (played by Chris Pratt), who now calls himself Star-Lord, steals a mysterious orb from the planet Morag. Unfortunately for Star-Lord, pretty much everyone in the galaxy is after the orb as well, including Ronan The Accuser, a radical Kree who's working for the evil Thanos.

Star-Lord teams up with a group of alien misfits, including Gamora (played by Zoe Saldana), who's Thanos' adopted daughter, Drax The Destroyer (played by Dave Bautista), an alien whose family was killed by Ronan, Rocket (voiced by Bradley Cooper), a genetically engineered talking raccoon, and Groot (voiced by Vin Diesel), a large tree-like alien with multiple powers.

Together these misfits must keep the orb out of the hands of Ronan (and Thanos) while avoiding everyone else who's trying to kill them.

Thoughts:
• I think the thing I like best about Guardians is that it doesn't bog itself down with tedious origin stories. Star-Lord comes closest to getting a full blown origin as we see him get abducted as a child, but that's about all the background we get on him.

Each of the other characters got a line of two of explanation, and honestly that's all that was needed. Star Wars did the same thing. We knew next to nothing about Han Solo and Chewbacca, and we didn't need to. They appeared, we learned about them through their actions, and that was all we needed to embrace them.

I wish more superhero movies would follow Guardians' lead here. We don't need an entire film to explain a character's origin. A brief rundown is all that's necessary.

• A big part of the film's success is due to actor Chris Pratt, who lends his goofy charm and +12 charisma to Star-Lord. If you like Pratt on Parks And Recreation, you'll like him here as well. He'll next be seen in the upcoming Jurassic Park sequel/reboot/whatever it is, and I have a feeling that's only the beginning for him.

• Zoe Saldona is now the official Queen Of The SciFi Franchises. She's currently starring in 3, count 'em three huge scifi film series: Avatar, the rebooted Star Trek, and now Guardians. If you need a kickass hot space babe, apparently she's your go-to gal. 

Oddly enough Chris Pratt auditioned for the role of Jake Sully in Avatar, and James Kirk in the Star Trek reboot. It would have been cool if both he and Saldona had been in all three film series.

• Kudos to the effects team who brought Rocket to life. He looked absolutely real to me, and I never once doubted I was looking at a real raccoon (or at least a raccoon-like creature).

Props as well to Bradley Cooper, who voiced Rocket. When I first heard they'd cast him I thought, "Wow, could they have picked a more random and generic voice?" Who even knows what Bradley Cooper sounds like? After hearing him in action though, I think it was the right call. If they'd gone with some kind of wacky Bugs Bunny/Fozzie Bear kind of voice, it would have been too much.

Part of the credit should also go to Sean Gunn (James' brother), who provided the on-set motion capture for Rocket.

By the way, Rocket's been around in the comics since 1976, where he's always been referred to as "Rocket Raccoon." This is of course a nod to the Beatles' song Rocky Raccoon. Now suddenly he's just going with the singular Rocket, like he's Elvis or Cher. I have to wonder if the filmmakers shortened the name because they were afraid it would sound too silly for modern jaded audiences?

Lastly, what the heck is Rocket, anyway? Is he an Earth raccoon, captured and altered by aliens? Or are there animals on other planets that just happen to look like raccoons? Who altered him? Are they saving that for the sequel?

• I honestly wasn't expecting much from the Drax character, but he practically stole the show. I guess it shouldn't be a surprise. Dave Bautista is a professional wrestler, and they're all basically actors to start with, so...

• If I have one complaint about Marvel movies, it's that they don't go quite far enough. Take Captain America: The Winter Soldier, for example. There they included the Arnim Zola character, but he was just a plain old face on a monitor instead of a headless guy with a face on a TV screen in his chest, as in the comics. 

It's a similar situation here. In the comics Yondu has a big red fin on his head. Here he's got what looks like a pale red soapdish glued to the top of his skull. Embrace your weird side, Marvel! You've already got a talking raccoon in your movie. Are you telling me a guy with a fin head was a deal breaker? Go for it! Trust me, the audience can handle it.

• Speaking of Yondu... I like actor Michael Rooker quite a bit, but let's face it-- he's pretty much playing a blue Merle Dixon here. He even has a faux Southern accent! I guess he's from the Southern arm of the galaxy?

• One last thing about Yondu– in the comic he's a skilled archer, sort of like an American Indian, and can control the path of his arrows by whistling. He does that here in the movie as well, but without the bow.

Looking forward to an Avengers/Guardians crossover and Hawkeye vs. Yondu!

• I feel that this is the movie John Carter should have been. It's got a cool retro vibe, and as I've mentioned many times, it's just plain fun. If John Carter had been even a fraction as much fun as this film, we'd be watching Part 3 by now.

