Showing posts with label fox. Show all posts
Showing posts with label fox. Show all posts

Sunday, July 21, 2019

Where No Orville Has Gone Before

This week at the San Diego Comic-Con, Seth MacFarlane announced that his Star Trek tribute series The Orville would be jumping from Fox over to Hulu. The move came as quite a surprise, considering the Fox Network recently renewed the show for a third season.

The Orville's current status is a bit confusing, so I'll do my best to try and explain it. As I understand it, earlier this year Disney purchased Fox Studios, which owns The Orville. Fox Studios is a separate entity from the Fox Broadcasting Company, which actually airs the show. Disney also owns Hulu, so it appears they're simply moving the show they now own to the streaming service they own as well. Confusing!

Sadly, I'm not smart enough to know if this is a good thing or a horrible idea. 

Hopefully it's good news, as it should offer the series more flexibility. Unlike a regular network, Hulu doesn't have a set schedule. Meaning MacFarlane won't have any firm deadlines to meet, and can take his time polishing the episodes.

And because the show will no longer be on a network, there are no restrictions as to episode length. Right now Orville eps average around forty six minutes each. Once the show moves to Hulu, episodes can clock in at a full hour. Or more!

It also means no more network censorship, so MacFarlane can tell stories that wouldn't be possible on an over-the-air network. I'm OK with more adult storytelling, but I'm hoping this doesn't mean he'll be dialing up the profanity on The Orville. We all saw how well that worked for Star Trek: Discovery (aka STD) when they started peppering their episodes with pointless and unnecessary "sh*ts" and "f*cks."


Best of all, it means no more commercials interrupting the story every five minutes! That's gotta be a good thing, right?

On the potentially negative side, how do ratings work on Hulu? Do they even have ratings? Do more people watch Hulu than the Fox Network? Will Orville fans follow the show from free TV to a pay platform? I have no idea.

All I know is I don't have Hulu, and I really don't want to sign up for yet another streaming service just to watch one show. I have a feeling I'm not the only one who feels that way either.

I hope MacFarlane knows what he's doing here, and that this move will help and not hurt the show.

Sunday, March 10, 2019

Hey, Fox TV, #Renew The Orville!

As you can probably tell if you've been reading my blog lately, my new favorite show is The Orville

I freely admit I didn't much care for it at first, because I was shocked at how much it stole cribbed borrowed from Star Trek: The Next Generation. I eventually got over that, as lately the series has been forging its own path, and is the best sci-fi on TV right now.

We're all hopeful the show will be renewed for a third season, but so far there's been no official word from Fox.

To that end, we all need to let Fox know that we love the show and we want to see it renewed. So please take the time to download the above image, and tweet it to Fox TV at this link. Do it right now!

Thursday, September 14, 2017

The Orville

A while back I wrote a post on The Orville, Seth MacFarlane's new live-action scifi TV series. The show looked like it would be a laff-a-minute parody of Star Trek, in the style of 1999's Galaxy Quest. I said I was actually looking forward to it, as The Orville looked more like proper Star Trek than CBS' upcoming Star Trek: Discovery series did.

Welp, The Orville finally premiered on Fox this past Sunday and I managed to catch the first episode. So how was it? 

Um... I'm not really sure. I honestly don't know what to think of it.

The Orville is definitely not a comedy series, despite what Fox would like you to think. It appears the network took every single joke in the pilot episode and crammed them all in the trailer in a blatant effort to mislead the audience. Seriously, if you've seen the trailer, then you saw ninety percent of the jokes in the premiere episode. 

Instead The Orville's more like a pseudo-drama with some oddball humor thrown in now and then at the worst moments possible. Whether it's the writing or the timing, most of these "jokes" fail to land, thudding to the ground like sacks of wet cement. I get the feeling MacFarlane dearly wanted to write a straight up scifi drama, but knew his fans would be expecting jokes and so tossed in a handful of "funny" lines. The result is a tone that can only be described as bizarre.

The show's also not a good-natured parody of Star Trek, ala Galaxy Quest. A parody takes the structure, characters and conventions of a show and pokes fun at them. The Orville lifts numerous elements from the various Star Trek series and then does absolutely nothing with them. There's no ribbing or clever roasting whatsoever. Instead the show just points at Star Trek's trappings and says, "Hey, remember phasers? Remember warp drive? Eh? EH?"

OK, so it's not a wacky space comedy, nor is it a good-natured parody ala Galaxy Quest. So what the heck is it then?

It quite literally IS Star Trek. Specifically Star Trek: The Next Generation.