• Stan Lee makes his usual cameo appearance in the film, playing an aging Xandarian flirting with a young beauty. Troma Studios founder Lloyd Kaufman also makes a brief appearance when the gang is in space prison. Kaufman is a pal of director James Gunn, and has appeared in all his films.

• Back in 2007's Fantastic Four: Rise Of The Silver Surfer, Marvel fans were gypped out of the chance to see Galactus on screen. Fox, who sadly owns the rights to the Fantastic Four, said that the sight of a giant alien in a purple space suit stomping around New York City would look silly and be laughed off the screen. Instead we got a Galactus that was nothing more than a bland, disappointing space cloud or storm or some damned thing.

Guardians Of The Galaxy shows us a brief scene of a Celestial (a race of mysterious gigantic aliens who judge other worlds) destroying a planet, and it looked amazing. There was nothing silly about it at all, and proves there was absolutely no reason why the FF movie couldn't have included a proper Galactus. 

Dear God, if you really exist, please let Marvel Studios reclaim the rights to the Fantastic Four so they can make the movie the characters deserve and we all want to see.

• So we now know the whereabouts of four of the six Infinity Gems. Two to go! 

It's pretty obvious at this point that Marvel is building up to a film adaptation of The Infinity Gauntlet. It was a 1991 comic miniseries in which Thanos gained possession of all six of the Infinity Gems (giving him virtually unlimited, god-like power) and battled Marvel's biggest superheroes. If this is indeed where they're going, it's going to be mind-blowing.

• We got a brief glimpse of Thanos at the end of The Avengers, and he finally appears here in all his suitably awesome glory. Most fans believe that Thanos will be the Big Bad in The Avengers 3. I can't wait!

• James Gunn is great at writing offbeat scripts with quirky characters, but... he can't direct a fight sequence to save his life. Many times during the battles I had no idea what was happening, or even who was fighting who and had to wait until it was over to see which side won. Maybe he needs to hire a stunt coordinator. Or watch some classic fight scenes to see how it's done.

• As much as I love this movie, I can't help feeling that it's pretty much just a big budget episode of Farscape. Earth man gets transported to the other side of the galaxy and becomes part of a crew of wacky aliens who are on the run from a space empire (and everyone else). It's the exact same characters and story! 

You've got the smart ass human leading man, the beautiful and deadly female assassin, the stoic, hulking strongman alien, the wisecracking diminutive alien, and the serene plant-like alien.

Not that there's anything wrong with that. There are no new ideas under the sun by this point in history. I just think it needs to be said.

• Star-Lord and Gamora pay a visit to the Collector, and outer space Liberace with a museum full of rare cosmic artifacts. This scene is a treasure trove of Marvel Easter eggs. 

Among the items in his museum is a Chitauri from The Avengers and one of the Dark Elves from Thor: The Dark World. Supposedly Adam Warlock's cocoon (from the comics) is in there as well, along with a space slug from James Gunn's Slither. Some say they saw Beta Ray Bill (don't ask) in the museum, but it hasn't yet been confirmed.

Cosmo the Space Dog also makes an appearance in the museum. He's a test animal from the Russian Space Program and plays a big part in the comics. Kudos to the filmmakers for making the movie version look exactly like his comic counterpart.

• The film also features an awesome soundtrack full of 1970s and 1980s songs (which are all on Star-Lord's "Awesome Mix" cassette tape). Music from vocalists who could actually sing and didn't need autotune to record a song. 

• Marvel's "12%" in-joke makes another appearance here. In The Avengers, Tony Stark tells Pepper to give herself 12% of the credit for designing Stark Tower. She coyly brushes off his advances, saying they were having 12% of a moment. In Guardians, Star Lord says he has 12% of a plan.

• Peter Quill's prized possession is his 1980s Walkman, which he listens to constantly. He even risks his life to retrieve it from an alien guard.

I'm assuming he's found a way to recharge his double A batteries even though he's on the other side of the galaxy. Maybe he's found an alternate power source? Also, cassette tapes don't last forever. After over twenty years of constant use, his one and only cassette is probably in serious danger of breaking. He needs to transfer those songs to CD or whatever they have in space, pronto!

• Kudos to actress Karen Gillan, who plays Thanos' daughter Nebula. Gillan actually shaved her head to play the role!

• The film plays fast and loose with the effects of the vacuum of space, as Star-Lord leaps out of several airlocks while wearing just his street clothes and his trademark mask. At one point both he and Gamora drift unprotected in space for a few minutes before being rescued, and apparently suffer no ill effects afterward.