I'm not even sure you could properly call it an homage, as The Orville is a perfect recreation of ST:TNG in every measurable sense. Only the names have been changed to protect the innocent. It's all there— the sweeping shots of the ship in flight, the wrinkly-foreheaded aliens and the clean, carpeted interiors. Heck, even the triumphant orchestral music and the editing are identical!

It's as if MacFarlane met with Fox executives, asked to do a new Star Trek series, was told it wasn't legally possible and then simply did it anyway. He made the television equivalent of a Louis Vuitton purse you buy in Chinatown, one that gives new meaning to the term "knockoff." 

I suppose this shouldn't come as a big surprise. MacFarlane has made no secret of the fact that he's a huge Trek fan, and even made a couple of guest appearances on Enterprise (!). Apparently he loved Trek so much he decided to remake it in his own image.

MacFarlane even hired some Trek alumni to work behind the scenes, as The Orville's produced by Brannon Braga and David A. Goodman. Braga was a writer and executive producer on (what else?) Star Trek: The Next Generation. He also also wrote and produced Star Trek: Voyager and Enterprise, as well as co-writing Star Trek Generations and Star Trek: First Contact. And Goodman was also a writer and producer on Enterprise. Apparently they were both OK with MacFarlane cloning their old shows.

It's honestly shocking how much of ST:TNG MacFarlane appropriated here, and I can't believe he's getting away with it. CBS (who now owns Star Trek) is notoriously protective of the property, and just last year they got all pissy and started stamping out fan films. Any day now I expect a cadre of their lawyers to show up at Fox with a cease and desist order.

I know, I know, you're probably thinking I'm overreacting and exaggerating just how much The Orville cribs from ST:TNG (and other Trek shows). So here's a few examples:

ST:TNG features the Federation, which is sort of like the United Nations in space.
The Orville features the Union, which is sort of like the United Nations in space.

ST:TNG features warp drive, shields, shuttles and transporters.
The Orville features quantum drive, deflectors and shuttles. They may well have transporters too, but I didn't spot any in the pilot.


ST:TNG characters wear two piece (for the men) uniforms, color-coded to their departments and rank.
The Orville characters wear two piece uniforms, color-coded to their departments and rank.

ST:TNG features a sleek, antiseptic circular bridge, with the captain sitting in a central chair surrounded by his officers.
The Orville features a sleek, antiseptic circular bridge, with the captain sitting in a central chair surrounded by his officers.

Seriously, this is just a slightly updated version of the Enterprise-D's bridge. It's even got the same goddamned railing behind the captain's chair!


ST:TNG features the holodeck, a high-tech room that can create perfect interactive replicas of any life form or environment.
The Orville features the holodeck, a high-tech room that can create perfect interactive replicas of any life form or environment.


Also in the pilot episode of ST:TNG, Commander Riker enters the holodeck, where he has a conversation with Lt. Data.
In the pilot episode of The Orville, Captain Mercer enters the holodeck, where he has a conversation with Gordon Malloy.

This was by far the most shocking part of the episode for me. They just straight up lifted the holodeck directly from ST:TNG. They don't actually call it the holodeck, but it operates EXACTLY the same, right down to the entrance incongruously appearing in the middle of the fake environment. The simulation even fades away as the characters exit, just like it did on ST:TNG! I really do not understand how they're able to get away with this.


Here's the thing— this would be acceptable if they were actually spoofing the holodeck, or cleverly skewering the many "Holodeck Gone Wrong" episodes in the series. But there's no parody or satire going on here. The characters just have a normal plot-advancing conversation inside a perfect copy of a ST:TNG holodeck. The entire scene apparently just exists so they can say, "Hey, remember the holodeck?"

ST:TNG and Star Trek: The Motion Picture both featured scenes in which the captain addresses the entire crew prior to a mission.
The Orville features a scene in which the captain addresses the entire crew prior to a mission.

In Star Trek: The Motion Picture (and others), the Enterprise pulls out of space dock as tiny figures watch and wave goodbye.
In The Orville, the ship pulls out of space dock as tiny figures watch and wave goodbye.

In the original Star Trek pilot The Cage, there's a shot in which the ship flies by, and the camera zooms in to reveal the crew through a window in the top of the bridge.

In The Orville, there's a shot in which the ship flies by, and the camera zooms in to reveal the crew through a window in the top of the bridge.

ST:TNG features the Enterprise seemingly stretching as it breaks the light speed barrier and goes to warp.
The Orville 
features the ship seemingly stretching as it breaks the light speed barrier and goes to warp, er, I mean activates its quantum drive.

ST:TNG features Worf, a Klingon bridge officer who's played by black actor Michael Dorn.
The Orville features Bortus, a Klingon-like alien bridge officer who's played by black actor Peter Macon (they even copied Dorn's race!).

This one's a jaw dropper too! Bortus IS Worf. They don't even make any attempt to hide it. Worf was a large, powerfully-built alien who was very disciplined and spoke in a very formal manner. Bortus is exactly the same, at least in this first episode.

Again, there's no joke or spoof of Worf here. They just completely xeroxed the character and used him on their own show!

ST: TNG features a female doctor whose uniform is a slight variation of everyone else's
The Orville features a female doctor whose uniform is a slight variation of everyone else's.


And just to deepen the connection even further, Dr. Finn here is played by Penny Johnson, who occasionally guest starred on Star Trek: Deep Space Nine as Cassidy Yates, Captain Sisko's love interest!

ST:TNG features Lt. Commander Data, an android bridge officer.
The Orville features Isaac, an android (I guess?) from a planet of artificial lifeforms.


By the way, despite his obvious superiority, Data constantly strived to become "more human." In a radical burst of creativity, Isaac (who I assume is named after noted scifi author Isaac Asimov) sees humans as an inferior species.

Lastly, the cinematography, editing and even the fade-to-black commercial breaks are identical to ST:TNG as well. 

Just take a look at the above comparison of the "Ship Fly-By Shots." The camera angles, lighting and light speed effects are EXACTLY THE SAME. Now granted, maybe there are only so many ways to film a ship traveling at warp, but Jesus Christ! When I saw this scene in The Orville, for a second I honestly thought I was watching ST:TNG instead.

Like I said before, how the holy hell are they getting away with this?

One more thing: MacFarlane is good friends with Patrick Stewart, who's been on all of his TV shows. How long do you think it'll be before Stewart shows up on The Orville, either as an admiral or the voice of an alien?

I've decided not to do any weekly reviews of The Orville, as my schedule's already full and I honestly don't particularly like the show at this point. You really need to care about a series in order to type fifty thousand words about it every week, and so far this show's just not doing anything for me. If I need a Star Trek fix I'll just go watch reruns of ST:TNG instead.

Friday, March 4, 2016

It Came From The Cineplex: Deadpool

Deadpool was written by Rhett Reese and Paul Wernick, and directed by Tim Miller (no relation to TJ Miller, who's allegedly an actor in the film). It's based on the Marvel comic character created by Rob Liefeld and Fabien Nicieza.

Reese and Wernick previously wrote Zombieland and G.I. Joe: Retaliation.

Deadpool is Miller's directorial debut. Before this he was a special effects artist, and designed the title sequences for The Girl With The Dragon Tattoo (the American remake, I presume) and Thor: The Dark World.

The film had a long, and very tortuous journey to the big screen, going all the way back to 2000, when Artisan Entertainment announced they were producing a Deadpool movie. The property then went to New Line Cinema (makers of the Blade trilogy) in 2004. Oddly enough Ryan Reynolds was slated to star even back then. It was then shuffled to 20th Century Fox in 2005, where it languished for another five years. A script was written in 2010, and numerous directors were attached to the property, until 2011, when Tim Miller was finally hired. Why hire an effects artist with no prior experience at directing a film? Your guess is as good as mine.

In 2012, Fox ponied up the dough to shoot some test footage, starring Ryan Reynolds in costume. In 2014 this footage was "accidentally" leaked online, allegedly by Reynolds himself. Fan response to the footage was so positive that Fox finally greenlit the project in 2014. Reynolds cites the overwhelmingly positive reaction to the test footage as the sole reason the film was finally made.

Yep, that's right, this is a Fox film. Despite the fact that Deadpool is a Marvel Comics character, Marvel Studios had absolutely nothing to do with it. Learn the difference between Marvel and Marvel Studios films!

The Deadpool character made his first comic book appearance in The New Mutants #98 way back in 1991. At that time, he was simply a mercenary hired to kill the New Mutants. Later on he became a recurring character in the X-Force comic. As his popularity grew he began guest starring in dozens of other Marvel comics, until he received his own miniseries in 1993. In 1997, Deadpool was given his own comic, written by Joe Kelly. It was here that the current pop culture-referencing, fourth wall-breaking version of the character began to emerge.

This is actually the second time Ryan Reynolds has played the character. He first starred as Deadpool in 2009's woeful X-Men Origins: Wolverine. Unfortunately that particular version of the character was a complete and utterly unrecognizable misfire. Instead of his traditional red and black suit, he appeared shirtless, sporting a series of bizarre tattoos. In addition, this version had a host of new powers, including Cyclops' optic blasts, swords that somehow extended from his arms, and inexplicably, teleportation (!). 