Scientists believe you could survive unprotected in space for about fifteen seconds or so before losing consciousness. You might survive a few minutes more before your blood began to boil. No one's a hundred percent sure how long you could survive though, as it's tough to find volunteers to test the theory.

We're talking about aliens and half-aliens here though, so who knows? Maybe they're not as vulnerable to the effects of open space.

One might question why I'm bothering to bring this up in the first place. It's a film about talking raccoons and walking trees, for god's sake, and I'm nitpicking this particular point? Well, yeah, I am. See, my suspension of disbelief is like a rubber band. It can only stretch so far. If you want me to buy a talking raccoon, fine. That's no problem. Throw in a walking tree and space gems and aliens who all speak English, and my disbelief gets stretched almost to its breaking point. Add in humans cavorting in the vacuum of space, and SNAP! It breaks. You have to ground your film at least a tiny bit in reality.

• At the end of the film we learn that Star-Lord is only half human (on his mom's side). So who's his daddy? In the comics his father is  someone called Prince Jason of the planet Spartoi, and I almost fell asleep before I got to the end of that sentence. I'm assuming they're planning something bigger and more exciting for the film, especially since his dying mother said his father was "an angel made of shining light."

• In the final act, Groot envelopes the rest of the team to save them from certain destruction. A teary-eyed Rocket begs him not to, as he'll die in the process. A few scenes later we see Rocket carrying a flowerpot containing a live cutting of Groot. 

Based on Rocket's initial reaction, I'm assuming he didn't know Groot could survive and regenerate. It feels like a scene's missing here; they needed a shot in which Rocket finds a piece of Groot and plants him.

• Why the hell is there no Dancing Groot toy? Seems like such a thing would be a no-brainer. Every kid that sees the movie would buy one. Marvel could be selling truckloads of them right now. Somebody in their marketing department dropped the ball big time.

• At the very end of the film we get a title card saying, Guardians Of The Galaxy Will Return. Just like in a James Bond movie!

• The after credits scene features Howard The Duck, of all characters. He was voiced by an uncredited Seth Green.

When Howard first appeared in his eponymous comic, Disney went ballistic and threatened to sue Marvel, saying he looked way too much like Donald Duck. Which was true. He did look a lot like him. Same curved beak, blue hat and blue jacket with no pants. Disney demanded a list of changes to the character's look, which Marvel implemented.

Now that Disney owns Marvel though, I wonder if all is forgiven and it's OK to use Howard again? Could we even see another, better Howard The Duck movie someday? Time will tell I guess.

Guardians Of The Galaxy is a fast-paced space adventure in the vein of the original Star Wars, but most of all it's just plain fun. I give it an A-.

Wednesday, August 6, 2014

Jurassic Industrial Park

So this past weekend I'm out driving and I notice this business just a few short miles from my house.

Apparently the cloning of extinct animals is an expensive operation, so they've abandoned Costa Rica and are taking full advantage of Indiana's generous small business tax incentives.

It's all starting to make sense now. I've always wondered why I never see any songbirds around this area. Or rabbits. Or dogs. Or goats and sheep. Or joggers and power walkers. Or drifters, hobos and Mormons. Or sub-compact cars.

"Life, uh... FINDS a way!"

Why Do They Call Them Comics: The Family Circus


Uh-oh, Jeffy! You in trouble now! Looks like all those Yogacise, boot camp and Zumba classes Mommy's been taking have really paid off. She's in the best shape of her life and you're getting the ass-whuppin' of yours!

•••••••••••••••••••••••••••••••••••

Dayum, Jeffy! You should have thought twice about misbehaving these days, seeing as how Mommy's on the juice! Look at those guns! She's got bigger arms than most men!

•••••••••••••••••••••••••••••••••••

"RAAAHR! JEFFY KILL MOLK'S FAVORITE PEACE LILY! MOLK SMASH PUNY JEFFY!"

OK, that's all I got.

Thursday, July 31, 2014

It Came From The Cineplex: The Purge: Anarchy

The Purge: Anarchy was written and directed by James DeMonaco. It's a sequel to 2013's The Purge (which was also written by DeMonaco).

I didn't think much of the original film (I gave it a D+!), as it seemed like a made for Siffy movie that was somehow released to theaters by mistake. It had an intriguing premise, but then absolutely wasted it on a bland and claustrophobic home invasion tale. I wanted to see what the Purge was like all across the country, not watch bunch of morons hide inside their house for ninety minutes.

Fortunately the filmmakers, stinging from my harsh review, took my suggestions to heart. This film is a vast improvement over the first (which I will admit is damning it with faint praise). No longer are we stuck in a single location with uninteresting characters. This time we actually get to see what's going on outside during the annual Purge.