But the most perplexing change made to the character was the fact that his mouth was sewn shut! Who the hell thought that was a good idea? He's known as "The merc with a mouth" because of his non-stop quips, so of course it makes perfect sense to make him, er, mouthless. Apparently the cocaine still flows freely among Hollywood executives.

After just three weeks, the film has grossed a whopping $250 MILLION here in the States, and over $600 MILLION worldwide. I'm absolutely gobsmacked by those numbers, especially for a film about such an unknown character. Deadpool's not like Spider-Man or the Hulk. Despite the fact that he's been around in one form or another since 1991, he's virtually unknown to non comic book fans. I figured the general public would shrug when they heard the name and go see something else.

To be honest I was expecting the film to be a huge fizzle. Especially when the relentless marketing campaign began. Rarely have I seen a film hyped and advertised as much as this one was. Nine times out of ten, the harder a studio hawks a film, the more worried they are that it's gonna fail.

The fact that fans on the internet went nuts for the film worried me a bit as well. Many films that generate a huge online buzz end up being box office disasters. It happened with Snakes On A Plane, Watchmen and Scott Pilgrim Saves The World. A movie may excite the nerd community into a frenzy, but if it doesn't catch the fancy of the general public, it's gonna flop. 
I was expecting the same thing to happen with Deadpool. Happily I was wrong. I guess for once the massive marketing campaign and online buzz worked!

I think Deadpool's massive success is a case of a film being in the exactly the right place at the right time. Deadpool gleefully makes fun of standard superhero movie tropes, especially those from Marvel films. If this movie had been made prior to 2008, when Iron Man debuted, I don't think it would have been the hit that it is. You can't make a satire unless there's material to make fun of. That's why this is the perfect time and place for it.

Much is being made of the film's R-rating. While it's no doubt the most successful R-rated comic book movie, it's far from the first. The Crow, Watchmen, the Kick-Ass films, Kingsman: The Secret Service, every Punisher movie, 300, Dredd, Sin City, the Blade trilogy and Spawn were all rated R.

Once again, the Comic Book Inverse Accuracy Law, which I made up myself, is in full effect here. The law states:
The odds of a comic book movie or TV series staying true to the source material is inversely proportional to how much I care about the property in question.
In other words, when I truly care about a comic book, such as the Fantastic 4, then Hollywood will make a film in which the characters are virtually unrecognizable. They won't look, or more importantly act, anything like themselves.

On the other hand, when I couldn't possibly care less about a property, then we get a lavishly accurate rendition, faithful to the source material in every measurable sense.

That's exactly what's happened with Deadpool. I don't dislike the character, but he came along about the time I stopped buying comics, and I have no feelings about him one way or the other. So of course Fox makes the most accurate and precise comic to film adaptation in history. Whaddya gonna do?


SPOILERS!

The Plot:
We begin in the middle of the movie, as Wade Wilson, aka Deadpool (played by Ryan Reynolds), is riding in a cab. He chats with Dopinder, the driver, asking him about a photo of a woman on the dash. Dopinder says she was his girlfriend, but he lost her to his more successful cousin. Deadpool tells him he needs to fight for what he wants in life. He tells Dopinder to stop in the middle of a bridge, then leaps out of the cab, stiffing him.

Deadpool then waits on the bridge until he sees a group of vans approaching. He jumps down and lands in one of the vans, causing a huge pileup. He tells the thugs he's looking for Francis, aka Ajax, the supervillain scientist who gave him his powers and disfigured him.

Meanwhile at Professor Xavier's School For Gifted Youngsters, home of the X-Men, Colossus sees a news report on Deadpool and decides to stop him. He takes his protege Negasonic Teenage Warhead with him.

Back at the bridge, Deadpool suddenly realizes he left his bag of weapons at home, and only has twelve rounds in his gun. He makes them all count, killing every one of the thugs in a glorious orgy of R-rated violence.

Flashback to a year earlier, where Wade Wilson works as a small-time mercenary and "enforcer" in New York. He regularly visits Sister Margaret's School For Wayward Girls, an ironically named bar for mercs. The patrons regularly bet on who'll die in a "dead pool." Wade meets a prostitute named Vanessa, and the two quickly fall in love. Things go well for them until Wade learns he has inoperable cancer. Back at the bar, Wade is approached by a man in black who calls himself The Recruiter. He says he works for an organization that can cure him, as well as give him super powers. He gives Wade his card and leaves.

Flash forward to the present, when Ajax appears on the bridge, steals a motorcycle and rides toward Deadpool. Out of ammo, he throws his sword at the front wheel of the bike, causing Ajax to crash. He then impales him against the bridge with his other sword. Ajax is a mutant who can't feel pain, so he simply sits there and laughs. Deadpool constantly calls Ajax by his real name of "Francis," which irks the supervillain no end. He lifts up his mask and says he wants Ajax to cure him.

Just then Colossus and Negasonic Teenage Warhead arrive. Colossus wants to take Deadpool back to the X-Mansion to get him to join the X-Men. Deadpool doesn't want to go and begins punching Colossus (a Russian mutant whose body is made of organic steel), but all he does is break his hands and foot. Colossus handcuffs Deadpool and drags him away. Deadpool cuts off his own hand to escape and hops into a passing garbage truck.

In another flashback, Wade feels he's out of alternatives, so he sneaks out of Vanessa's apartment and accepts the Recruiter's offer. He meets with Ajax and his superpowered assistant Angel Dust. Ajax injects Wade with an experimental serum and begins torturing him, claiming stress will activate his mutant genes. Wade finds out that Ajax's plan is to turn him into some sort of superpowered, mindless soldier. He also finds out that Ajax's real name is Francis and begins taunting him. Ajax angrily ramps up the torture. Wade's mutant cells activate, curing his cancer and making him virtually invulnerable. He's now able to heal from any injury, but the down side is his skin and face are horribly disfigured. Wade causes an explosion, which frees him from his capsule. He battles with Ajax, who handily beats him. Ajax tells him he's the only one who can fix his face, but won't do so as a punishment. He leaves Wade for dead as the facility collapses on top of him.

Wade survives of course, but fears Vanessa will be repulsed by his altered appearance, so he refuses to let her know he's still alive. He visits his pal Weasel at the bar, and says he wants to find Ajax and force him to fix his face. Weasel says Ajax thinks he's dead, so he should take advantage of that and wear a disguise. Wade takes his advice, makes a superhero costume and calls himself "Deadpool." He begins running rampant through the criminal underworld searching for Ajax. He finds The Recruiter and kills him after extracting Ajax's whereabouts from him.

Back in the present, Deadpool goes to his apartment, which he shares with an elderly black blind woman called Blind Al. He stays there until his hand grows back. Meanwhile Ajax goes to the bar to find Deadpool. He sees a photo of Wade and Vanessa there, realizes Deadpool's secret identity, and comes up with a plan to hurt him.

Weasel talks Deadpool into contacting Vanessa. He goes to the strip bar where she works, but can't bring himself to face her. Backstage Vanessa gets a message that an old boyfriend is waiting for her out back. Thinking it's Wade, she rushes into the alley, where Ajax captures her. Deadpool follows and sees her handbag on the ground and realizes she's been taken (where's Liam Neeson when you need him?).

Deadpool then gears up and goes to rescue Vanessa. He stops at the X-Mansion and picks up Colossus and Negasonic. He calls Dopinder, and the three of them cram into his cab. He drops them off at Ajax's hideout, which is in what appears to be a scuttled S.H.I.E.L.D. Helicarrier, but that can't be, because this isn't a Marvel Studios movie! Dopinder drives off, and Deadpool realizes he left his gun bag in his cab. D'oh!

The three mutants begin battling their way through Ajax's goons. Deadpool taunts Ajax by spelling out "Francis" with the bodies of his dead men. He climbs up to the deck of the not-Helicarrier and sees Ajax has Vanessa locked in a chamber just like the one that activated his powers. Deadpool and Ajax have an epic sword duel. Meanwhile Angel Dust pins Colossus and tries to pull his head off. Negasonic powers up and blasts her. The blast strikes the not-Helicarrier, which destabilizes it. It begins tilting as it collapses, and debris slides off the deck. Deadpool catches Vanessa's chamber and tosses it to safety.

Deadpool finds the injured Ajax and holds a gun to his head, demanding he fix his face. Ajax laughs and says he was lying about being able to cure him, and he's stuck as he is. Colossus tries to talk Deadpool out of killing Ajax, giving an impassioned speech on what it means to be a hero. In the middle of the speech Deadpool just shoots Ajax in the head and walks off.

Deadpool apologizes to Vanessa for abandoning her. She lifts up his mask and says his new face will take some getting used to, but she can handle it and kisses him.

Thoughts:
• As I said earlier, I have no feelings toward the Deadpool character one way or the other, so my expectations for this film were pretty low. Fortunately it was pretty darned good, and I liked it quite a bit. That said, even I have to admit the plot is pretty slim.

The screenwriters do their best to disguise this by presenting it in flashback form, to give it the illusion of complexity. If you rearranged all the scenes into chronological order, you'd have a pretty standard superhero origin story— the exact kind Deadpool is so anxious to skewer!