That said, this film continues the original's sketchy take on economics by believing that unemployment can be wiped out simply by eliminating the poor. I honestly can't tell if this is director DeMonaco's attempt at satire and black humor, or if he truly believes it. If it's the latter, I'm pretty sure the economy doesn't work that way. We can't all be millionaires. Society needs someone to sweep up vomit and empty the trash.

PURGE-TASTIC SPOILERS AHEAD!

The Plot:
The year is 2023, and it's time for the annual nationwide Purge: a twelve hour period in which all crime is legal. Eva Sanchez and her daughter Cali are holing up in their apartment, hoping to ride out the violent event. Elsewhere, a couple named Shane and Liz (poor kids can't even afford a last name), are trying to hurry home so they're not caught on the streets during the Purge. And lastly, tough guy police sergeant Leo Barnes is gearing up for the Purge, eager to exact revenge on the man who drunkenly killed his young son.

Once the Purge begins, the characters all meet-cute and the battle-hardened Leo does his best to protect the others, hoping they all survive the night.

Thoughts:
The Purge: Anarchy is very reminiscent of early John Carpenter films (especially Escape From New York and Assault On Precinct 13). That's a good thing, by the way.

• In the first film, every single character acted like a complete and utter idiot. It was the only way for the plot to proceed. Here the character stupidity is toned way down, and no one does anything overtly moronic.


• Frank Grillo plays Leon Barnes, who's a very Punisher-like character. If Marvel Studios ever decides to make another Punisher film, they could do worse than to cast Grillo. Hey, why not? They've already made three Punisher films starring three different actors. Why not a fourth?

Grillo played Brock Rumlow in Captain America: The Winter Soldier and most fans believe he'll return for Captain America 3 as Crossbones.

• Leo is a tight-lipped, mysterious figure who's armed with a variety of heavy weaponry, wears bullet-proof armor and drives a tricked-out, armored car that wouldn't be out of place in a Mad Max movie. What is he? An ex-paramilitary soldier? A mercenary? Post-apocalyptic survivor?

Nope, it turns out he's a plain old police sergeant, out for revenge. But how'd he get that way? Where'd he get all the training, weapons and hardware? Isn't the central conceit of the movie that the Purge has virtually eliminated all violent crime? Why does L.A. need such a superhuman cop if there's no one to fight?

• One complaint I had about the first film was that its premise brought up a ton of questions that it had absolutely no interest in answering. 

That's all changed this time around though. DeMonaco has obviously thought about the concept of the Purge and fleshed it out quite a bit. For example, the film features gang members who aren't interested in Purging, but instead capture innocent people and sell them to the Rich, 
who can then participate in the Purge without placing themselves in danger on the streets. Terminally ill people also sell themselves to the Rich, to provide for their surviving family members. Even squabbling couples take advantage of the Purge to resolve their domestic disputes.

These are all scenarios that would actually happen (or at least seem like they'd happen) if the Purge was real.

• Once again the filmmakers have taken the least interesting crime– murder– and focused solely on it. Just once I'd like to see a character break a different law during the Purge. Steal a car, embezzle funds, park in the red zone, something, anything besides plain old boring murder.

• Eva's teen daughter Cali is fascinated by the internet ramblings of a man named Carmelo, who's the leader of an Anti-Purge Resistance. Unfortunately this Resistance isn't fleshed out very well. It's mentioned briefly at the beginning, then promptly forgotten until the end when it suddenly becomes very important as the Resistance bursts in and saves everyone. 

• At one point everyone is captured and sold off to provide entertainment for the wealthy elite. Up to this point the film seemed fairly realistic, but here it strayed firmly into satirical, almost farcical territory. The transition was a bit too jarring, and could have been handled more smoothly. It's almost like two films spliced crudely together. This was a problem in the first film as well.


• One of the Anti-Purge rebels is Dwayne, a character from the first film. I'm assuming he was brought back as a tenuous connection to the first film. It wasn't necessary, and only the most hardcore of Purge fans (if there are any) would recognize him.

• During the battle at the end, the captured Shane and Liz fight back against the wealthy. Shane is killed shortly before the Rebels break in. The Rebels are all racially Anti-Purge, and are determined to stop anyone who participates. Distraught by Shane's death, Liz tells the Rebels she wants to join in the Purge in order to have revenge on those who killed him. Dwayne nods in understanding and hands her a gun.

Realistically Dwayne should have then immediately pulled out a gun and shot Liz, right? I mean he hates Purgers, and she just became one in front of his eyes. It's only logical.


The Purge: Anarchy is a vast improvement over the first film, and explores and expands on the concept nicely. I give it a B-.
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