• Fox studio executives had absolutely no faith in this film (he, just like me!) and feared it would be a financial disaster. To hedge their bets, they ordered director Tim Miller to trim $7 million from the budget.

When I first read about this I was outraged, but after seeing the film I think Fox inadvertently did the film a favor. Unlike most superhero movies, the stakes in Deadpool are actually pretty small— it boils down to a guy trying to save his girlfriend. The world isn't in jeopardy, no cities are crushed and there's no bolt of blue energy stabbing up into the sky. This smaller scale actually benefits a hero like Deadpool.


I have a bad feeling that now that the film has succeeded beyond anyone's wildest dreams, the sequel is going to be a big budget, overblown mess.

• Does Deadpool's costume look familiar to you? Well, there's a reason for that. Artist Rob Liefeld has admitted that Deadpool was, ahem, inspired by a DC character called Deathstroke. 

Supposedly when he first showed the character to writer Fabian Nicieza, he said, "Hey, that looks like Deathstroke!" Deathstroke's real name was Slade Wilson, so in a burst of originality, Nicieza christened Deadpool as Wade Wilson. Why, that's a completely different name!

• Deadpool is the fifth comic book movie Ryan Reynolds has been in. He previously played Hannibal King in Blade: Trinity, an abortive version of Deadpool in X-Men Origins: Wolverine, Hal Jordan in Green Lantern, and Nick Walker in R.I.P.D.

• Are you scratching your head because you don't remember ever seeing Negasonic Teenage Warhead in any X-Men comics? Well, don't feel bad. The character appeared exacly one time, in New X-Men #115 in 2001. In fact it looks like she was a redshirt, created solely as cannon fodder, as she was killed off in the very same issue in which she first appeared. No doubt the Deadpool producers chose her because she's one of the most obscure (and no doubt most easily available) X-Men possible.

The movie version looks nothing like her comic counterpart, and her powers are quite different as well. In the comic she was a telepath with precognitive powers, not someone who could explode at will. Look at that image of her above. If that drawing wasn't based on the Reverend Mother from the 1984 Dune movie, then I'll eat my hat.

Personally I think Movie Negasonic is far more interesting than her the comic version. Her explosive movie powers certainly make more sense for someone with "Warhead" in their name.

By the way, Negasonic Teenage Warhead is named after a song by the band Monster Magnet.

• Supposedly Ryan Reynolds liked playing the character so much that he… "permanently borrowed" one of the Deadpool costumes and took it home.

• Who the hell is TJ Miller? I never even heard of him until a couple of months ago, and suddenly he's everywhere. He even hosted some recent Critic's Choice award show or something .

Thing is, he doesn't seem to have any discernible talent. I've never heard him say anything that's actually funny. Most of his lines in this film ("You look like an avocado had sex with an older avocado") thud to the floor like sacks of wet cement. It's like the guy who bags my groceries suddenly got an agent and began starring in TV and films.

• Does The Recruiter look familiar to you?

He should. He's played by actor Jed Rees, who was Teb the Thermian in one of my all time favorite movies, Galaxy Quest!

• Deadpool's primary superpower is his mutant healing ability, which allows him to recover from any wound. He even regrows his hand after he deliberately cuts it off to escape Colossus.

I wonder how far his healing ability goes? A hand is one thing. What would happen if you cut off his head? Would he grow that back? Would he be like a planarian, and his body would grow a new head, while his head grew a new body?

• I'm honestly amazed that Deadpool keeps his mask on throughout most of the film. In most superhero movies, the main character rips his mask off every chance he gets (as in the Spider-Man and Captain America movies). That's because the pinheads that run the studios want the audience to be able to see the faces of their high-priced talent as much as possible. The fact that Ryan Reynold's face is hidden behind a full head mask for most of the film is nothing short of a miracle.

Of course the fact that Reynolds looked like this for a good chunk of the film may be a factor in why he remained masked so much.

• I'm kind of surprised there was no payoff for the Dopinder subplot. As he drives Deadpool and the others to the not-Helicarrier, he admits he abducted his cousin and has him stashed in the trunk of the cab. Deadpool pretends to scold him (while secretly approving) and… that's the last we hear about the incident! Did he really go through with the abduction? Did he (gasp) actually kill his cousin, as Deadpool urged?

• Deadpool, Colossus and Negasonic Teenage Warhead take a cab to confront Ajax. Due to his enormous bulk, Colossus has to squeeze himself uncomfortably into the back seat.

I get the joke, but part of me has to ask why Colossus didn't just, oh, I don't know, turn back to human form during the cab ride.


• My favorite bit in the film— Deadpool and the others arrive at Ajax's not-Helicarrier, and Angel Dust, who's standing on the deck far above, glares down at them. Deadpool says, "Ooh, watch, she's gonna do a superhero landing!" Sure enough, Angel Dust leaps several hundred feet and lands in the traditional super pose, with one knee and fist planted firmly on the ground. Haw!

If you've seen even one superhero movie in your life, you'll be very familiar with that pose.

• Because this is a film about a Marvel character, there are tons of references, Easter eggs and shout outs. Ryan Reynolds claims there are at least a hundred, but he may have been exaggerating. Here are a few I noticed:


— In the opening "bullet time" credits, we see a wallet containing a photo of Ryan Reynolds in his Green Lantern costume, from the movie of the same name. There's also a coffee cup labeled "Rob L," referring to Deadpool creator Rob Liefeld, and a copy of a 2010 People Magazine with Ryan Reynolds on the cover (proclaiming him the Sexiest Man Alive).

— Deadpool contains several references to Hugh Jackman, who plays Wolverine in the various X-Men films. In the comics, Deadpool received his invulnerability from a serum derived from Wolverine's blood. By the way, this is the first film set in the X-Men Universe in which Wolverine doesn't appear.

— Before he becomes Deadpool, Wade wears a t-shirt with Bea Arthur's face on it, as he deals with a sleazy pizza delivery guy. This is a reference to the comic, in which Deadpool has an abnormal attraction to Arthur and The Golden Girls. Also, the pizza boxes in this scene are labeled "Feige's Favorites," which is obviously a shoutout to Marvel President Kevin Feige.

— Deadpool consistently implies that The Recruiter is a pedofile, and at one point even calls him "Jared." That's a squicky nod to former Subway spokesman Jared Fogle, who got in some pedo-y hot water last year.

— As Wade is being wheeled into Ajax's lab on a stretcher, he says, "And don't make the super suit green. Or animated!" This is a reference to the 2011 Green Lantern movie, in which Reynolds starred. You know, that movie gets a lot of crap from fandom, but I didn't hate it as much as most of the humans on Earth.


— In the lab, Wade is wheeled past a mutant with boney growths protruding from her back. This is probably supposed to be Marrow, a character from the X-Men comics.

— Also in the lab, Ajax becomes exasperated by Wade's constant quips and threatens to sew his mouth shut. That's obviously a nod to the previously mentioned "mouthless" Deadpool in X-Men Origins: Wolverine.

— Wade's girlfriend Vanessa is in the comics, where she has superpowers and goes by the codename "Copycat." I wonder if they'll address this in the inevitable sequel?

— When Colossus handcuffs Deadpool, he says he's taking him to see Professor X. Deadpool says, "Which one, McAvoy or Stewart? These timelines are so confusing!" Obviously this is a reference to the fact that both James McAvoy and Patrick Stewart have played the Professor. Heck, in X-Men: Days Of Future Past they both played him at the same time!

— During the lengthy bridge sequence, there's an exit sign labeled "Nicieza Street," which is a shoutout to Deadpool writer Fabian Nicieza. There's a "Parker Avenue" sign as well, which is most likely a reference to Peter Parker, aka Spider-Man.

— There's a very twisted reference in the film that may sail over the heads of most audience members. On the bridge, Deadpan cuts off his own hand to escape from Colossus. As he does so, a geyser of blood splatters all over Colossus' face. Deadpool says, "Are you there God? It's me, Margaret." That's the title of the famous novel by Judy Blume, which is a coming of age story of a young girl who, among other things, gets her first period (!).

— The mouthless Deadpool is referenced again in Vanessa's apartment. Wade holds up an action figure of the X-Men Origins: Wolverine version of Deadpool and says, "My most prized possession!" He then tosses it aside and reveals he was actually talking about his Wham! record album.

— Weasel convinces Deadpool to tell Vanessa he's still alive. As he leaves to meet with her, Weasel says, "Go get her, Tiger!" That's a paraphrase of Mary Jane Watson's catchphrase from the Spider-Man comics and films.

— As I mentioned in the plot outline, the final battle takes place on what is obviously meant to be a S.H.I.E.L.D. Helicarrier from The Avengers films (among others). That can't be! Helicarriers belong to Marvel Studios, and exist only in the Marvel Cinematic Universe. Due to legal and contract reasons, Fox can't use them. Somehow Fox managed to slip one in under the radar though. If you look close it's not the exact same design as the ones in the Marvel Studios movies, but it's pretty darned close. It's definitely a crashed and decommissioned Helicarrier.


— During the final battle, Deadpool takes out most of Ajax's soldiers. He stops when he recognizes one of them, and shouts, "Bob!" In the comic, Deadpool often teams up with a character named "HYDRA Bob. He works for the evil organization, but isn't really into it, seeing it as just another job. Again, due to licensing, Fox can't legally use the name "HYDRA," so in this film the character's just called "Bob." Whatever they call him, he's definitely HYDRA Bob though.

— In the mid credits scene, Deadpool appears in a robe and tells the audience to leave.

This is a pretty good recreation of the end credits scene in Ferris Bueller's Day Off, in which he also breaks the fourth wall and tells the audience the movie's over. Cool!

• Artist Rob Liefeld gets a "created by" credit at the end of the film, along with writer Fabian Nicieza. It's true they created the character, but their version was vastly different from the current version seen in the comics and this film. Their Deadpool started out as a mercenary hired to kill the New Mutants, and was a cipher with little or no personality.

Deadpool was given his own comic title in 1997, which was written by Joe Kelly. He's the one responsible for transforming the character into the 
wisecrack-spouting, fourth wall-breaking version that's so popular today. 

It kind of stinks that Kelly didn't get a credit as well. Yes, without Liefeld and Nicieza there'd be no Deadpool, but without Kelly we wouldn't be sitting here talking about this film.

Deadpool is an ultra violent and profane superhero movie that manages the difficult feat of skewering the genre while telling a decent story of its own. I give it a B+.

Friday, February 26, 2016

Marvel Vs Marvel

This week everyone's buzzing about the new Deadpool movie, which has already made a skajillion dollars and is on track to become the most successful R-rated movie ever.

A lot of people are congratulating Marvel Studios for pumping out yet another huge box office hit. Trouble is, this isn't a Marvel movie. Marvel Studios had absolutely nothing to do with Deadpool! It was made by 20th Century Fox.

See, Fox owns the movie rights to all the various X-Men characters, as well as the Fantastic 4Deadpool is considered an X-Men character, so Fox got custody of him. Sony owns the movie rights to Spider-Man (although they've recently made a complicated deal allowing him to appear in Marvel Studios films). 

Iron Man, Captain America, Thor, everyone in The Avengers, Guardians Of The Galaxy and Ant-Man all belong to Marvel Studios.

I can see how it could be tough for the average movie goer to figure out what movie was made by which studio, but it's actually pretty simple. There are two different Marvel logos, one for movies made by Marvel Studios, and one for those that aren't.

Non-Marvel Studios movies like The X-MenFant4stic, Spider-Man and Deadpool sport a simple logo on a red field.

Films actually made by Marvel Studios, like Iron Man and The Avengers, also feature a Marvel logo on a red background, but with the addition of the word "Studios" below.

See? Pretty simple. When the movie starts up, look for the word "Studios" in the logo. If it ain't there, then it's not a Marvel Studios picture.


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There's another way to tell if Marvel Studios actually made a movie or not, that involves the opening credits.

Non-Marvel Studios movies, such as Deadpool, begin with a series of comic book images falling into place, much like a flip book.

A two dimentional Marvel logo then slowly moves into view over the "flip book."

As the logo moves farther back, it becomes more distinct.

Eventually the comic pages fade away...

Leaving just the Marvel logo on a red field. 

Additionally, there's no special musical fanfare for the Non-Marvel opening. You simply hear the movie's theme song played over the sequence.

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The Marvel Studios intro is much more elaborate.

For one thing, Marvel Studios films all start with the Marvel fanfare. It begins with an urgent, staccato string intro, followed by a soaring, important-sounding brass theme.

Once again, we get the "flip book" effect...

However this time the images are mapped to a three dimensional Marvel logo.

The logo starts out vertically, and then slowly rotates until it's horizontal.

It continues to pull back as the entire word comes into view.

It pulls back some more...

Eventually the comic images fade from the three dimensional letters.

And the flip book fades as well, leaving the logo on a red field.

Then a bright, Abrams-esque lens flare appears below the logo.

It travels across the screen...

The flare fades away, revealing the word "Studios" under the logo. Note that at this point the logo is still three dimensional, and is casting a shadow on the red background.

The logo then flattens and becomes two dimensional. That's how you know you're about to watch a true Marvel Studios film!

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It might be better if the Non-Marvel Studios Marvel movies had a different colored logo to help avoid confusion, like this.

Personally I don't think Marvel Studios should label movies they didn't make with their logo at all! Marvel Studios had to know that 2015's Fant4stic was going to be a box office stinker. Plus I know from personal experience that a good portion of the movie-going public assumed it was a Marvel Studios film. What possible purpose did it serve Marvel Studios to let people think they dropped that particular cinematic deuce? If anything it harmed their brand rather than helped it.

If they were smart they'd completely remove their name from films made by other studios. Or at the very least come up with an alternate logo that explains it.
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